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Serbia's national movement of the 1980s and 1990s, the author suggests, was not the product of an ancient, immutable, and aggressive Serbian national identity; nor was it an artificial creation of powerful political actors looking to capitalize on its mobilizing power. Miller argues that cultural processes are too often ignored in favor of political ones; that Serbian intellectuals did work within a historical context, but that they were not slaves to the past. His subjects are Dobrica Ćosić (a novelist), Mića Popović (a painter) and Borislav Mihajlović Mihiz (a literary critic). These three influential Serbian intellectuals concluded by the late 1960s that communism had failed the Serbian people; together, they helped forge a new Serbian identity that fused older cultural imagery with modern conditions.

Ćosić, Dobrica, --- Popović, Mića --- Mihajlović-Mihiz, Borislav, --- Popović, Miodrag-Mića --- Popoviḱ, Miḱa --- Поповић, Мића --- SRS --- RS de Serbije --- SR Srbija --- Srbija --- Servia --- Sot︠s︡ialisticheskai︠a︡ Respublika Serbii︠a︡ --- Serbii︠a︡ --- Narodna Republika Srbija --- N.R. Serbii︠a︡ --- NR Serbii︠a︡ --- Socialist Republic of Serbia --- Republic of Serbia --- Socijalistička Republika Srbija --- Republika Srbija --- People's Republic of Serbia --- Szerbia --- Србија --- Intellectuals --- Intelligentsia --- History --- Criticism and interpretation. --- Serbia --- Intellectual life --- Mihajlović-Mihiz, Borislav, --- Popović, Mića --- Ćosić, Dobrica, --- Persons --- Social classes --- Specialists --- Tchossitch, Dobritsa, --- Ḱosiḱ, Dobrica, --- Ćosić, Dobroslav, --- Ћосић, Добрица, --- Serbia and Montenegro --- Mihiz, Borislav Mihajlović-, --- Mihajlović, Borislav, --- Михиз, Борислав Михаијловић, --- Михаијловић-Михиз, Борислав, --- 20th century, Communism, History, Identity, Intellectuals, Nationalism, Serbia, Yugoslavia.