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Map
Plan de Porto Bello en Amerique, dans le Istmo Pamnamo
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Year: 1740 Publisher: [Vienne chez Etienne Briffaut

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Map
Dieser Grund Riss von dem Hafen, der Stadt u. den Forten von Porto Belo (...) : Perspectivische Vorstellung des Hafens, Castels u. der Stadt Porto Belo (...) = Scenographia Portus Pulchri ex prototypo Londinensi recusa per Heredes Homannianos
Authors: ---
Year: 1740 Publisher: In Londen in Officina Homan[n]iana

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Map
Port, Baye Cul de Sac Royal dans la Martinique : Isle des Barbades une des isles Antilles : Cartagene située sur la côte de la Nouvelle Espagne dans l'Amerique Sept. : Port de Porto Belo à la côte sept. de l'isthme de Panama : tirés de l'Amerique de Mr Popple : Desbruslins sculp.
Authors: --- ---
Year: 1780 Publisher: A Paris chez Dezauche rue des Noyers, avec privilege du Roy

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Book
When the Devil Knocks : The Congo Tradition and the Politics of Blackness in Twentieth-Century Panama
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ISBN: 0814273726 0814212700 Year: 2015 Publisher: Columbus : Ohio State University Press,

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"Despite its long history of encounters with colonialism, slavery, and neocolonialism, Panama continues to be an under-researched site of African Diaspora identity, culture, and performance. To address this void, Renee Alexander Craft examines an Afro-Latin Carnival performance tradition called "Congo" as it is enacted in the town of Portobelo, Panama-the nexus of trade in the Spanish colonial world. In When the Devil Knocks: The Congo Tradition and the Politics of Blackness in Twentieth-Century Panama, Alexander Craft draws on over a decade of critical ethnographic research to argue that Congo traditions tell the story of cimarronaje, charting self-liberated Africans' triumph over enslavement, their parody of the Spanish Crown and Catholic Church, their central values of communalism and self-determination, and their hard-won victories toward national inclusion and belonging. When the Devil Knocks analyzes the Congo tradition as a dynamic cultural, ritual, and identity performance that tells an important story about a Black cultural past while continuing to create itself in a Black cultural present. This book examines "Congo" within the history of twentieth century Panamanian etnia negra culture, politics, and representation, including its circulation within the political economy of contemporary tourism"--

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