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Decades before he blew the lid off the high-stakes art world by shredding a work immediately following its purchase at an auction, Banksy was committing acts of artistic protest on the streets, walls, and bridges of cities throughout the world. We still don't know who Banksy is, but thanks to this book we have a greater sense of how he works. This book features approximately eighty works from the start of his street art career to today, most photographed in situ and presented in vibrant illustrations. This book guides readers through Banksy's artistic processes and explains his influences, such as the Situationism movement and the May 1968 uprising in Paris. It delves into key works such as Love Is in the Air, a stenciled graffiti that subverts the idea of violent protest; Flag, in which the iconic American photograph at Iwo Jima is altered to reflect a group of Harlem children atop a burnt-out car; and the slyly titled Turf War, in which Winston Churchill sports a grassy Mohawk. The book also pays tribute to Banksy's rats, a reviled symbol of urban decay that the artist reimagines as rappers, violin players, and painters. As Banksy continues to challenge the political, economic, and racial oppression that takes place every day in cities around the world, this book offers a timely appreciation of just how the artist has embedded himself into the psyche of the powerful as well as the voiceless--without ever revealing his own identity.
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Imagining Resistance: Visual Culture and Activism in Canada offers two separate but interconnected strategies for reading alternative culture in Canada from the 1940s through to the present: first, a history of radical artistic practice in Canada and, second, a collection of eleven essays that focus on a range of institutions, artists, events, and actions. The history of radical practice is spread through the book in a series of short interventions, ranging from the Refus global to anarchist-inspired art, and from Aboriginal curatorial interventions to culture jamming. In each, the historical record is mined to rewrite and reverse Canadian art history--reworked here to illuminate the series of oppositional artistic endeavours that are often mentioned in discussions of Canadian art but rarely acknowledged as having an alternative history of their own. Alongside, authors consider case studies as diverse as the anti-war work done by John Lennon and Yoko Ono in Montreal and Toronto, recent exhibitions of activist art in Canadian institutions, radical films, performance art, protests against the Olympics, interventions into anti-immigrant sentiment in Montreal, and work by Iroquois photographer Jeff Thomas. Taken together, the writings in Imagining Resistance touch on the local, the global, the national, and post-national to imagine a very different landscape of cultural practice in Canada.
Art --- Politics in art --- Political aspects --- Arts --- Politics In Art
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En 1937 se produce un encuentro ejemplar entre el mundo del arte y la realidad histórica de la Guerra Civil. El Guernica de Picasso comparte la ilusión de las vanguardias soviéticas, la de El acorazado Potemkin y de todos los que siguieron el ejemplo de un arte políticamente comprometido, pensando que este puede incidir en la realidad, que el artista puede ser un aliado del político, del periodista y del historiador. En el caso de Guernica, esta alianza resultó fructífera: así pues, esta obra no solo se está reproduciendo en los álbumes sobre arte moderno, sino que se ha ganado un puesto sobresaliente en los libros de texto, en los documentales y en las ficciones históricas. Como lugar de memoria de la Guerra Civil, el cuadro es también una reivindicación de los derechos humanos: últimamente se ha hecho viral una versión que denuncia las violencias policiales contra los manifestantes en Chile, por ejemplo. Sin embargo, no faltan intentos por recuperarlo para la ideología de los vencedores o desvincularlo del bombardeo. Los capítulos de este libro plantean la recepción artística y literaria del fenómeno cultural Guernica en esta complejidad, como ícono y mito.
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