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In his Nobel speech, entitled Art, Truth and Politics, Harold Pinter explained how he was fighting against the «tapestry of lies». It is indeed those daily lies, lies of love or of state, that are exposed in this book, which emphasises his political agenda. In March 2007, the University of Lyon (Jean Moulin) and the ENS LSH organised VIVA PINTER, a tribute to his work centred on a key notion for the city of Lyon, the Spirit of Resistance. Pinter combined a concise, fragmented and syllogistic style with a keen perception of the metaphors of our time. The most specific instrument of this great humanist lay in his representation of power games. In this volume, scholars, stage-directors and lawyers tell us how his work is highly meaningful for them. Golden Palm winners Volker Schlöndorff and Jerry Schatzberg, film and theatre director David Jones, and BBC radio producer Barbara Bray share with us the memory of how they worked with Pinter on his major plays and films.

Pinter, Harold --- Pinter, Harold, --- Criticism and interpretation --- Pinter, Harold, - 1930-2008 - Criticism and interpretation --- Pinter, Harold, - 1930-2008

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In spite of steady growth in popularity, Pinter's plays have continued to elude adequate critical appraisal. Considering the last decade's scholarship, Austin E. Quigley attributes the impasse in Pinter criticism to the failure of Pinter's readers to appreciate the diversity of ways in which language can transmit information. This explanation places recent commentaries in a new light and enables the author to take a fresh approach to the plays themselves.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Pinter, Harold --- Pinter, Harold, --- Criticism and interpretation --- Criticism and interpretation. --- LITERARY CRITICISM / Drama. --- Pinter, Harold, - 1930-2008 - Criticism and interpretation --- Pinter, Harold, 1930-2008 --- Pinter, Harold, - 1930-2008

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Cinéma et théâtre --- Pinter, Harold, --- Losey, Joseph, --- Losey, Joseph --- Motion pictures and theater --- Criticism and interpretation --- Cinéma et théâtre. --- Pinter, Harold --- Losey, Joseph, - Criticism and interpretation --- Pinter, Harold, - 1930-2008 - Criticism and interpretation --- Pinter, Harold, - 1930-2008

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Harold Pinter est l'un des dramaturges britanniques les plus importants de la deuxième moitié du Xxe siècle. Il fut également un scénariste remarquable, travaillant avec les plus grands réalisateurs et les plus grands acteurs de son époque. Cependant, ses scénarios sont beaucoup moins connus que ses pièces de théâtre. C'est donc à ses dix-neuf adaptations de romans que l'on s'intéressera ici.

Film adaptations --- Adaptations cinématographiques --- Pinter, Harold, --- Motion picture plays --- Motion picture plays, English --- Scénario --- History and criticism --- Criticism and interpretation --- Technique --- Film adaptations. --- Motion picture plays, English - History and criticism --- Pinter, Harold, - 1930-2008 - Criticism and interpretation --- Pinter, Harold, - 1930-2008 - Motion picture plays --- Pinter, Harold, - 1930-2008 - Technique --- Pinter, Harold, - 1930-2008

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Drama in English, 1900 --- -English drama --- English language --- Linguistic aspects. --- History and criticism --- Style. --- Style --- Shaw, Bernard, --- Eliot, T S --- Osborne, John, --- Arden, John --- Eliot, Thomas Stearns, --- English literature --- Drama --- Beckett, Samuel, --- Pinter, Harold, --- Criticism and interpretation --- English drama --- Théâtre anglais --- Anglais (Langue) --- Histoire et critique --- Stylistique --- Eliot, T. S. --- Arden, John. --- Pei-kʻo-tʻe, Sa-miao-erh, --- Beḳeṭ, Samuel, --- Beckett, Sam, --- Беккет, Сэмюэль, --- בעקעט, סאמועל --- בקט, סמואל --- בקט, סמואל, --- بكت، ساموئل --- Bikit, Sāmūʼil, --- Bintar, Hārūld, --- Пинтер, Гарольд, --- פינטר, הרולד, --- Pinter, Garolʹd, --- Eliot, Thomas Stearns --- Birnārd Shū, --- Shū, Birnārd, --- Hsiao, Po-na, --- Shou, Dzhordzh Bernard, --- Corno di Bassetto, --- Bassetto, Corno di, --- Fellow of the Royal Society of Literature, --- Shou, Bernard, --- Shaw, George Bernard, --- Shaw, G. B. --- Shō, Bānādo, --- Shiyou, Baanādo, --- Shaw, G. Bernard --- Pern̲āṭṣā, --- Pern̲ārṭuṣā, --- Cā, Pern̲āṭ, --- Ṣā, Pern̲ārṭ, --- Ṣā, Jārj Pern̲ārṭu, --- Шоу, Джордж Бернард, --- שאו, בערנארד --- שאו, בערנארד, --- שאו, ברנארד, --- שאו, ברנארד --- שאו, ברנרד --- שאו, ג׳ורג׳ ברנרד --- شو، برنارد، --- Beckett, Samuel --- Ai-lüeh-tʻe, --- Īliyūt, T. S., --- Elliŏtʻŭ, --- Eliot, Thōmas S., --- Eliot, Th. S., --- Eliot, Thomas Stern, --- Elyoṭ, T. S., --- Ėliot, Tomas Stirns, --- אליוט ט.ס --- אליוט, ת. ס. --- Germanic languages --- Shaw, Bernard, - 1856-1950 - Criticism and interpretation --- Eliot, Thomas Stearns, - 1888-1965 - Criticism and interpretation --- Beckett, Samuel, - 1906-1989 - Criticism and interpretation --- Pinter, Harold, - 1930-2008 - Criticism and interpretation --- Osborne, John, - 1929-1994 - Criticism and interpretation --- Arden, John - Criticism and interpretation --- Theatre (genre litteraire) moderne --- Shaw (george bernard), 1856-1950 --- Pinter (harold), 1930-2008 --- Arden (john) --- Eliot (thomas stearns, dit t.s.), 1888-1965 --- Osborne (john), 1929-1994 --- 20e siecle --- Shaw, Bernard, - 1856-1950 --- Eliot, Thomas Stearns, - 1888-1965 --- Beckett, Samuel, - 1906-1989 --- Pinter, Harold, - 1930-2008 --- Osborne, John, - 1929-1994