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Thirty-five years after her death, this book reassesses the Argentinian poet Alejandra Pizarnik (1936-72) in the light of recent publications of her 'complete' poetry and prose, diaries, and previously unavailable archive material. The essays in this volume explore Pizarnik's work from new angles: they examine her production as a literary critic, revealing her intense identificatory strategies as a reader, and the impact of such activities upon her own creative process. They also weigh up the influence of her ambiguous attitudes towards sexuality on her poetic personae, as well as the ways in which her concern with sex inspires her experimentation with humorous prose. New approaches are taken to key texts and themes: in the case of the much-studied work, 'La condesa sangrienta', through a detailed philosophical reading involving comparisons with Kafka, and, in the case of the theme of the split subject, through the lens of translation.By broadening the scope of Pizarnik studies, this book will act as a catalyst for further research into the work of this compelling poet. FIONA MACKINTOSH and KARL POSSO lecture in Hispanic Studies at the University of Edinburgh. OTHER CONTRIBUTORS: Susana Ch©Łvez Silverman, Evelyn Fishburn, Florinda F. Goldberg, Cristina Pi©ła, Cecilia Rossi, Jason Wilson
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This volume explores the theme of childhood in the cuentista and poet Silvina Ocampo (1903-1993) and the poet Alejandra Pizarnik (1936-1972). It draws revealing comparisons between these key Argentine writers through their shared obsession with childhood, arguing that an understanding of their attitudes to childhood is fundamental to an appreciation of their work. Close reading of various Ocampo texts, including some for children, allows an exploration of her vision of childhood through nostalgia, adult-child power relationships, ageing and rejuvenation, and moments of initiation or imitation. Pizarnik is considered in relation to the myth of the child-poet, and her child personae are analysed through Breton's Surrealism, Cocteau and Paz; through her borrowings from Carroll's Alice in Wonderland and Breton's Nadja; and through her obsession with madness, death, orphanhood, violation and transgression. In the final analysis, Ocampo's works achieve equilibrium between childhood and age, whereas Pizarnik's poetic crisis of exile from language parallels her deep sense of anxiety at being exiled from the world of childhood
Children in literature. --- Ocampo, Silvina --- Pizarnik, Alejandra, --- Criticism and interpretation. --- Childhood in literature --- Children in poetry --- Pizarnik, Flora Alejandra --- Pizarnik, Flora Alejandra, --- פיסארניק, אלחנדרה, --- Okampo, Silʹvina --- Pizarnik, Alejandra, - 1936-1972
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