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Wood sculpture, Late Gothic --- Polychromy --- Sculpture sur bois gothique --- Polychromie --- Exhibitions --- Exhibitions. --- Gothique flamboyant --- Expositions --- -Polychromy --- -Wood sculpture, Late Gothic --- -Late Gothic wood sculpture --- Wood sculpture, Gothic --- Color in sculpture --- Late Gothic --- Late Gothic wood sculpture --- Sculpture, Medieval --- Sculpture --- Color --- anno 1400-1499 --- anno 1500-1599 --- Belgium --- Histoire de la sculpture --- Bois --- 16e siècle --- 15e siècle --- Pays-Bas méridionaux --- Principaute de liege --- Wood sculpture, Late Gothic - Belgium - Brabant - Exhibitions --- Polychromy - Belgium - Brabant - Exhibitions --- Wood sculpture, Late Gothic - Belgium - Liege (Province) - Exhibitions --- Polychromy - Belgium - Liege (Province) - Exhibitions --- Beeldhouwkunst --- België
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Sculpture --- anno 1200-1499 --- Belgium --- Arts graphiques --- Belgique --- België --- Grafische kunst --- Polychromy --- Sculpture, Gothic --- Wood-carving, Gothic --- -Sculpture, Gothic --- -Wood-carving, Gothic --- -Gothic wood-carving --- Gothic sculpture --- Sculpture, Medieval --- Color in sculpture --- Color --- -Polychromy --- Gothic wood-carving --- Polychromy - Belgium --- Sculpture, Gothic - Belgium --- Wood-carving, Gothic - Belgium --- carvings [visual works] --- sculpture techniques --- polychromy --- beeldhouwkunst, Nederlanden --- Gothic [Medieval]
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"Made in Malines! Derrière ce titre qui résonne comme un label commercial se cache une marque ou plutôt toute une série de marques énigmatiques. Elles ont été apposées, autour de 1500, sur des statuettes communément appelées 'poupées malinoises': le M et le blason à trois pals de la ville de Malines mais aussi la marque BRVESEL, les monogrammes I*T, IS, JE, ou encore les noms DOERMAEL, HEINRIC... Deux chercheuses ont uni leurs compétences d'historienne de l'art et de conservatrice-restauratrice de sculptures pour mener une véritable enquête sur cette production florissante dans les Pays-Bas du Sud à la fin de l'époque gothique. Cette étude interdisciplinaire, menée à l'Institut royal du Patrimoine artistique à Bruxelles, nous entraîne sur les traces des ateliers des sculpteurs et des polychromeurs collaborant à la réalisation de ces petits objets destinés à la dévotion privée et dont le succès fut considérable. En attestent le grand nombre d'exemplaires conservés, dont plus de six cents ont été recensés au cours de cette recherche, mais aussi leur exportation notamment vers l'Espagne et le Portugal. Ainsi, Magellan aurait-il emporté une statuette malinoise lors de son grand voyage autour du monde (1519-1521). Toujours très prisées aujourd'hui, ces délicates statuettes au charme indéniable dévoilent ici quelques-uns de leurs secrets."--Page 4 of cover.
Sculpture --- dolls [figurines] --- anno 1500-1599 --- Mechelen --- Wood sculpture, Flemish --- Wood sculpture, Late Gothic --- Polychromy --- Wood-carved figurines --- Christian art and symbolism --- Devotional objects --- sculpture [visual works] --- polychromy --- religious art --- Wood sculpture, Flemish - Belgium - Mechelen --- Wood sculpture, Late Gothic - Belgium - Mechelen --- Polychromy - Belgium - Mechelen --- Wood-carved figurines - Belgium - Mechelen --- Christian art and symbolism - Belgium - Mechelen - Modern period, 1500 --- -Wood sculpture, Flemish
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Hommage de Catheline Périer D'Ieteren
Altarpieces --- Retables --- Conservation and restoration --- Conservation et restauration --- Altarpieces, Flemish --- Wood sculpture, Flemish --- Polychromy --- Iglesia de Nuestra Señora de la Asunción (Rentería (Guipúzcoa, Spain)) --- Altarpieces [Flemish ] --- Spain --- Rentería (Guipúzcoa)(Spain) --- Brabant (Duchy) --- Wood sculpture [Flemish ] --- Altarpieces [Renaissance ] --- Themes, motives --- Art [Flemish ] --- History --- 1400-1599 (Renaissance) --- Iglesia de Nuestra Señora de la Asunción (Rentería (Guipúzcoa, España)) --- Mary [Blessed Virgin ] --- Altarpieces, Flemish - Spain - Rentería (Guipúzcoa) --- Altarpieces - Conservation and restoration - Spain - Rentería (Guipúzcoa) --- Altarpieces, Flemish - Belgium - Brabant --- Wood sculpture, Flemish - Belgium - Brabant --- Polychromy - Belgium - Brabant
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The impressive altarpiece in the church of Saint-Denis in Liège is one of the most prestigious but also one of the most enigmatic witnesses to the rich Brabantine altarpiece production at the end of the Middle Ages. The interdisciplinary study carried out during its restoration at the Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels between 2012 and 2014 allowed to resolve some of the questions involved and to propose new refreshing hypotheses. The attribution to the Borman, the most prestigious Brussels sculptor family, was refined, as was its dating in the early 1530s, when the vocabulary of Italian Renaissance began to invade the art of the Meuse banks simultaneously with the still well-anchored Gothic style.00This volume provides a broad platform for the exceptional character of the partial polychromy of the altarpiece, highlighted by the investigation conducted at the KIK-IRPA. This research was nourished by many comparative reflections. The abundant and varied studies presented here, mainly originate from an international conference held in October 2015. In addition, the restoration at KIK-IRPA, between 2016 and 2019, of some of the painted panels that initially adorned the shutters of the altarpiece, also allowed a beneficial reconsideration of the participation of the great Liège painter Lambert Lombard and some local workshop. Starting from an amazing work, they represent an important part of the artistic activity in Liège revived by Prince-Bishop Érard de La Marck.
Conferences - Meetings --- Sculpture --- Painting --- restoration [process] --- altarpieces --- monochrome --- polychrome --- Luik, Saint-Denis --- Borman [Family] --- Lombard, Lambert --- C3 --- religieuze kunst --- kerkelijk meubilair --- KADOC - Documentatie- en Onderzoekscentrum voor Religie, Cultuur en Samenleving (1977-) --- 247.2 --- 75:726.593 --- Kunst en cultuur --- Altaar. Tabernakel. Retabel. Ambon --- Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- 75:726.593 Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- 247.2 Altaar. Tabernakel. Retabel. Ambon --- Altarpieces --- Polychromy --- Saint-Denis (Church : Liège, Belgium) --- Saint-Denis altarpiece (Liège, Belgium) --- Altarpieces, Gothic --- Conservation and restoration --- Saint-Denis altarpiece (Liège, Belgium) --- Altarpieces - Belgium - Liège --- Polychromy - Belgium - Liège --- houtsculptuur
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sculpting --- Sculpture --- beeldhouwkunst --- Art --- Musée du Louvre --- Musée du Louvre [Paris] --- anno 1400-1499 --- anno 1500-1599 --- Malines --- Antwerp --- Brussels --- Musée du Louvre (Parijs) --- 15de eeuw --- 16de eeuw --- Brabant --- Brussel --- Mechelen --- Antwerpen --- Wood sculpture, Flemish --- Wood sculpture, Late Gothic --- Polychromy --- Altarpieces, Flemish --- -Polychromy --- -Sculpture --- -Wood sculpture, Flemish --- -Wood sculpture, Late Gothic --- -Late Gothic wood sculpture --- Wood sculpture, Gothic --- Sculpture, Medieval --- Flemish wood sculpture --- Stonework, Decorative --- Bas-relief --- Statues --- Color in sculpture --- Flemish altarpieces --- Late Gothic --- Color --- Musee du Louvre. Departement des sculptures --- -Musee du Louvre. Departement des sculptures --- Late Gothic wood sculpture --- Musée du Louvre. --- Musée du Louvre --- Musée du Louvre. Département des sculptures --- Catalogs --- Wood sculpture [Flemish ] --- Brabant (Duchy) --- Wood sculpture [Late Gothic ] --- Altarpieces --- France --- Paris (France) --- Wood sculpture, Flemish - Belgium - Brabant (Province) - Catalogs. --- Wood sculpture, Late Gothic - Belgium - Brabant (Province) - Catalogs. --- Polychromy - Belgium - Brabant (Province) - Catalogs. --- Altarpieces, Flemish - Belgium - Brabant (Province) - Catalogs. --- Sculpture - France - Paris - Catalogs. --- Louvre Museum [Paris] --- sculptuur --- 15de eeuw. --- 16de eeuw. --- Brabant. --- Brussel. --- Mechelen. --- Antwerpen.
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Altarpieces, Flemish --- Wood sculpture, Late Gothic --- Wood sculpture, Flemish --- Polychromy --- Triptychs --- altarpieces --- Altarpieces, Renaissance --- Retables médiévaux --- Retables de la Renaissance --- -Polychromy --- -Triptychs --- -Wood sculpture, Flemish --- -Wood sculpture, Late Gothic --- -Late Gothic wood sculpture --- Wood sculpture, Gothic --- Sculpture, Medieval --- Flemish wood sculpture --- Triptichs --- Color in sculpture --- Flemish altarpieces --- Late Gothic --- Color --- -Conferences - Meetings --- -Color in sculpture --- Late Gothic wood sculpture --- Sculpture --- Conferences - Meetings --- History --- anno 1400-1499 --- anno 1500-1599 --- Art --- retabels --- 15de eeuw --- 16de eeuw --- Brabant --- Europa --- Altarpieces, Medieval --- Retables médiévaux --- Congresses --- Congrès --- Altarpieces, Flemish - Belgium - Brabant - Congresses. --- Wood sculpture, Late Gothic - Belgium - Brabant - Congresses. --- Wood sculpture, Flemish - Belgium - Brabant - 16th century - Congresses. --- Polychromy - Belgium - Brabant - Congresses. --- Triptychs - Belgium - Brabant - Congresses. --- Brabantse school --- 15de eeuw. --- 16de eeuw. --- Brabant. --- Europa.
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