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Die Studie untersucht die Bedeutung vormoderner Theorien und Praktiken der Freundschaft für eine Geschichte des männlichen Porträts. Sie fragt nach der Rolle der Denkfigur der Freundschaft für die Konstruktionen des Selbst, das künstlerische Selbstverständnis, die Ökonomie des Kunstwerks, sowie für die Entstehung neuer Darstellungsformen.

Portraits, Renaissance. --- Portrait painting, Renaissance. --- Friendship --- Friendship in literature. --- History

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Painting, Italian --- Painting, Renaissance --- Self-portraits --- Peinture italienne --- Peinture de la Renaissance --- Autoportraits --- Portrait painting, Renaissance --- Self-portraits, Italian --- Self-portraits [Italian ] --- Italy --- Venice (Italy) --- Portrait painting [Renaissance ]

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Portrait painting, Renaissance --- Portraits, Renaissance --- Peinture de portraits de la Renaissance --- Portraits de la Renaissance

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Montaigne, de, Michel --- Portrait painting, Renaissance --- Authors, French --- Peinture de portraits de la renaissance --- Ecrivains français --- Congresses. --- Congresses --- Congrès --- Montaigne, Michel de, --- Ecrivains français --- Congrès --- Montaigne, Michel de --- Criticism and interpretation --- Portraits --- Portrait painting [Renaissance ]

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Portrait painting, Renaissance --- Renaissance portrait painting --- Dinteville, Jean de --- Holbein, Hans --- Selve, George de --- 'De ambassadeurs' (Holbein) --- Holbein, Hans [Younger]