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West Indian poetry
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Year: 1978 Publisher: New York, NY : Twayne,

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History of the voice: the development of nation language in anglophone Caribbean poetry
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ISBN: 0901241555 Year: 1984 Publisher: London New Beacon Books

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Talk Yuh Talk : interviews with anglophone Caribbean poets
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ISBN: 0813919452 Year: 2000 Publisher: Charlottesville, VA : University Press of Virginia,

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The language of Caribbean poetry : boundaries of expression
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ISBN: 0813027624 Year: 2004 Publisher: Gainesville (FL) : University Press of Florida,

An introduction to West Indian poetry
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ISBN: 0521587123 0521583314 0511007418 0511612036 9780511007415 9780521587129 9780521583312 9780511612039 9780511823527 0511823525 Year: 1998 Publisher: Cambridge [England] New York Cambridge University Press

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Abstract

This introduction to West Indian poetry is written for readers making their first approach to poetry in English written in the Caribbean. It offers a comprehensive literary history from the 1920s to the 1980s, with particular attention to the relationship of West Indian poetry to European, African and American literature. Close readings of individual poems give detailed analysis of social and cultural issues at work in the writing. Laurence Breiner's exposition speaks powerfully about the defining forces in Caribbean culture from colonialism to resistance and decolonization.

Poetic negotiation of identity in the works of Brathwaite, Harris, Senior, and Dabydeen : tropical paradise lost and regained
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ISBN: 0773479317 Year: 1999 Publisher: Lewiston : Edwin Mellen Press,

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This volume illuminates the heightened critical assessment of Anglophone Caribbean poetry in the late 20th century. Williams makes a substantial contribution to a canon of literary criticism through her critical examination of selected poetry of Edward Kamau Brathwaite, Claire Harris, Olive Senior, and David Dabydeen. In her analysis she highlights the power of language as it classifies, divides, informs, and synthesizes the lives of Caribbean peoples throughout the Caribbean basin region. While placing emphasis on the poets' concerns with exile, displacement, and colonial cultural and political domination, it places primary emphasis on their movement beyond poetic forms of mere protest. Using the protest form, each poet appropriates a larger vision which encompasses prophecy for present and future gains based upon a meaningful connection to their African and Indian (cultural) primacy.

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