Narrow your search

Library

KU Leuven (3)

LUCA School of Arts (2)

UGent (2)

ULB (2)

ULiège (2)

ARB (1)

KBR (1)

Odisee (1)

Thomas More Kempen (1)

Thomas More Mechelen (1)

More...

Resource type

book (7)

periodical (1)


Language

English (5)

French (2)


Year
From To Submit

2021 (1)

2020 (1)

2018 (1)

2015 (1)

2011 (2)

More...
Listing 1 - 7 of 7
Sort by

Book
My name is why
Author:
ISBN: 9781786892362 Year: 2020 Publisher: Edinburgh : Canongate,

Loading...
Export citation

Choose an application

Bookmark

Abstract

A memoir with a message - about growing up in care and finding hope, determination and creativity - from British poet and national treasure Lemn Sissay.How does a government steal a child and then imprison him?How does it keep it a secret?This story is how.At the age of seventeen, after a childhood in a fostered family followed by six years in care homes, Norman Greenwood was given his birth certificate. He learned that his real name was not Norman. It was Lemn Sissay. He was British and Ethiopian. And he learned that his mother had been pleading for his safe return to her since his birth.Here Sissay recounts his life story. It is a story of neglect and determination. Misfortune and hope. Cruelty and triumph.Sissay reflects on a childhood in care, self-expression and Britishness, and in doing so explores the institutional care system, race, family and the meaning of home. Written with all the lyricism and power you would expect from one of the nation's best-loved poets, this moving, frank and timely memoir is the result of a life spent asking questions, and a celebration of the redemptive power of creativity.


Multi
Poètes noirs d'Arabie : une anthologie (VIe-XIIe siècle)
Author:
ISSN: 27365573 ISBN: 9782800417530 2800417536 Year: 2021 Publisher: Bruxelles éd. de l'ULB

Loading...
Export citation

Choose an application

Bookmark

Abstract

La poésie a toujours été l'art privilégié des Arabes – selon Ibn Khaldūn, le célèbre historien du 14e siècle, elle constituait même « leurs archives, renfermant leur science, leur Histoire et leur sagesse. » Parmi la longue liste de leurs poètes passés à la postérité, depuis la période préislamique jusqu'au Moyen-Âge, quelques-uns revendiquaient fièrement leur teint noir, parfois associé à leur bédouinité, mais surtout à leurs origines africaines. En effet, le monde arabe a de tout temps été en contact avec l'Ethiopie d'abord, le reste de l’Afrique ensuite. Ce livre vous fera découvrir les vers de poètes célèbres comme 'Antara ibn Shaddād – valeureux guerrier d’avant l’islam, fils d’une esclave éthiopienne devenu quelques siècles plus tard le héros d’une grande épopée – et de poètes moins connus comme Sulayk le brigand, voire anonymes, mêlant poésie guerrière et poésie d’amour, louange et satire, amertume et fierté, résilience et résistance. Au-delà de leur indéniable beauté, ces poèmes – allant de quelques vers seulement à de véritables odes – constituent un réel témoignage de l’intérieur à propos de la condition sociale des Africains dans la société arabe à travers les siècles, les séquelles de l’esclavage étant l’un des sujets qu’ils abordent de manière récurrente, sans pour autant s’y limiter. D’une certaine manière, ils répondent aux autres poètes qui tantôt les moquent, tantôt les vantent, en créant leur propre sensibilité, leurs propres métaphores, leur propre humour.


Book
Nouvelle poésie négro-africaine : la parole noire
Authors: --- ---
Year: 1976 Publisher: [Paris] : Editions Saint-Germain-des-Prés,

Loading...
Export citation

Choose an application

Bookmark

Abstract


Book
Stranger at home : the praise poet in apartheid South Africa
Author:
ISBN: 1776142985 Year: 2011 Publisher: Johannesburg : Wits University Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract


Book
D.L.P. Yali-Manisi, Imbongi Entsha : Iimbali Zamanyange = Historical Poems
Authors: --- --- ---
ISBN: 1869143442 9781869143442 9781869142834 1869142837 Year: 2015 Publisher: Scottsville, Kwazulu-Natal University of KwaZulu-Natal Press

Loading...
Export citation

Choose an application

Bookmark

Abstract

David Livingstone Phakamile Yali-Manisi (1926-99) was a Thembu imbongi, the most powerful exponent of the art of praise poetry in the Xhosa language, in the second half of the twentieth century. His literary career, however, was blighted by circumstances beyond his control, and he died in total obscurity. A supporter of the African National Congress, he was the author of the earliest poem in praise of Nelson Mandela (1954).


Book
Stranger at home : the praise poet in apartheid South Africa
Author:
ISBN: 1868145549 1868145379 Year: 2011 Publisher: Johannesburg : Wits University Press

Loading...
Export citation

Choose an application

Bookmark

Abstract

The praise poet (imbongi) is a familiar cultural icon in contemporary South Africa. Public events as diverse as presidential inaugurations, openings of parliament, fashion shows and boxing contests begin with the rousing declamations of charismatic iimbongi. Yet until the institution of majority-rule, praise poets who sought to shock their audiences with dangerous truths could claim none of the prestige enjoyed by their present-day counterparts. Under apartheid, many praise poets either ceased to perform or abandoned the imbongi's duty to diagnose and criticize political and social ills. There was, however, one brilliant Xhosa imbongi called David Manisi, a poet widely acclaimed in his youth as the successor to the great SEK Mqhayi, who refused to capitulate to the ease of silence or complicity. As documented by Jeff Opland in The Dassie and the Hunter (UKZN Press), Manisi worked tirelessly and in embattled contexts to address his audiences with demands, criticisms and aspirations they frequently misunderstood. This book is about the poetry, vision and deeply inhospitable context of one of South Africa's most talented praise poets. The author of five volumes of Xhosa poetry and performer of inspired and elegantly crafted izibongo (praise poems), Manisi saw himself as a man of multiple places, allegiances and identities at a time when these markers of self were rigidly policed. Manisi's entrance on the local Transkeian poetry scene was legendary. He was for a time the most famous poet in Kaiser Mathanzima's court. He also wrote the first published poem about Nelson Mandela in 1954, hailing him prophetically as "Gleaming Road". Despite these early accomplishments, Manisi ended his career as a lonely performer in American and South African universities. He never met Mandela, his hero of old. Ashlee Neser examines Manisi as an inventive negotiator of rural and urban spaces, modernity and tradition, performance and publication, the local and the foreign. She treats him as a representative of a complex of beliefs and identities that was neither accommodated by apartheid politics nor adequately recognized and theorized by the extensive literature on South African identity and culture. In the divided context in which he created poetry, the author argues, it was not possible for Manisi to articulate the package of identities that defined him. The over-determined public discourse, caught in meanings dictated by apartheid politics and the urban-centred resistance movement, distorted and isolated Manisi's poetry. As a book about an important and neglected literary figure, Stranger at Home will appeal to scholars in literary studies, especially in the areas of orality and folklore. The book's broad historical and political focus makes it useful to Africanists and cultural historians, while anthropologists and ethnographers will be interested in its concern with cultural translation and the interweaving of the urban and the rural, of tradition and modernity.


Book
The Epic of Juan Latino : Dilemmas of Race and Religion in Renaissance Spain
Author:
ISBN: 1442625546 9781442625549 9781442637528 1442637528 1442625554 Year: 2018 Publisher: Toronto : University of Toronto Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

"In The Epic of Juan Latino, Elizabeth R. Wright tells the story of Renaissance Europe's first black poet and his epic poem on the naval battle of Lepanto, Austrias Carmen (The Song of John of Austria). Piecing together the surviving evidence, Wright traces Latino's life in Granada, Iberia's last Muslim metropolis, from his early clandestine education as a slave in a noble household to his distinguished career as a schoolmaster at the University of Granada. When intensifying racial discrimination and the chaos of the Morisco Revolt threatened Latino's hard-won status, he set out to secure his position by publishing an epic poem in Latin verse, the Austrias Carmen, that would demonstrate his mastery of Europe's international literary language and celebrate his own African heritage. Through Latino's remarkable, hitherto untold story, Wright illuminates the racial and religious tensions of sixteenth-century Spain and the position of black Africans within Spain's nascent empire and within the emerging African diaspora."--

Listing 1 - 7 of 7
Sort by