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The Rock-and-Roll Hall of Fame inductee and co-founder of Talking Heads presents a celebration of music that offers insight into the roles of time, place and recording technology, discussing how evolutionary patterns of adaptations and responses to cultural and physical contexts have influenced music expression throughout history and culminated in the 20th century's transformative practices. This work is an account of a life in music and an explanation of how and why music works from one of the world's most accomplished performers. With his albums for Talking Heads, his work with Brian Eno or his solo output, the author has been consistently at the forefront of musical, and artistic, innovation. In this book he explores why the past matters and what the future might bring. From personal accounts of devising and performing his most famous work, to an exploration of the possibilities of new technologies, he discovers that artistic creation is less about an internal creative spark than we thought and more about external factors such as history, architecture and technology. "The universe of music follows broad and basic evolutionary patterns-as does birdsong, to take one example. It seems the will only triumphs if the context is amenable, just as in Darwinian adaptation. What we hear is determined by what we want to hear, by what can be heard, and by the circumstances that allow it to come into being."

Music --- Musicians --- 781.1 --- 78.07 --- 78.01 --- Muziek ; componisten ; David Byrne --- New Wave --- Pop en rock --- Byrne, David °1952 (°Dumbarton, Schotland, Groot-Brittannië) --- Artists --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Music psychology --- Music and society --- Social aspects --- Psychological aspects --- History and criticism --- Philosophy and aesthetics --- Geluidskunst --- Musici, componisten, zangers --- Muziek ; theorie, filosofie, esthetica --- Philosophy --- Psychology --- Byrne, David,

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Matthew Stadler joins with Smoke & Dust, a non-profit record label and publishing house in Ghent run by Tim Bryon, Valentijn Goethals and Tomas Lootens, contributing the essay 'So Many Dark Gifts' to this photo-rich volume exploring the group's varied, cross-media output. From punk rock shows, posters and screen printing, to nomadic radio and providing a platform for young artists, the group enforces confrontation with an audience and a public space. Constantly on the hunt for new impulses, whether visually or musically, the focus is always on experimental artistic forms. In his essay, Stadler emphasises the role Goethals plays, and also what fascinates him.

7.07 --- Beeldende kunst installaties 2014 Valentijn Goethals --- Goethals, Valentijn °1987 (°Torhout, België) --- kunst en maatschappij kunst en massamedia --- Belgische kunstenaars 21ste eeuw --- Pop en rock --- Prijs voor Beeldende Kunst van de Provincie West-Vlaanderen --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Goethals, Valentijn --- Smoke & Dust [Ghent] --- advertising --- Advertising. Public relations --- advertenties --- reclamevormgeving --- art [fine art] --- Art --- advertisements --- Beeldende kunst ; installaties ; 2014 ; Valentijn Goethals --- kunst en maatschappij ; kunst en massamedia --- Belgische kunstenaars ; 21ste eeuw --- 019 [Ghent] --- art [discipline] --- communication design