Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Led by the iconic Ian Curtis, Joy Division remains one of the most influential bands to emerge in the British Post-Punk Scene. In spite of Joy Division’s relatively short existence, their unique sound and distinct iconography have had a lasting impact on music fans and performers alike. This book disassembles the band’s contribution to rock music. Based on up-to-date original research, Heart And Soul brings together established and newly emerging scholars who provide detailed examinations the many layers of this multi-faceted and influential band and their singer, the late Ian Curtis, in particular. Given Joy Division’s complexities, the book draws upon a wide range of academic disciplines and approaches in order to make sense of this influential band

Sociology of culture --- Music --- Joy Division --- Great Britain --- Post-punk music --- Rock music --- History and criticism. --- Joy Division (Musical group) --- Rock and roll music --- Rock-n-roll music --- Popular music --- Postpunk music --- Punk rock music --- History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"A great deal has been written about punk and the dramatic changes it wrought in the transatlantic world of pop music. A wave of new music that was strongly influenced by the politics and sounds of punk-but less raw, more commercially successful-followed close on punk's heels in the late 1970s. (Think Joy Division, The Raincoats, Human League, Public Image Limited, The Slits.) Post-punk has always been controversial to the influential fans of punk and rock (music writers as well as music fans): post-punk is more self-consciously "arty" and cosmopolitan, engaged with genres outside the predominantly white-identified rock family tree (particularly reggae and disco), and has always been willing to question the valuing of authenticity over artifice (and pleasure). Haddon focuses on how post-punk's push beyond the tropes of rock and punk challenged prevalent ideas about what makes pop music culturally valuable and commercially successful, showing how post-punk's emphasis on artifice, identity politics, and eclecticism opened the door to wider discussions of these topics in the context of other genres ranging from glam and New Wave to indie rock"--

Post-punk music --- Popular music --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Postpunk music --- Punk rock music --- History and criticism --- Sociology of culture --- anno 1970-1979 --- anno 1980-1989 --- United Kingdom --- United States --- History and criticism. --- United States of America

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

A collection of over 650 original scans of printed ephemera and memorabilia from the prime years of the punk and post-punk movements. Andrew Krivine found himself and punk in the summer of 1977, when staying with a cousin who was at the heart of the protean movement in London. Since then he has amassed one of the world's largest collections of punk graphic design and memorabilia. Part of his collection has been on display at the Museum of Art Design in New York and the Cranbrook Art Museum in Michigan and is currently touring around the world. This book represents the cream of that collection - over 650 original scans of posters, flyers, covers and ads from the prime years of the movement which changed the world of graphic design forever. Unlike previous books of punk memorabilia, Too Fast to Live, Too Young to Die doesn't seek to tell the story of punk - we all know that - but instead tells of the graphic design of the period and of one man's obsession with creating a definitive and unparalleled collection of punk memorabilia. The illustrative content of Too Fast To Live, Too Young To Die is verified, critically assessed and given provenance by an array of graphic design experts, academics and commentators. Among them Steven Heller (former art director of New York Times), Dr Russ Bestley (reader in graphic design at the London College of Communication), Rick Poynor, Malcolm Garrett and Pullitzer and National Book Award-winning editor Michael Wilde. The book is beautifully produced with front and back cover artwork by Malcolm Garrett and Peter Saville, the designers behind some of punk's most memorable album covers.

Punk culture and art --- Punk rock music in art --- Post-punk music --- Graphic arts --- Graphic design (Typography) --- Commercial art --- Art and society --- Art --- 766.038 --- Punk en postpunk --- Grafische vormgeving : Groot-Brittannië ; 2de helft 20ste eeuw --- Art collections, Private --- Personal art collections --- Personal collections of art --- Private art collections --- Private collections of art --- Private art collections in art --- Advertising, Art in --- Advertising, Pictorial --- Advertising art --- Art, Commercial --- Art in advertising --- Commercial design --- Advertising --- Art and industry --- Posters --- Visual communication --- Motion picture billboards --- Typographic design --- Design --- Printing --- Layout (Printing) --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art and punk culture --- Postpunk music --- Punk rock music --- History --- Private collections --- Gebruiksgrafiek ; 1950 - 2000 --- Krivine, Andrew --- Art collections. --- Advertising. Public relations --- graphic design --- punk [international movement] --- grafisch ontwerp --- 766.036 --- punk --- twintigste eeuw --- Groot-Brittannië --- grafisch design --- grafische vormgeving