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Experimental films. --- Poetry in motion pictures. --- Motion pictures --- History.
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Set to generate discussions in the field for years to come, 'The Poetics of Poetry Film' is an encyclopedic work on the ever-evolving art of the poetry film. Poetry films are a genre of short film usually involving three main elements: the poem as verbal message, the moving film image and diegetic sounds, and additional non-diegetic sounds or music, which create a soundscape. In this book, Sarah Tremlett examines the formal characteristics of the poetic in poetry film, film poetry, and videopoetry, particularly in relation to lyric voice and time. Tremlett sets the emergence and history of poetry film in its proper global context, defining and debating terms both philosophically and materially. Showcasing the work of an international array of practitioners, 'The Poetics of Poetry Film' includes interviews, analysis, and a rigorous investigation of the history of the genre, from its origins to the present. This is an industry bible for anyone interested in poetry, digital media, filmmaking, art, and creative writing, as well as poetry filmmakers.
Experimental films --- Poetry in motion pictures --- Motion pictures --- Poetry --- History --- Film
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From 'Wild Tales' to 'Zama', Argentine cinema has produced some of the most visually striking and critically lauded films of the 2000s. Argentina also boasts some of the most exciting contemporary poetry in the Spanish language. What happens when its film and poetry meet on screen? 'Moving Verses' studies the relationship between poetry and cinema in Argentina. Although both the 'poetics of cinema' and literary adaptation have become established areas of film scholarship in recent years, the diverse modes of exchange between poetry and cinema have received little critical attention. The book analyses how film and poetry transform each another, and how these two expressive media behave when placed into dialogue.
Motion pictures --- Poetry in motion pictures. --- History. --- Argentine cinema --- Experimental cinema --- Latin American film/cinema studies --- Intermediality --- Adaptation studies
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Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz' explores the poetic thinking of these master filmmakers, expressed in several of their key films. It examines theoretical ideas, including Maori anthropology of the gift and Sufi philosophy of the image, to conceive film as abundant gift. Elaborating on how this gift may be received, this book imagines film as our indispensable mentor - a wild mentor who teaches us how to think with moving images by learning to perceive evanescent forms that simply appear and disappear.
Motion pictures --- Philosophy in motion pictures. --- Philosophy. --- Aesthetics. --- Pabst, G. W. --- Kubrick, Stanley --- Ruiz, Raúl, --- Paradzhanov, Sergeĭ, --- Poetry in motion pictures.
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"In spite of the wealth of screenwriting manuals and guidebooks on how to write a screenplay, there are, nevertheless, few critical academic studies on dramaturgical techniques from the screenwriter’s perspective. This thesis, building on the tradition of drama theories, expands and deepens understanding of the contribution and function of the screenplay within the film-making process, generates new knowledge of dramatic writing for film practitioners, and provides a reflection on contemporary dramaturgical strategies, methods and techniques in film-making. This thesis introduces the dramaturgical approach in film, which is employed as a framework for a dramaturgical analysis of two of Andrei Tarkovsky’s films – Ivan’s Childhood (1962) and Nostalgia (1983). The analysis identifies certain dramaturgical tools and techniques, which differ from those of classical dramaturgy and which can be characterized as tools of poetic dramaturgy."--
Poetry in motion pictures --- Motion picture authorship --- Drama --- Motion pictures --- Technique --- Influence --- Tarkovskiĭ, Andreĭ Arsenʹevich, --- Tarkovskiĭ, Andreĭ Arsenʹevich, --- Nostalghia (Motion picture) --- Ivanovo detstvo (Motion picture)
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Informed by the criticism of iconic filmmaker Pier Pasolini, The Cinema of Poetry offers spirited explorations of poetry's influence on classic films by Dimitri Kirsanoff, Ingmar Bergman, and Andrey Tarkovsky. It also highlights how avant-garde films made by Joseph Cornell, Lawrence Jordan, Jerome Hiler, Gregory Markopoulos, and others found rich, unexpected sources of inspiration in a diverse group of poets that includes Stéphane Mallarmé, Emily Dickinson, H.D., Ezra Pound, Robert Duncan, John Ashbery, and Aeschylus. Written with verve and panache, it represents the culmination of P. Adams Sitney's career-long fascination with the intersection of poetry, film, and the avant-garde.
Experimental films --- Poetry in motion pictures --- Motion pictures --- Films expérimentaux --- Poésie au cinéma --- Cinéma --- History and criticism. --- Aesthetics --- Histoire et critique --- Esthétique --- Poetry in motion pictures. --- Aesthetics. --- Films expérimentaux --- Poésie au cinéma --- Cinéma --- Esthétique --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Video art --- History and criticism --- E-books
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Une analyse des rapports entre le poète et le cinéma. Elle relève l'activité critique de L. Aragon mais surtout l'influence du septième art sur son oeuvre. ©Electre 2016
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Une analyse du cinéma de Pier Paolo Pasolini qui met l'accent sur la notion de pastiche qui est au coeur de son travail et qu'il revendiquait. L'auteure s'appuie particulièrement sur l'étude du film La ricotta pour étayer sa démonstration. ©Electre 2017 Poète, romancier, essayiste, polémiste et cinéaste, Pasolini témoignait volontiers dans ses entretiens de ± sa vocation pour le pastiche . En plongeant aux origines critiques et poétiques du pastiche pasolinien, cet ouvrage offre une clé d?analyse de la création pasolinienne tout en éclairant des notions aussi complexes que fameuses que sont le ± cinéma de poésie ou ± la subjective libre . L?ouvrage est composé de deux parties, l?une théorique tissant des liens entre la notion de pastiche et le concept du Discours indirect libre forgé par Pasolini, l?autre faisant le lien avec la pratique artistique pasolinienne et s?appuyant plus particulièrement sur le film ± La Ricotta .
Motion picture producers and directors --- Pasticcio --- Poetry in motion pictures --- Producteurs et réalisateurs de cinéma --- Pastiches --- Poésie au cinéma --- Pasolini, Pier Paolo, --- La Ricotta (Motion picture) --- Parodie (art) --- Imitation (art) --- Cinéma --- Esthétique --- Critique et interprétation --- Producteurs et réalisateurs de cinéma --- Poésie au cinéma --- Esthétique.
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Este libro busca contribuir al impulso del estudio del actual cine poético hispanoamericano e íbero-peninsular, analizando aquellos modos contra-narrativos que enfatizan las particularidades formales del medio audiovisual, a la vez que rebajan el desarrollo del contenido --desplazando la acción fuera de plano. El presente libro parte asimismo de la premisa que la modernidad cinematográfica constituye el marco de referencia teórico-artístico al que muchos directores de cine poético recurren para elaborar sus propuestas fílmicas. Por ello, se propone también analizar las estrategias de composición vinculadas a la tradición cinematográfica de la modernidad que han sido críticamente reexaminadas en las películas producidas en el ámbito hispanoamericano e íbero-peninsular durante las primeras dos décadas del siglo XXI.
Motion pictures --- Experimental films --- Poetry in motion pictures. --- Modernism (Aesthetics) --- History --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Aesthetics --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Video art --- History and criticism --- Film --- Poetry --- visual poetry --- experimental films --- anno 1900-1999 --- anno 2000-2099 --- Spain --- Latin America --- Cinéma et transnationalisme. --- Films expérimentaux --- Poésie --- Au cinéma.
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