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Sound recording industry --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Music trade --- Graphics industry --- Italy
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Music trade --- Sound recording industry --- Music trade. --- Sound recording industry. --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Music business --- Music industry --- Cultural industries
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Enregistrements sonores--Industrie --- Geluidsopnamen--Industrie --- Music trade --- Musique--Commerce --- Muziek--Handel --- Organ trade --- Piano trade --- Popular music record industry --- Record industry --- Recorded music industry --- Sound recording industry --- Music trade. --- Sound recording industry.
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Le chant de l'oiseau-lyre d'Australie, les vents de Patagonie, les flûtes sacrées "Aré" aré des Iles Salomon, les vibrations des bâtiments de nos villes ou les louanges exaltées des pêcheurs de perles de Bahreïn ne sont que quelques exemples des innombrables sons et musiques abordés dans cet ouvrage consacré à la pratique du field recording, de l'enregistrement de terrain. Tout au long du XXe siècle, des hommes ont parcouru le monde afin de capter des curiosités sonores pour des raisons scientifiques, patrimoniales et esthétiques.Ce sont des audio-naturalistes, des collecteurs de musique traditionnelle, mais aussi des compositeurs avides de découvrir un nouveau matériau musical. Les microphones sont leurs outils, voire leurs instruments, l'écoute est leur méthode d'approche. En sortant du studio, ils prennent le risque de se confronter à l'imprévisible, à l'incontrôlable, au fragile parfois. Ils se nomment Alan Lomax, Chris Watson ou encore Luc Ferrari. Cent disques rendent ici compte de leur quête, toujours en cours, du "chant du monde". Une riche introduction et trois interviews de figures majeures du field recording (Jean C Roché, Bernard Lortat-Jacob et Peter Cusack) complètent cette anthologie.
Enregistrements sonores--Industrie --- Geluidsopnamen--Industrie --- Popular music record industry --- Record industry --- Recorded music industry --- Sound recording industry --- Field recordings --- Sound recordings. --- Enregistrements de terrain (Musique) --- Enregistrements sonores --- Selected discography --- Musique --- Son --- Environnement sonore --- Bruit --- 78
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Sound recording industry --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Music trade --- History. --- King Record Company --- King Records (Firm) --- History --- E-books
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A Century on Record gives a narrative history of American popular music and the pop music industry. Organised by decade, each chapter gives an overview of the major developments for all types of popular music making.
Sound recording industry --- Popular music --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Music trade --- History. --- History and criticism. --- United States --- History --- History and criticism
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"From 1987 to 1995, Bristol, England's Sarah Records was a modest underground success and, for the most part, a critical laughingstock in its native country-sneeringly dismissed as the sad, final repository for a fringe style of music (variously referred to as ?indie-pop,? ?C86,? ?cutie? and ?twee?) whose moment had passed. Yet now, more than 20 years after its founders symbolically ?destroyed? it, Sarah is among the most passionately fetishized record labels of all time. Its rare releases command hundreds of dollars, devotees around the world hungrily seek out any information they can find about its poorly documented history, and young musicians-some of them not yet born when Sarah shut down-claim its bands (such as Blueboy, the Field Mice, Heavenly, and the Wake) as major influences. Featuring dozens of exclusive interviews with the music-makers, producers, writers and assorted eyewitnesses who played a part in Sarah's eight-year odyssey, Popkiss: The Life and Afterlife of Sarah Records is the first authorised biography of an unlikely cult legend."--
Sound recording industry --- Indie pop music --- Independent pop music --- Alternative rock music --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Music trade --- History. --- History and criticism. --- Sarah Records --- Music
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In 1949, immigrant recording engineer Moses Asch embarked on a lifelong project: documenting the world of sound produced by mankind, via a small record label called Folkways Records. By the time of his death in 1986, he had amassed an archive of over 2,200 LPs and thousands of hours of tapes; so valuable was this collection that it was purchased by the Smithsonian Institute. Folkways Records is an account of how he built this business, working against all odds, to create a landmark in the history of American music.
Music --- Music, Dance, Drama & Film --- Music Philosophy --- Sound recording industry --- Sound recording executives and producers --- History. --- Asch, Moses. --- Folkways Records --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Asch, Moe --- Smithsonian Institution. --- Music trade --- Smithsonian/Folkways Recordings --- Asch, Moses --- United States --- History
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The Death and Life of the Music Industry in the Digital Age challenges the conventional wisdom that the internet is 'killing' the music industry. While technological innovations (primarily in the form of peer-to-peer file-sharing) have evolved to threaten the economic health of major transnational music companies, Rogers illustrates how those same companies have themselves formulated highly innovative response strategies to negate the harmful effects of the internet. In short, it documents how the radical transformative potential of the internet is being suppressed by legal and organisational innovations. Grounded in a social shaping perspective, The Death and Life of the Music Industry in the Digital Age contends that the internet has not altered pre-existing power relations in the music industry where a small handful of very large corporations have long since established an oligopolistic dominance. Furthermore, the book contends that widespread acceptance of the idea that online piracy is rampant, and music largely 'free' actually helps these major music companies in their quest to bolster their power. In doing this, the study serves to deflate much of the transformative hype and digital 'deliria' that has accompanied the internet's evolution as a medium for mass communication.
Musique --- Musique et technologie --- Sound recording industry --- Music and technology. --- Industrie et commerce --- Aspect social --- Social aspects. --- muziek --- muziekindustrie --- nieuwe media --- cultuurfilosofie --- digitale muziek --- 78 --- Aspect social. --- Musique et technologie. --- Music and technology --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Technology and music --- Social aspects --- Music trade --- Technology
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Sound recording industry --- -#SBIB:309H141 --- #SBIB:003.AANKOOP --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Music trade --- History --- Organisatorische aspecten van de fonografische industrie --- EMI Records Ltd --- -History --- -E.M.I. Records, ltd. --- E.M.I. Records Ltd. --- EMI Records (UK) --- Electric and Musical Industries Limited. --- Gramophone Company
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