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MUSIC / Genres & Styles / International --- Popular music --- MUSIC --- Popular music. --- MUSIC / Genres & Styles / Pop Vocal --- History and criticism. --- Genres & Styles --- Pop Vocal. --- Spain.
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Las relaciones musicales entre España y América han sido y son motivo de atención por parte de académicos, investigadores y, sobre todo, de los públicos receptores que consumen, disfrutan y resignifican repertorios, conceptos e identidades. El presente libro, América como horizonte, se presenta como un espacio de reflexión que transita en torno a esa línea imaginaria donde parecen confluir las prácticas artísticas que se generan a uno y otro lado del Atlántico.Los diálogos derivados de estas relaciones transatlánticas no son unidireccionales: ya en el siglo XIX, junto al gusto por lo español o europeo, apareció igualmente el atractivo por el exotismo de ultramar, algo que pervivió durante el siglo XX. A estos procesos de creación, difusión y recepción, prestamos atención a través de trece capítulos que exploran la relevancia de los intérpretes de la escena popular, como la Argentinita, Celia Gámez, Antonio Machín o Carmen Sevilla, que triunfaron en una y otra orilla, las giras a lo largo del continente americano, la importancia de la danza y del flamenco, y las migraciones y trasvases culturales de expresiones musicales y artísticas, entre otros aspectos. Unas aproximaciones que nos permitirán comprender prácticas artísticas, músicas, épocas y tensiones, entre lo local y lo cosmopolita, y lo propio y lo identitario, que aún hoy merecen ser estudiadas y comprendidas.
Music --- Popular music --- History and criticism. --- Social aspects. --- MUSIC / Genres & Styles / Pop Vocal.
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Pop stars have provided audiences with performative moments that have become ingrained in popular consciousness. They are a lens through which deeper understandings about race, gender, politics, history and the artistic process can be understood. When combined with the most affective of mediums – cinema, the combination can be both thrilling and alarming.From the relatively early days of cinema, figures from the world of popular music have made forays into acting and contributed cameo appearances. From Little Richard and Kylie Minogue to Nick Cave and Tom Waits, Pop Stars On Film: Popular Culture in a Global Market offers a collection of essays on some of the most influential international performances from a diverse range of cultural icons.The book considers industry shifts, access and diversity, but also the notion of cultural appropriation, audience appeal, marketing and demographics. Perhaps most importantly, the publication will look at what happens when cultures collide and coalesce.
Film theory & criticism. --- Music --- Performing Arts --- Popular music, easy listening. --- Genres & Styles --- Pop Vocal. --- Film & Video --- History & Criticism. --- Sociology of culture --- Film --- Musicians in motion pictures. --- Motion pictures --- History
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Making the Scene in the Garden State explores New Jersey’s rich musical heritage through stories about the musicians, listeners and fans who came together to create sounds from across the American popular music spectrum. The book includes chapters on the beginnings of musical recording in Thomas Edison’s factories in West Orange; early recording and the invention of the Victrola at Victor Records’ Camden complex; Rudy Van Gelder’s recording studios (for Blue Note, Prestige, and other jazz labels) in Hackensack and Englewood Cliffs; Zacherley and the afterschool dance television show Disc-o-Teen, broadcast from Newark in the 1960s; Bruce Springsteen’s early years on the Jersey Shore at the Upstage Club in Asbury Park; and, the 1980s indie rock scene centered at Maxwell’s in Hoboken. Concluding with a foray into the thriving local music scenes of today, the book examines the sounds, sights and textures of the locales where New Jerseyans have gathered to rock, bop, and boogie.
Popular music --- Sound recording industry --- History and criticism. --- History. --- Criticism, History, United States, State, Local, Middle Atlantic, Popular Culture, music, Genres, Styles, Pop Vocal, social science, Media Studies, Machine Company, Thomas Edison, Cool Ghoul, Twenty-First Century, Upstage Club, Asbury Park, scene, Rudy Van Gelder, First Recording Studio, Bandstand, Garden State, New Jersey, musicians, listeners, fans, music spectrum, popular music, musical recording, West Orange, Jersey Shore, 1980s, sounds, sights, textures, rock, bop, boogie, Hoboken, Maxwell’s, Blue Note, Prestige, jazz, Hackensack, Englewood Cliff, Zacherley, television show, Disc-o-Teen, broadcast, Newark, Bruce Springsteen.
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Burma's Pop Music Industry is the first book to explore the contemporary pop music industry in a country that is little known or understood in the West. Based on years of fieldwork in Burma/Myanmar, Heather MacLachlan's work explores the ways in which aspiring musical artists are forging a place within the highly repressive social and political context that is Burma today. It deals sensitively with issues such as negotiating local and global styles,performance contexts and practices, and, more importantly, with ethical issues such as the anonymity of informants and the place of Western ethnomusicologists in countries outside the West. Drawn from interviews conducted from 2007 through 2009 with Burmese composers, performers, producers, concert promoters, journalists, recording engineers, radio station employees, music teachers, and censors in Yangon -- Burma's largest city and the locus of all pop music production -- Burma's Pop Music Industry represents a significant contribution both to popular music studies and to Southeast Asian studies.
Popular music --- Popular music. --- Music trade. --- PHILOSOPHY --- MUSIC --- Music trade --- Social aspects. --- Censorship. --- General. --- Genres & Styles --- Pop Vocal. --- New Age. --- International. --- Censorship --- Social aspects --- History and criticism. --- Burma. --- Music business --- Music industry --- Cultural industries --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Barma --- Birma --- Birmânia --- Birmanie --- Birmanskiĭ Soi͡uz --- Birmanya --- Birmo --- Bŏma --- Bourma --- Burma --- Burmah --- Dēmokratia tēs Enōsēs tēs Mianmar --- Enōsē tou Mianmar --- Maenmar --- Miandian --- M'i͡anma --- Mianmar --- Mianmari Államszövetség Köztársasága --- Mien Chin --- Mijanmar --- Mijanmarska Unija --- Miyanma --- Mjanma --- Mjanmaa Unio --- Mjanmao --- Mjanmar --- Mranʻ m --- Mranʻ mā Nuiṅʻ ṅaṃ toʻ --- Myanma --- Myanma Birliyi Respublikası --- Myanma Naingngandaw --- Myanmar --- Myanmar Unionens Republik --- Myanmari Liidu Vabariik --- Myanmarin tasavallan unioni --- Myanmarko Batasuna --- P'idaŭnzu M'i͡anma Naĭnhanda --- Praññʻ thoṅʻ cu Chuirhayʻlacʻ Sammata Mranʻ mā Nuiṅʻ ṅaṃ toʻ --- Praññʻ thoṅʻ cu Sammata Mranʻ mā Nuiṅʻ ṅaṃ toʻ --- Puruma --- Pye Tawngsu Thammada Myanma Naingngan --- Pyi-daung-zu Myan-mar Naing-ngan-daw --- Pyidaungsu Myanmma Naing Ngan-Daw --- Pyidaungsu Socialist Thammada Myanma Naingngandaw --- Pyidaungsu Thamada Myanmar Naing-Ngan-Daw --- Pyidaungzu Myanma Naingngandaw --- Pyidaungzu Thammada Myanma Naingngandaw --- Pyidaunzu Thanmăda Myăma Nainngandaw --- Republic of the Union of Myanmar --- República de la Unió de Myanmar --- República de la Unión de Myanmar --- Republik der Union von Myanmar --- Republika Sŭi͡uz Mianmar --- République de l'Union du Myanmar --- Rėspublika Sai͡uz M'i͡anma --- Sai͡uz M'i͡anma --- Socialist Republic of the Union of Burma --- Svazová republika Myanmar --- Undeb Myanmar --- Unie van Birma --- Unie van Mianmar --- Unija Mjanmar --- Unión de Birmania --- Unión de Myanmar --- Union of Burma --- Union of Myanmar --- Virmania
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