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Ontology and the Art of Tragedy is a sustained reflection on the principles and criteria from which to guide one's approach to Aristotle's Poetics. Its scope is twofold: historical and systematic. In its historical aspect it develops an approach to Aristotle's Poetics, which brings his distinctive philosophy of being to bear on the reception of this text. In its systematic aspect it relates Aristotle's theory of art to the perennial desiderata of any theory of art, and particularly to Kandinsky's.
Tragedy. --- Poetics --- Drama --- History --- Aristotle. --- Aristoteles. --- Ἀριστοτέλης. --- Tragedy --- Poetics - History - To 1500 --- Aristotle. - Poetics
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Poetry --- anno 500-1499 --- Poetry, Medieval --- Poetics --- History and criticism --- History --- Poetry, Medieval - History and criticism --- Poetics - History - To 1500
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Aesthetics, Medieval --- Poetics --- History --- Chaucer, Geoffrey, --- Aesthetics --- Poetics - History - To 1500 --- Chaucer, Geoffrey, - -1400 - Aesthetics --- CHAUCER (GEOFFREY), d. 1400 --- POETRY --- Chaucer, Geoffrey, - -1400
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"This volume integrates aspects of the Poetics into the broader corpus of Aristotelian philosophy. It both deals with some old problems raised by the treatise, suggesting possible solutions through contextualization, and also identifies new ways in which poetic concepts could relate to Aristotelian philosophy. In the past, contextualization has most commonly been used by scholars in order to try to solve the meaning of difficult concepts in the Poetics (such as catharsis, mimesis, or tragic pleasure). In this volume, rather than looking to explain a specific concept, the contributors observe the concatenation of Aristotelian ideas in various treatises in order to explore some aesthetic, moral and political implications of the philosopher's views of tragedy, comedy and related genres. Questions addressed include: Does Aristotle see his interest in drama as part of his larger research on human natures? What are the implications of tragic plots dealing with close family members for the polis? What should be the role of drama and music in the education of citizens? How does dramatic poetry relate to other arts and what are the ethical ramifications of the connections? How specific are certain emotions to literary genres and how do those connect to Aristotle's extended account of pathe? Finally, how do internal elements of composition and language in poetry relate to other domains of Aristotelian thought? The Poetics in Its Aristotelian Context offers a fascinating new insight to the Poetics, and will be of use to anyone working on the Poetics, or Aristotelian philosophy more broadly"--
Poetics --- History --- Aristotle. --- Poetics (aristotle) --- Philosophy --- HISTORY --- Poetics. --- Ancient --- General. --- Poetics (Aristotle). --- To 1500. --- Aesthetics, Ancient. --- Philosophy, Ancient. --- Poetics - History - To 1500 --- Aristotle. - Poetics
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"The poetics of Philodemus of Gadara, who was a first century BCE Epicurean philosopher and poet, whose On Poems survives among the Herculaneum papyri. His main critical principle is that form and content are inseparable and mutually-reinforcing: a change in one means a change in the other. The poet uses this marriage of form and content to create a hard-to-pin-down psychological effect in the audience. Poems produce "additional thoughts" in the audience, and these entertain them. It seems clear that Philodemus expected good poets to arrange form and content suggestively, so that the poems could exert a lasting pull on the minds of the audience. Additionally, the author summarizes the views of Philodemus' opponents, the terminology of Hellenistic literary criticism, and the history of the Garden's engagement with poetics. Epicurus did not write an On Poems but Metrodorus did, and this is probably Philodemus' touchstone for his own views. The book concludes with an appendix of topics that Philodemus handles but which do not fit neatly into another chapter. His views on genre, mimesis, "appropriateness," utility, and various technical terms are discussed."--
Poetics - History - To 1500 --- Greek poetry - History and criticism - Theory, etc --- Poetics --- Greek poetry --- History --- History and criticism --- Theory, etc. --- Philodemus,
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Aristotle --- Aesthetics, Ancient --- Poetics --- Tragedy --- Esthétique ancienne --- Poétique --- Tragédie --- Aristotle. --- Aesthetics, Ancient. --- Tragedy. --- History --- Esthétique ancienne --- Poétique --- Tragédie --- Drama --- Aristoteles. --- Ἀριστοτέλης. --- Poetics - History - To 1500.
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Aristotle --- Nietzsche, Friedrich W. --- Plato --- Philosophy, Ancient --- Poetics --- Creation (Literary, artistic, etc.) --- Philosophie ancienne --- Poétique --- Création (Arts) --- Criticism and interpretation --- Critique et interprétation --- Philosophy. --- Philosophy, Ancient. --- History --- Philosophy --- -Poetry --- Ancient philosophy --- Greek philosophy --- Philosophy, Greek --- Philosophy, Roman --- Roman philosophy --- Mental philosophy --- Humanities --- -Technique --- -History --- -Philosophy --- Nietzsche, Friedrich --- Poétique --- Création (Arts) --- Critique et interprétation --- Criticism and interpretation. --- Poetics - History - To 1500.
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Literary rhetorics --- Classical literature --- Rhetoric, Ancient --- Poetics --- History and criticism --- Theory, etc --- History --- -Poetics --- -Poetry --- Literature, Classical --- Literature --- Literature, Ancient --- Greek literature --- Latin literature --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- -Theory, etc --- -Technique --- Rhetoric --- -History and criticism --- -Rhetoric, Ancient --- Ancient rhetoric --- History and criticism&delete& --- Rhetoric, Ancient. --- Classical literature - History and criticism - Theory, etc --- Poetics - History - To 1500
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Comparative literature --- Literature --- anno 500-1499 --- Poetry, Medieval --- Poetics --- Rhetoric, Medieval --- History and criticism --- Theory, etc --- History --- -Rhetoric, Medieval --- -Poetry --- European poetry --- Medieval poetry --- -Theory, etc --- -Technique --- Rhetoric, Medieval. --- Theory, etc. --- -History and criticism --- -Poetics --- History and criticism&delete& --- Poetry, Medieval - History and criticism - Theory, etc --- Poetics - History - To 1500
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On the basis of a fresh collation of the four primary manuscripts, this book presents a revised text of Plato's Ion , with full apparatus criticus. The commentary has a strong linguistic orientation; it includes discussions of Platonic vocabulary. Linguistic considerations are also the leading principle in the choice of one MS reading rather than another. Drawing on Byzantine practices and theories, the book pays special attention to questions of punctuation, an area too often ignored in editions of classical texts. The extensive introduction deals with, inter alia, Plato's attack on poetry, the position of the Ion in the corpus Platonicum—rather late, this book argues—, the title(s) of the dialogue, the reasons why MS Venetus 189 should be considered a primary MS, and the text of the Homeric quotations in the Ion.
Poetics --- Aesthetics, Ancient. --- History --- Homer. --- Homer --- Ion (Plato) --- Literatura grega clássica (crítica e interpretação) --- Poesia. --- Homero --- Aesthetics, Ancient --- Poétique --- Esthétique ancienne --- Histoire --- Poetics - History - To 1500 --- Homer - Iliad --- Poétique. --- Platon (0427?-0348? av. J.-C.).
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