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Hippies --- Counterculture --- Civilization, Modern --- Contre-culture --- Civilisation --- Hippies. --- Popular culture --- History --- Popular culture - History - 20th century.
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Nanette Norris is the editor of this collection of ten essays on popular culture. The essays cover a vast track of time during the twentieth century and are a sampling of current scholarship on Ireland. The collection uses cultural, historical, and economic contextualization to analyze its consumption. The essays are united in their attempt to use hindsight to explain the influence of popular culture depicting iconic images in film, television, music, and even comic books.
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Avant-garde (Aesthetics) --- Popular culture --- Fascism --- Arts, Modern --- History --- CDL --- 7.037 --- Aesthetics --- Modernism (Art) --- Popular culture - History - 20th century. --- Fascism - History - 20th century. --- Arts, Modern - 20th century. --- Art --- History of civilization --- anno 1930-1939 --- Germany
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Comment la culture aux États-Unis est-elle passée d'une réalité partagée par des publics socialement diversifiés à un univers clairement séparé des pratiques de divertissement et réservé à une élite ? Pour répondre à cette question, l'historien américain Lawrence W. Levine retrace la trajectoire, au tournant des XIXe et XXe siècles, des formes d'expression qui constituent aujourd'hui la culture «savante» : théâtre - en particulier shakespearien, sur lequel il s'attarde pour montrer à quel point le spectateur ordinaire s'était approprié le répertoire et se manifestait durant les spectacles... -, opéra, musique symphonique, musées. Levine enquête à la fois sur le langage employé pour évoquer et classer les biens culturels, sur les institutions mises en place par les élites urbaines pour imposer leurs normes et sur les pratiques des spectateurs et leurs résistances. Par un processus de «sacralisation» et de «bifurcation», la riche «culture publique partagée» qui caractérisait les États-Unis jusqu'au milieu du XIXe siècle se serait fracturée en cultures séparées et hiérarchisées. L'auteur analyse ainsi les rapports de pouvoir à l'oeuvre dans la définition, l'organisation et la réception de la culture. Il montre comment la notion même de culture s'est trouvée étroitement associée aux notions d'ordre et de hiérarchie, et comment les publics ont été «disciplinés». Devenu une référence outre-Atlantique, Culture d'en haut, culture d'en bas a renouvelé la compréhension de la réception des oeuvres, de la «légitimité culturelle», des politiques culturelles et de la place des publics dans les institutions.
Popular culture --- Arts --- Culture diffusion --- Social classes --- Culture populaire --- Diffusion culturelle --- Classes sociales --- United States --- History --- Sociologie de la culture --- États-Unis --- Vie intellectuelle --- Histoire --- Histoire. --- Popular culture - United States --- Arts - United States --- United States - Popular culture - History - 20th century
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Vienna (Austria) - Social conditions. --- Vienna (Austria) - Social policy. --- Working class - Austria - Vienna - History - 20th century. --- Vienna (Austria) - Popular culture - History - 20th century. --- Austro-Marxist school - History - 20th century. --- Vienna (Austria) - History - 1918-
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A broadly interdisciplinary study of the pervasive secrecy in America cultural, political, and religious discourse. The occult has traditionally been understood as the study of secrets of the practice of mysticism or magic. This book broadens our understanding of the occult by treating it as a rhetorical phenomenon tied to language and symbols and more central to American culture than is commonly assumed. Joshua Gunn approaches the occult as an idiom, examining the ways in which acts of textual criticism and interpretation are occultic in nature, as evident in prac
Language and languages. --- Mass media. --- Mass media -- History -- 20th century. --- Occultism -- History -- 20th century. --- Occultism - Social aspects. --- Popular culture - History - 20th century. --- Popular culture -- History -- 20th century. --- Occultism --- Mass media --- Popular culture --- Social Sciences --- Parapsychology & Occult Sciences --- Mass communication --- Media, Mass --- Media, The --- Communication --- Art, Black (Magic) --- Arts, Black (Magic) --- Black art (Magic) --- Black arts (Magic) --- Occult, The --- Occult sciences --- Supernatural --- New Age movement --- Parapsychology --- History
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Music --- Sociology of culture --- Popular music --- Popular culture --- Musique populaire --- Culture populaire --- History and criticism. --- History --- Histoire et critique --- Histoire --- History and criticism --- #SBIB:AANKOOP --- #SBIB:309H140 --- #SBIB:316.7C140 --- #SBIB:316.7C215 --- Populaire muziek: algemene werken --- Cultuursociologie: cultuur en globale samenlevingen --- Cultuursociologie: muziek --- Popular music - History and criticism --- Popular culture - History - 20th century --- 20e siècle --- 20e siècle
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Philosophy and psychology of culture --- Ethnology. Cultural anthropology --- Civilization, Modern --- Popular culture --- Civilisation --- Culture populaire --- History --- Mythe --- Rites et cérémonies --- Sociologie --- Moeurs et coutumes --- Aspect social --- Popular culture. --- Sociologie. --- Moeurs et coutumes. --- Aspect social. --- Civilization, Modern - 1950 --- -Popular culture - History - 20th century.
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