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Harp --- Plucked instruments --- Arts and Humanities --- Literature
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Harp --- History --- 78.44.2.0 --- Plucked instruments --- Geschiedenis --- Didactiek
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This book discusses the historical and musical development of the diatonic harp in Paraguay, an analysis of the musical contributions by harp composers and performers, a survey of the various traditional genres associated with the instrument, and a discussion of the popular and academic settings where the instrument has been cultivated.
Harp --- Harpists --- Harp players --- Plucked instrument players --- Plucked instruments --- History.
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Theses --- Christian art and symbolism --- Harp --- Harp in art --- Plucked instruments
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The lute played a central role in the rich musical culture of the seventeenth-century 'Golden Age' of the Dutch Republic. Like the piano in the nineteenth century, the lute was not just a popular instrument for solo music making, but was also used widely in ensembles and to accompany singers. Though mainly an instrument of the social elite and the aristocracy, it was also played by the numerous and prosperous burgher class. The first part of the book deals with psalm settings for the lute; the way professional lutenists coped with the harsh rules of the free market; Leiden as a veritable international lute centre; and the different types of lutes that can be reconstructed on the basis of the Dutch paintings of the period. The second part of the book is dedicated to Constantijn Huygens (1596-1687), the well-known poet and statesman, and avid player of, and composer for, the lute. The third and final section deals with Dutch sources of lute music, printed as well as those in manuscript. Taken together, this volume provides a broad and many-layered overview of the lute in the seventeenth century. Collectively, the articles will further the reader's understanding of the lute in its social and cultural context, not only in the Netherlands, but also on the wider European canvas.
Lute --- Lyra (Musical instrument) --- Plucked instruments --- History. --- Conferences - Meetings --- Music --- anno 1600-1699 --- Netherlands
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"The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In 'Banjo Roots and Branches', Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States. The contributors provide detailed ethnographic and technical research on gourd lutes and ekonting in Africa and the banza in Haiti while also investigating tuning practices and regional playing styles. Other essays place the instrument within the context of slavery, tell the stories of black banjoists, and shed light on the banjo's introduction into the African- and Anglo-American folk milieus. Wide-ranging and illustrated with twenty color images, 'Banjo Roots and Branches' offers a wealth of new information to scholars of African American and folk musics as well as the worldwide community of banjo aficionados."--
African Americans --- Lute --- Banjo --- Lyra (Musical instrument) --- Plucked instruments --- Music --- History and criticism. --- History.
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Lute --- Guitar --- Acoustic guitar --- Flat-top guitar --- Spanish guitar --- Plucked instruments --- Vihuela --- Lyra (Musical instrument) --- History.
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The new edition includes two new chapters; an extensive bibliography and index; personal anecdotes of the author's studies under Alberto Salvi; and an appendix on the Roslyn Rensch Papers and Harp Collection, which are housed at the University of Illinois-Urbana-Champaign.
Harp music. --- Harpists. --- Harp --- Harp players --- Plucked instrument players --- Plucked instruments --- History.
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Few now remember that the guitar was popular in England during the age of Queen Elizabeth and Shakespeare, and yet it was played everywhere from the royal court to the common tavern. This groundbreaking book, the first entirely devoted to the renaissance guitar in England, deploys new literary and archival material, together with depictions in contemporary art, to explore the social and musical world of the four-course guitar among courtiers, government servants and gentlemen. Christopher Page reconstructs the trade in imported guitars coming to the wharves of London, and pieces together the printed tutor for the instrument (probably of 1569) which ranks as the only method book for the guitar to survive from the sixteenth century. Two chapters discuss the remains of music for the instrument in tablature, both the instrumental repertoire and the traditions of accompanied song, which must often be assembled from scattered fragments of information.
Guitar --- Acoustic guitar --- Flat-top guitar --- Spanish guitar --- Plucked instruments --- Vihuela --- History
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