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In Platonic Occasions, Richard Begam and James Soderholm reflect upon a wide range of thinkers, writers and ideas from Plato, Descartes and Nietzsche to Shakespeare, the Romantics and the Moderns--from Evil, Love and Death to Art, Memory and Mimesis. The dialogues suggest that Percy Shelley was right when he claimed "We are all Greeks," and yet what have we learned about the initiatives of culture and literature since our classical predecessors? Begam and Soderholm's ten dialogues function as a series of dual-meditations that take Plato as an intellectual godfather while presenting a new form of dialogic knowledge based on the friction and frisson of two minds contending, inventing and improvising. The authors discuss not only what is healthy and vigorous about Western culture but also consider where that culture is in retreat, as they seek to understand the legacy of the Enlightenment and its relation to the contemporary moment. Platonic Occasionsis an experiment in criticism that enjoins the reader to imagine what the dialogic imagination can do when inspired by Platonic inquiry, but not bound by a single master and the singular mind. Beyond Socratic maieutics and Cartesian meditation is a form of intellectual interplay where it is impossible not to be of two minds.
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Les débats qui ont fait de la France des années 1980 le théâtre d'un renouvellement de la scène architecturale et de la remise en cause du paradigme moderniste comportent de nombreuses facettes. Parmi elles, la double influence italienne et anglo-saxonne est à l'origine d'un cas de synthèse emblématique, un laboratoire original d'expérimentation du projet architectural et urbain. Préface Introduction Italie-France : un champ magnétique architectural Publier Alexander, Lynch et Venturi en français France-Italie : expositions d'architecture et transferts culturels au tournant des années 1980 Beaubourg et la géopolitique du postmodernisme Un édifice à Toulouse de Robert Venturi, Denise Scott Brown et Associés : « anatomie » de l'hôtel du département de la Haute-Garonne Le caméléon à l'écoute : Renzo Piano en France De Bruxelles au Val d'Europe, les trajectoires d'unedoctrine populiste transnationale.
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