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Diese Studie entwirft eine Typologie des Verschwindens in der Literatur und spannt dabei den Bogen von vormodernen Texten bis hin zur unmittelbaren Gegenwartsliteratur. Überall auf der Welt verschwinden Menschen: Sie werden entführt, verschleppt, heimlich ermordet; sie verlaufen sich oder gehen einfach weg. Im Mittelpunkt steht die Frage, ob das Verschwinden als paradigmatisches Symptom der Moderne und Postmoderne angesehen werden kann. Untersucht werden zahlreiche literarische Texte, von Hawthorne über Poe, Borges, Auster bis hin zu Danielewski. Eine ausführliche Analyse gilt dem Werk Roberto Bolaños, der als Autor des Verschwindens schlechthin präsentiert wird.
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“In this remarkable, stimulating and urgent book, Jenni Ramone superbly underscores the power of reading to contest authority’s demands. Insisting upon the local as resistant, unruly and disruptive, Ramone pursues the practice of ‘located’ reading as both a significant literary preoccupation and a meaningful tool of political consciousness-raising. Rigorously interdisciplinary and persistently ground-breaking, Ramone’s study challenges at last the tired cliche that the global literary marketplace has effectively defused postcolonial literatures’ dissident designs.” - John McLeod, University of Leeds, UK. This book asks what reading means in India, Nigeria, the UK, and Cuba, through close readings of literary texts from postcolonial, spatial, architectural, cartographic, materialist, trauma, and gender perspectives. It contextualises these close readings through new interpretations of local literary marketplaces to assert the significance of local, not global meanings. The book offers longer case studies on novels that stage important reading moments: Alejo Carpentier’s The Lost Steps (1953), Leonardo Padura’s Adios, Hemingway (2001), Tabish Khair’s Filming (2007), Chibundhu Onuzo’s Welcome to Lagos (2017), and Zadie Smith’s Swing Time (2016). Chapters argue that while India’s literary market was disrupted by Partition, literature offers a means of moving beyond trauma; in post-Revolutionary Cuba, the Special Period led to exploitation of Cuban literary culture, resulting in texts that foreground reading spaces; in Nigeria, the market hosts meeting, negotiation, reflection, and trade, including the writer’s trade; while Black consciousness bookshops and writing in Britain operated to challenge the UK literary market, a project still underway. This book is a vindication of reading, and of the resistant power and creative potential of local literary marketplaces. It insists on ‘located reading’, enabling close reading of world literatures sited in their local materialities.
English literature --- History and criticism. --- Literature . --- Postcolonial/World Literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship
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“In this smart, wide-ranging study of texts on the move, the global history of the book becomes a counter-history of the nation. Rather than pitting one against the other, contributors show how entangled these spheres are – and how key print culture is to illuminating points of convergence and divergence. Moving skillfully between dog-eared volumes and the booksellers, readers and marketplaces that made them, this collection brims with insights about the lives of books and their role not simply in reflecting global relations but in creating them -- with every turn of the page.” — Antoinette M. Burton, Professor of History, University of Illinois, USA, and co-author with Isabel Hofmeyr of Ten Books that Shaped the British Empire. This collection is an edited volume of essays that showcases how books played a crucial role in making and materialising histories of travel, scientific exchanges, translation, and global markets from the late-eighteenth century to the present. While existing book historical practice is overly dependent on models of the local and the national, we suggest that approaching the book as a cross-region, travelling – and therefore global- object offers new approaches and methodologies for a study in global perspective. By thus studying the book in its transnational and inter-imperial, textual, inter-textual and material dimensions, this collection will highlight its key role in making possible a global imagination, shaped by networks of print material, readers, publishers and translators.
Books and reading --- Sociology of books and reading --- Sociology --- Sociological aspects. --- Books-History. --- Literature . --- Civilization-History. --- History of the Book. --- Postcolonial/World Literature. --- Cultural History. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Books—History. --- Civilization—History.
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This collection explores the interpretation of historical fiction through fictional representations of the past in an Asian context. Emphasising the significance of region and locality, it explores local networks of political and cultural exchanges at the heart of an Asian polity. The book considers how imagined pasts converge and diverge in developed and developing nations, and examines the limitations of representation at a time when theories of world literature are shaping the way we interpret global histories and cultures. The collection calls attention to the importance of acknowledging local tensions—both within the historical and cultural make-up of a country, and within the Asian continent—in the interpretation of historical fiction. It emphasizes a broad-spectrum view that privileges the shared historical experiences of a group of countries in close proximity, and it also responds to the paradigm shift in Asian Studies. Discussing how local conditions shape and create expectations of how we read historical fiction and working with the theme of fictionality and locality, the volume provides an alternative framework for the study of world literature.
Literature. --- Civilization --- Oriental literature. --- Asian Literature. --- Postcolonial/World Literature. --- Cultural History. --- Asian literature --- Cultural history --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- History. --- Historical fiction --- History and criticism. --- Literature . --- Civilization-History. --- Civilization—History.
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This book explains neoliberalism as a phenomenon of the capitalist world-system. Many writers focus on the cultural or ideological symptoms of neoliberalism only when they are experienced in Europe and America. This collection seeks to restore globalized capitalism as the primary object of critique and to distinguish between neoliberal ideology and processes of neoliberalization. It explores the ways in which cultural studies can teach us about aspects of neoliberalism that economics and political journalism cannot or have not: the particular affects, subjectivities, bodily dispositions, socio-ecological relations, genres, forms of understanding, and modes of political resistance that register neoliberalism. Using a world-systems perspective for cultural studies, the essays in this collection examine cultural productions from across the neoliberal world-system, bringing together works that might have in the past been separated into postcolonial studies and Anglo-American Studies.
Literature . --- Comparative literature. --- Literature, Modern-20th century. --- Postcolonial/World Literature. --- Comparative Literature. --- Contemporary Literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Comparative literature --- Literature, Comparative --- History and criticism --- Literature, Modern—20th century. --- Literature, Modern—21st century.
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‘This brilliant monograph offers dazzling readings of the aesthetics of sugar, cacao, coal, and oil in fiction and poetry from Trinidad, Brazil and Britain. Its analysis draws on cutting-edge world-ecology scholarship, significantly advancing theoretical understanding of key concepts such as the “commodity frontier.” The book also contributes substantially to the study of peripheral realisms and modernisms, assembling a rich corpus of canonical texts and understudied writing. It promises to become a field-defining classic of comparative environmental literary criticism.’ —Dr. Sharae Deckard, University College Dublin, Ireland. ‘This is the book I have been waiting for: a comparative literary study grounded not in nation-states but in the world’s commodity enclaves. Moving adroitly between the coal pits of Wales, cacao fields of Brazil and sugar plantations of Trinidad, Niblett uncovers and brilliantly analyzes a global literature of commodity frontiers and their environmental effects.’ — Ericka Beckman, Associate Professor, University of Pennsylvania, USA, and author of Capital Fictions: The Literature of Latin America’s Export Age (2012) Located at the intersection of world-literary studies and the environmental humanities, this book analyses how fiction and poetry respond to the ecological transformations entailed by commodity frontiers. Examining the sugar, cacao, coal, and oil frontiers in Trinidad, Brazil, and Britain, World Literature and Ecology shows how literary texts have registered the relationship between the re-making of biophysical natures and struggles around class, race, and gender. It combines a materialist theory of world-literature with the insights of the world-ecology perspective to generate compelling new readings of writers such as Rhys Davies, Yseult Bridges, Lewis Jones, José Lins do Rego, Ellen Wilkinson, Jorge Amado, Gwyn Thomas, and Ralph de Boissière. The book represents a timely intervention into a series of field-defining debates around peripheral realisms and modernisms, ecocriticism, and the energy humanities.
Ecology in literature. --- Literature . --- Comparative literature. --- Literature, Modern—20th century. --- Postcolonial/World Literature. --- Comparative Literature. --- Twentieth-Century Literature. --- Comparative literature --- Literature, Comparative --- Philology --- Belles-lettres --- Western literature (Western countries) --- World literature --- Authors --- Authorship --- History and criticism
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This book traces the global circulation of cultures and ideologies from the technological and democratic revolutions of the long nineteenth century to liberal and neoliberal modernity. Focussing on moments of coerced (colonial and postcolonial) and voluntary contact rather than national boundaries, the author draws attention to the global scope of literatures and geopolitical commodities as actants in world affairs, as in processes of liberalization, democratization, and trade, but also to the distinctiveness of each local environment at its moments of transculturation. Based in extensive experience in collaborative, multilingual, interdisciplinary networks, the book synthesizes existing theoretical scholarship, provides original case studies of world-historical Victorian and modern writers, and articulates a new interdisciplinary methodology for literary studies in a global context. It will be of interest to Victorianists, modernists, comparatists, political theorists, translators, and scholars of world literatures, world ecology, and globalization. .
Literature --- postkolonialisme --- literatuur --- wereldliteratuur --- anno 1800-1899 --- anno 1900-1999 --- Literature . --- Literature, Modern—19th century. --- Literature, Modern—20th century. --- Postcolonial/World Literature. --- Nineteenth-Century Literature. --- Twentieth-Century Literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship
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"Islam in the Eastern African Novel engages the novels of three important eastern African novelists--Nuruddin Farah, Abdulrazak Gurnah, and M. G. Vassanji--by centering Islam as an interpretive lens and critical framework. Mirmotahari argues that recognizing the centrality of Islam in the fictional works of these three novelists has important consequences for the theoretical and conceptual conversations that characterize the study of African literature. The overdue and sustained attention to Islam in these works complicates the narrative of coloniality, the nature of the nation and the nation-state, the experience of diaspora and exile, the meaning of indigenaity, and even the form and history of the novel itself"--
Literature . --- Fiction. --- Islam. --- African literature. --- Postcolonial/World Literature. --- African Literature. --- Farah, Nuruddin, --- Gurnah, Abdulrazak, --- Vassanji, M. G. --- Criticism and interpretation. --- Africa, East --- Intellectual life. --- East African literature --- Islam in literature. --- African literature --- History and criticism.
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Reading literary and cinematic events between and beyond American and Persian literatures, this book questions the dominant geography of the East-West divide, which charts the global circulation of texts as World Literature. Beyond the limits of national literary historiography, and neocolonial cartography of world literary discourse, the minor character Parsee Fedallah in Herman Melville’s Moby-Dick (1851) is a messenger who travels from the margins of the American literature canon to his Persian literary counterparts in contemporary Iranian fiction and film, above all, the rural woman Mergan in Mahmoud Dowlatabadi’s novel Missing Soluch (1980). In contention with Eurocentric treatments of world literatures, and in recognition of efforts to recast the worldliness of American and Persian literatures, this book maintains that aesthetic properties are embedded in their local histories and formative geographies. .
Literature. --- Comparative literature. --- Literature, Modern --- Comparative Literature. --- Nineteenth-Century Literature. --- Postcolonial/World Literature. --- 19th century. --- American literature. --- Persian literature. --- English literature --- Pakistani literature --- Agrarians (Group of writers) --- Literature, Modern-19th century. --- Literature . --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Comparative literature --- Literature, Comparative --- History and criticism --- American literature --- Persian literature --- History and criticism. --- Literature, Modern—19th century. --- World Literature. --- Literature
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This book tracks across history and cultures the ways in which writers have imagined cyclones, hurricanes, and typhoons, collectively understood as “tropical weather.” Historically, literature has drawn upon the natural world for its store of symbolic language and technical device, making use of violent storms in the form of plot, drama, trope, and image in order to highlight their relationship to the political, social, and psychological realms of human affairs. Charting this relationship through writers such as Joseph Conrad, Herman Melville, Gisèle Pineau, and other writers from places like Australia, Japan, Mauritius, the Caribbean, and the Philippines, this ground-breaking collection of essays illuminates the specificities of the ways local, national, and regional communities have made sense and even relied upon the literary to endure the devastation caused by deadly tropical weather.
Literature. --- Comparative literature. --- Literature, Modern --- Comparative Literature. --- Postcolonial/World Literature. --- Twentieth-Century Literature. --- Nineteenth-Century Literature. --- 19th century. --- 20th century. --- Weather --- Literature --- Comparative literature --- Literature, Comparative --- Philology --- Belles-lettres --- Western literature (Western countries) --- World literature --- Authors --- Authorship --- History and criticism --- Meteorology --- Literature . --- Literature, Modern-20th century. --- Literature, Modern-19th century. --- Literature, Modern—20th century. --- Literature, Modern—19th century. --- World Literature.
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