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Documentary films --- Subjectivity in motion pictures. --- Authorship. --- History and criticism. --- Subjectivity in motion pictures --- 791.41 --- 791.43 --- Aljafari Kamal --- Alvarez Mercedes --- Antonioni Michelangelo --- autobiografie --- autobiografische film --- Citron Michelle --- Di Tella Andres --- documentaire film --- documentaires --- film --- home movies --- identiteit --- India --- Israel --- migratie --- Rocha Glauber --- subjectiviteit --- Point of view in motion pictures --- Subjective camera --- Motion pictures --- Authorship --- History and criticism

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Fabulations nocturnes est un essai d?intercession. Ce n?est pas simplement un livre à propos du cinéaste Apichatpong Weerasethakul, bien qu?il se penche de près sur son ?uvre. C?est plutôt un livre qui interroge en profondeur quoi d?autre pourrait être en cause dans la mise en place des conditions de collaboration entre deux genres ? le cinéma et l?écriture.Ce projet collectif est animé d?un intérêt commun pour la pragmatique de la fabulation et son geste spéculatif générateur d?un peuple à venir. Les concepts d?écologie, de vitalité et d?opacité ont surgi de la rencontre avec le dramscape d?Apichatpong pour venir articuler un ethos de fabulation qui décadre l?expérience, recompose la subjectivité et défixe le temps.

Motion pictures. --- Motion pictures --- Subjectivity in motion pictures. --- Subjectivity. --- Cinematography. --- Philosophy. --- Apichatpong Weerasethakul, --- Photography --- Chronophotography --- Subjectivism --- Knowledge, Theory of --- Relativity --- Point of view in motion pictures --- Subjective camera --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Animated pictures --- History and criticism --- Weerasethakul, Apichatpong, --- ʻAphichātphong Wīrasētthakun, --- Wīrasētthakun, ʻAphichātphong, --- Veerasethakul, Apichatpong, --- experience --- subjectivity --- cinema --- ecology --- pragmatics of fabulation --- time --- writing --- opacity --- vitality --- apichatpong weerasethakul

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Nocturnal Fabulations is an essay in intercessing. This is not a book that is simply ‘about’ Apichatpong Weerasethakul, though it does engage his work in detail. It is a book that deeply questions what else might be at stake in setting up the conditions for collaboration across two genres: cinema and writing. This collective project is animated by a shared curiosity in the pragmatics of fabulation and its speculative gesture of bringing forth a people to come. In an encounter with Apichatpong’s cinematic dreamscape, the concepts of ecology, vitality and opacity emerge to articulate an ethos of fabulation that deframes experience, recomposes subjectivity and unfixes time.

Motion pictures. --- Motion pictures --- Subjectivity. --- Subjectivity in motion pictures. --- Cinematography. --- Philosophy. --- Apichatpong Weerasethakul, --- Photography --- Chronophotography --- Point of view in motion pictures --- Subjective camera --- Subjectivism --- Knowledge, Theory of --- Relativity --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Animated pictures --- History and criticism --- Weerasethakul, Apichatpong, --- ʻAphichātphong Wīrasētthakun, --- Wīrasētthakun, ʻAphichātphong, --- Veerasethakul, Apichatpong, --- experience --- subjectivity --- cinema --- ecology --- pragmatics of fabulation --- time --- writing --- opacity --- vitality --- apichatpong weerasethakul --- Aesthetics --- Alterity --- Decoupage --- Félix Guattari --- Gilles Deleuze --- Mysterious Object at Noon --- Ontology --- Thailand

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Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina Grzinic, Maria Klonaris and Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux. Their illuminating essays are a testimony to their profound involvement in the subjectivity debate, enriching our perception of film history and our understanding of the medium.

Subjectivity in motion pictures --- Motion pictures. --- Subjectivity. --- Point of view (Literature) --- Film --- Music, Dance, Drama & Film --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Point of view in motion pictures --- Subjective camera --- Motion pictures --- Fiction --- Narration (Rhetoric) --- Subjectivism --- Knowledge, Theory of --- Relativity --- Philosophy. --- History and criticism --- Technique --- subjectivity --- nouvelle vague --- Consciousness --- Duchy of Münsterberg --- Point-of-view shot --- Robert Bresson --- Subjectivity in motion pictures. --- Subjectivité au cinéma --- Cinéma --- Subjectivité --- Point de vue (Littérature) --- Philosophie --- Cinéma --- Théorie du cinéma. --- Philosophie et cinéma. --- Philosophie. --- Esthétique.

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Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.

Motion pictures --- Motion picture plays --- Point of view (Literature) --- Philosophy --- History and criticism --- Point of view (Literature). --- Subjectivity in motion pictures. --- History and criticism. --- Philosophy. --- Narration --- Point de vue (cinéma) --- Literary semiotics --- Film --- 791.43.01 --- #SBIB:309H523 --- Edward R. Branigan ; Foreword by David Bordwell --- film --- filmtheorie --- narratologie --- auteurtheorie --- film en literatuur --- film en semiotiek --- 791.41 --- -Motion pictures --- -Point of view (Literature) --- Subjectivity in motion pictures --- Point of view in motion pictures --- Subjective camera --- Fiction --- Narration (Rhetoric) --- Persona (Literature) --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Filmologie. Filmtheorie. Esthetica van de film --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film plays --- Film scripts --- Filmscripts --- Motion picture scripts --- Moving-picture plays --- Photoplays --- Scenarios --- Screen plays --- Screenplays --- Scripts (Motion pictures) --- Drama --- Audiovisuele communicatie: verhaalanalyse --- Technique --- Cinéma --- Film. --- Motion pictures - Philosophy --- Motion picture plays - History and criticism