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English literature --- National characteristics, Irish, in literature. --- Politics and literature --- Literature and history --- Irish authors --- History and criticism. --- History. --- English literature - Irish authors - History and criticism. --- Politics and literature - Ireland. --- Literature and history - Ireland - History.
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Sociology of literature --- English literature --- Thematology --- Ireland --- Authors, Irish --- Politics and literature --- Politics in literature --- Political and social views --- Irish authors --- History and criticism --- History --- In literature --- Authors, Irish - Political and social views --- English literature - Irish authors - History and criticism --- Politics and literature - Ireland - History --- Ireland - In literature
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English drama --- Theater --- Politics and literature --- Nationalism and literature --- Irish authors --- History and criticism --- History --- English drama - Irish authors - History and criticism - Congresses --- English drama - 20th century - History and criticism - Congresses --- Theater - Ireland - History - 20th century - Congresses --- Politics and literature - Ireland - History - 20th century - Congresses --- Nationalism and literature - Ireland - History - 20th century - Congresses
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The aim of this book is to question assumptions about the nature of the Augustan era through an exploration of Jacobite ideology. Taking as its starting point the fundamental ambivalence of the Augustan concept the author studies canonical and non-canonical literature and uncovers the 'four nations' literary history of the period defined in terms of a struggle for control of the language of authority between Jacobite and Hanoverian writers. This struggle is seen to have crystallized Irish and Scottish opposition to the British state. The Jacobite cause generated powerful popular literature and the sources explored include ballads, broadsides and writing in Scots, Irish, Welsh and Gaelic. The author concludes that the literary history we inherit is built on the political outcome of the Revolution of 1688.
Politics and literature --- Great Britain --- History --- 18th century --- Popular literature --- History and criticism --- Politics and government --- Ireland --- English literature --- Theory, etc. --- Politics and literature - Ireland - History - 18th century. --- Ireland - Politics and government - 18th century. --- Arts and Humanities --- Literature --- Celtic literature --- Canon (Literature) --- History and criticism. --- Classics, Literary --- Literary canon --- Literary classics --- Best books --- Criticism --- Literature, Popular --- Books and reading --- Popular culture --- Literature and politics --- Political aspects
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In this book Nicholas Grene explores political contexts for some of the outstanding Irish plays from the nineteenth century to the contemporary period. The politics of Irish drama have previously been considered primarily the politics of national self-expression. Here it is argued that Irish plays, in their self-conscious representation of the otherness of Ireland, are outwardly directed towards audiences both at home and abroad. The political dynamics of such relations between plays and audiences is the book's multiple subject: the stage interpretation of Ireland from The Shaughraun to Translations; the contentious stage images of Yeats, Gregory and Synge; reactions to revolution from O'Casey to Behan; the post-colonial worlds of Purgatory and All that Fall; the imagined Irelands of Friel and Murphy, McGuinness and Barry. With its fundamental reconception of the politics of Irish drama, this book represents an alternative view of the phenomenon of Irish drama itself.
English literature
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Drama
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anno 1800-1999
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Ireland
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English drama
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-Political plays, English
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-Politics and literature
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-Theater
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-#BIBC:ruil
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Political plays, English --- Politics and literature --- Decolonization in literature --- Postcolonialism --- Illusion in literature --- Théâtre politique anglais --- Politique et littérature --- Décolonisation dans la littérature --- Postcolonialisme --- Illusion dans la littérature --- Irish authors --- History and criticism --- Ecrivains irlandais --- Histoire et critique --- Friel, Brian --- Postcolonialism in literature. --- Illusion in literature. --- History and criticism. --- 820 "19" FRIEL, BRIAN --- Northern Ireland --- -Political plays, English --- -Politics and literature --- -Postcolonialism --- -Postcolonialism in literature --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization --- Literature --- Literature and politics --- English political plays --- English drama --- Engelse literatuur--20e eeuw. Periode 1900-1999--FRIEL, BRIAN --- In literature --- Political aspects --- -Friel, Brian --- -פריל, ברײן --- Criticism and interpretation --- Language --- Ireland --- In literature. --- -Criticism and interpretation --- 820 "19" FRIEL, BRIAN Engelse literatuur--20e eeuw. Periode 1900-1999--FRIEL, BRIAN --- Théâtre politique anglais --- Politique et littérature --- Décolonisation dans la littérature --- Illusion dans la littérature --- Postcolonialism in literature --- פריל, ברײן --- Criticism and interpretation. --- Language. --- Political plays, English - History and criticism. --- Politics and literature - Northern Ireland. --- Politics and literature - Ireland. --- Postcolonialism - Ireland.
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