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« Au commencement, la toile blanche, vide ; puis ledépart hésitant, puis la coulée de la peinture, du pot à lablancheur de la surface... » - Hans Namuth.Né en 1912, dans une petite ville du Wyoming, JacksonPollock incarne tous les mythes d'une Amérique en devenir,confrontée aux réalités d'un XIXe siècle qui s'éteint et d'unnouveau siècle qui s'installe dans un modernismedéstructurant les repères humains.Comme dans les romans, Pollock part à la conquête deNew York et rapidement, grâce au Federal Act Project, ilacquiert le succès, la renommée, et deviendra après la SecondeGuerre mondiale, la premi

Painters --- Pollock, Jackson, --- Pollock, Paul Jackson,

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Art moderne --- --Histoire de l'art --- --XXe s., --- Ruiz y œPicasso, Pablo, --- "Les 3 danseurs" --- Pollock, Paul Jackson, --- Art, Modern --- 6440 --- Themes, motives --- Themes, motives. --- Subjects --- Art [Modern ] --- 20th century --- Art, Modern - 20th century - Themes, motives. --- Les 3 danseurs --- --Pollock, Paul Jackson, --- Histoire de l'art --- XXe s., 1901-2000 --- Art, Modern - 20th century - Themes, motives --- Ruiz y Picasso, Pablo, 1881-1973 --- Pollock, Paul Jackson, 1912-1956

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Pollock, Jackson --- Pollock, Jackson, --- Exhibitions. --- Action painting --- All over --- Expressionnisme abstrait --- Peintre --- Exhibitions --- 20e siècle --- -Exhibitions --- Pollock, Paul Jackson, --- CDL --- 75.071 POLLOCK --- Pollock, Jackson, - 1912-1956 - Exhibitions --- Pollock, Jackson, - 1912-1956

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Kirk Varnedoe with Pepe Karmel --- kunst --- schilderkunst --- Verenigde Staten --- Pollock Jackson --- action painting --- abstract expressionisme --- abstractie --- abstracte kunst --- abstracte schilderkunst --- Namuth Hans --- 75.071 POLLOCK --- Pollock, Jackson --- Kirk Varnedoe ; with Pepe Karmel --- Pollock, Jackson, --- Pollock, Paul Jackson,

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Art --- Aesthetics --- Esthétique --- Philosophy --- Moral and ethical aspects --- Psychology --- Philosophie --- Aspect moral --- Psychologie --- Musée du Louvre --- symbolisme --- performance --- hedendaagse kunst --- waanzin --- misdaad --- Dood --- verminking --- ogen --- schreeuw --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- Avant-garde (Aesthetics) --- Art, Modern --- Regression (Civilization) in art --- Suffering in art --- History --- Exhibitions --- 75.03 --- CDL --- Romney, George, --- Fuseli, Henry, --- Blake, William, --- Goya, Francisco, --- Klein, Yves, --- Pollock, Jackson, --- Magritte, René, --- Schwarzkogler, Rudolf, --- Romney, G. --- Magritte, --- Magritt, Rene, --- Pollock, Paul Jackson, --- Ko-ya, --- Goya y Lucientes, Francisco José de, --- Goĭa, Fransisko Khose de, --- Goĭi︠a︡, Fransisko Khose de, --- Goja, Francisko, --- Goĭi︠a︡-i-Lusientes, Fransisko, --- De Goya, Francisco, --- Goya y Lucientes, Francisco, --- Goya, Louis-Philippe, --- Goya y Lucientes, Jose de, --- Lucientes, Jose de Goya y, --- Paula, José Goya y Lucientes, Francisco de, --- גויה, פראנסיסקו, --- ゴヤ, --- Blake, W. --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם --- בלייק, ויליאם --- Füssli, Johann Heinrich, --- Fusely, Henry, --- Füessli, Henry, --- Fi︠u︡zeli, Genry, --- Esthétique --- Musée du Louvre --- Musée du Louvre. --- Moral and ethical aspects. --- בליק, ויליאם, --- בלייק, ויליאם, --- emotionele ziektes, waanzin, krankzinnigheid --- Avant-garde (Aesthetics) - History - 20th century - Exhibitions --- Art, Modern - 20th century - Exhibitions --- Regression (Civilization) in art - Exhibitions. --- Suffering in art - Exhibitions. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw.