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Narration --- Point de vue (Littérature)

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Point de vue (littérature) --- Narration --- Composition (Art) --- Arts. --- 82.081 --- Creatief schrijven --- 82.081 Creatief schrijven --- Narration. --- Point de vue (littérature)

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Homo narrans, c’est le sujet humain anthropologiquement saisi comme conteur d’histoires, l’Homme aux mille points de vue, aux mille voix. À l’analyse immanentiste du récit qui prévaut généralement en narratologie, l’ouvrage propose de substituer une approche énonciative et interactionnelle. Le Tome I, Les Points de vue et la logique de la narration, est centré sur la problématique énonciative et interactionnelle des points de vue. Il distingue ces derniers selon leur source énonciative, leurs marques linguistiques et leurs effets textuels. Ce cadre, confronté à de grands textes (la Bible, les contes de Maupassant, Les Lauriers sont coupés, etc.), met en lumière des enjeux interprétatifs de premier ordre. Le Tome II, Dialogisme et polyphonie dans le récit, montre comment l’approche énonciative des points de vue permet de définir le discours rapporté comme un discours représenté – comme la représentation des espaces mentaux par l’énonciateur citant. L’analyse des formes complexes de cette représentation (corpus d’Annie Ernaux, Renaud Camus, Jorge Semprun, Louis Calaferte, Lydie Salvayre, etc.) montre les relations dialogiques, d’ordre cognitif notamment, que l’énonciateur entretient avec lui-même et avec les autres.

Narration (Rhetoric) --- Discourse analysis, Narrative --- Dialogue in literature --- Point of view (Literature) --- Point of view (Literature). --- Discourse analysis, Narrative. --- Point de vue (Littérature) --- Point de vue (Littérature) --- Fiction --- Discours narratif

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This is the first book-length study of how point of view is manifested linguistically in dramatic texts. It examines such issues as how readers process the shifts in viewpoint that can occur within such texts. Using insights from cognitive linguistics, the book aims to explain how the analysis of point of view in drama can be undertaken, and how this is fruitful for understanding textual and discoursal effects in this genre. Following on from a consideration of existing frameworks for the analysis of point of view, a cognitive approach to deixis is suggested as being particularly profitable for explaining the viewpoint effects that can arise in dramatic texts. To expand on the large number of examples discussed throughout the book, the penultimate chapter consists of an extended analysis of a single play. This book is relevant to scholars in a range of areas, including linguistics, literary studies and cognitive science.

Drama --- Prose literature --- Point of view (Literature) --- Théâtre (genre littéraire) --- Prose --- Point de vue (littérature) --- Technique. --- Technique --- Art d'écrire --- Psycholinguistics --- Stilistics --- 82-2 --- 82-2 Toneel. Drama --- Toneel. Drama --- Fiction --- Narration (Rhetoric) --- Persona (Literature) --- Dramaturgy --- Authorship --- Playwriting --- Art d'écrire. --- 82-2 Drama. Plays --- Drama. Plays --- Théâtre (genre littéraire) --- Point de vue (littérature) --- Art d'écrire.

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Old French literature --- Old French language --- Pragmatics --- French literature --- Point of view (Literature) --- Narration (Rhetoric) --- Littérature française --- Point de vue (Littérature) --- Narration --- History and criticism --- Histoire et critique --- Point de vue (littérature) --- Linguistics in literature --- Linguistics in literature. --- Narration. --- Point de vue (littérature). --- History and criticism. --- History --- Histoire et critique. --- Litterature francaise --- Point de vue (litterature). --- Point of view (Literature). --- Littérature française --- Point de vue (Littérature) --- French literature - History and criticism - To 1500 --- -Point de vue (littérature) --- LITTERATURE FRANCAISE MEDIEVALE --- NARRATOLOGIE