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American fiction --- Working class whites in literature. --- Poor in literature. --- History and criticism. --- Southern States --- In literature. --- Poor in literature --- Working class whites in literature --- History and criticism
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Spanish fiction --- Poor in literature --- Social classes in literature --- Picaresque literature, Spanish --- Antiheroes in literature
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The primal scene of all nineteenth-century Western thought might well be the moment an observer gazed at someone poor, most commonly on the streets of a great metropolis, and wondered what the spectacle meant in human, moral, political, and metaphysical terms. In Russia, where so much of the population was impoverished, the moment held special significance. David Herman examines how Russian writers portrayed this poverty and what their portrayal reveals and articulates about core values of Russian culture.Focussing on specific texts but addressing the literary tradition as a whole, Herman begins with Karamzin's immensely popular story "Poor Liza", the first in a sequence of poverty narratives that self-consciously address one another. He then considers Pushkin's "Egyptian Nights"; Gogol's "Overcoat", Petersburg tales, and Selected Passages; and Dostoevsky's Idiot and 1880 "Pushkin speech".With a series of innovative readings, Poverty of the Imagination teases out a Russian discourse on lack which owes its peculiar richness to an insistence on solving simultaneously problems of social justice, national identity, and the ethics of the human imagination. As prominently as poverty figures in Russian literature, this is the first sustained analysis of its literary, conceptual, and cultural implications. As such, it deepens our understanding and appreciation of some of the most widely read literature of all time.
Russian literature --- Poor in literature. --- Poverty in literature. --- History and criticism.
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Working class whites in literature. --- Naturalism in literature. --- Poor in literature. --- Law, John,
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Armut, ein globales und menschheitsgeschichtliches Phänomen, zählt zu den drängendsten Problemen der Gegenwart. Doch jenseits politischer Diskurse und medialer Skandalisierungen scheinen Not, Mangel und Ausgrenzung kaum ein ästhetisches Recht beanspruchen zu können. Die Gleichsetzung von ästhetischem und materiellem Vermögen wird indes bereits in der Antike kritisch reflektiert. Dass auch in der deutschsprachigen Literatur unschöne Armut und schöne Literatur nicht notwendig im Widerspruch zueinander stehen, belegen die Autorinnen und Autoren des Bandes. Die Beiträge rücken die produktive Spannung zwischen den materiellen Bedingungen und ihren ästhetischen Transformationen als vielgestaltige Ökonomien der Armut in den Blick. Nicht zuletzt stellt sich mit der Frage nach den sozialen Verhältnissen in der Literatur auch diejenige nach einem social turn in den Kulturwissenschaften.
Poverty in literature. --- Poor in literature. --- Social classes in literature. --- German literature --- History and criticism.
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English literature --- Thematology --- History of civilization --- anno 1600-1699 --- anno 1500-1599 --- Beggars in literature. --- Literature and society --- Poor in literature. --- Poverty in literature. --- History
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Naturalism in literature --- Working class whites in literature --- Poor in literature --- Law, John, --- Law, John --- Law, John, - 1854-1923 - City girl
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French literature --- Poor in literature --- Literature and society --- Littérature française --- Pauvres dans la littérature --- Littérature et société --- France --- France --- Social conditions --- Conditions sociales
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In this ground-breaking study, Anne Cruz examines the treatment of poverty, prostitution, war, and other social concerns in the cultural and literary discourses of early modern Spain. This book investigates the polemics on poor relief through religious charity and secularized reform articulated not only in the Spanish picaresque canon - Lazarillo de Tormes, Guzm¯n de Alfarache, El busc3/4n - but also in female picaresque narratives and soldiers' tales. Emphasizing Bakhtin's notion that discursive practices must be assessed as they intersect and become textualized in history, the book also looks at this literature in relation to normative writings such as royal decrees, regulations, economic proposals, synods, and sermons. Through these discourses, authors and authorities alike debated their theories of poor assistance for both men and women, from the critique of unregulated prostitution in works such as La lozana andaluza to the control of impoverished youths through military conscription as in Alonso de Contreras and Estebanillo Gonz¯lez. The rupture of the feudal system and the economic devastation of the country precipitated a dramatic rise in the number of poor, who were increasingly perceived as delinquents by an anxious populace. The book employs Foucault's paradigms of confinement and control to study the various suggestions for the social containment of Spain's marginalized elements. Positing that the literary p¦caros and p¦caras assume the role of scapegoats for this disenfranchised social Other, Cruz further argues that the picaresque novels respond dialectically to the growing demonization of the poor in early modern Spanish culture.
Armoede in de literatuur --- Pauvreté dans la littérature --- Poverty in literature --- Picaresque literature, Spanish --- Spanish fiction --- Poor in literature --- Social problems in literature --- History and criticism --- Picaresque literature [Spanish ] --- Classical period, 1500-1700 --- Poverty in literature. --- Poor in literature. --- Social problems in literature. --- History and criticism.
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Rogue Performances recovers eighteenth and nineteenth-century American culture's fascination with outcast and rebellious characters. Highwaymen, thieves, beggars, rioting mobs, rebellious slaves, and mutineers dominated the stage in the period's most popular plays. Peter Reed also explores ways these characters helped to popularize theatrical forms such as ballad opera, patriotic spectacle, blackface minstrelsy, and melodrama. Reed shows how both on and offstage, these paradoxically powerful, persistent, and troubling figures reveal the contradictions of class and the force of the disempowered in the American theatrical imagination. Through analysis of both well known and lesser known plays and extensive archival research, this book challenges scholars to re-think their assumptions about the role of class in antebellum American drama.
American drama
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American drama
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American drama.
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Armut
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