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The collected poems of Jean Toomer
Authors: --- ---
ISBN: 0807817732 0807842095 1469616424 1469616416 9780807842096 9781469616421 9780807817735 9798893130829 Year: 1988 Publisher: Chapel Hill, NC : University of North Carolina Press,

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Collected Poems of Jean Toomer


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Reading Jean Toomer's Cane
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ISBN: 1847603327 9781847603326 9781847603340 1847603343 Year: 2014 Publisher: Penrith [England]

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Jean Toomer : race, repression, and revolution
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ISBN: 9780252038440 9780252096327 0252096320 1306980860 9781306980869 0252038444 Year: 2014 Publisher: Urbana Chicago [etc.] University of Illinois Press

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"The 1923 publication of Cane established Jean Toomer as a modernist master and one of the key literary figures of the emerging Harlem Renaissance. Though critics and biographers alike have praised his artistic experimentation and unflinching eyewitness portraits of Jim Crow violence, few seem to recognize how much Toomer's interest in class struggle, catalyzed by the Russian Revolution and the post-World War One radical upsurge, situate his masterwork in its immediate historical context. In Jean Toomer: Race, Repression, and Revolution, Barbara Foley explores Toomer's political and intellectual connections with socialism, the New Negro movement, and the project of Young America. Examining his rarely scrutinized early creative and journalistic writings, as well as unpublished versions of his autobiography, she recreates the complex and contradictory consciousness that produced Cane. Foley's discussion of political repression runs parallel with a portrait of repression on a personal level. Examining family secrets heretofore unexplored in Toomer scholarship, she traces their sporadic surfacing in Cane. Toomer's text, she argues, exhibits a political unconscious that is at once public and private. "-- "With the publication of Cane in 1923 Jean Toomer emerged one of the most widely read, and now one of the most widely studied, authors of the Harlem Renaissance. Honored as a bold literary experimenter and as an eyewitness reporter of the abuses and outrages of Jim Crow Georgia, Toomer himself wished to evade being considered an African American writer and instead sought appreciation as a poet and idealist. While those qualities of his work have attracted significant critical attention, and his biography has been explored to illuminate them, his interest in class struggle and revolution have been eclipsed. In a series of articles that culminate in this book, Barbara Foley brings those aspects back into the light and into close focus, showing how often and how deeply he thought about them and how fierce and enduring they were. Without making the error of ignoring Toomer's artistic accomplishments, Foley shows how much history surrounds and informs Toomer's work, especially in Cane. In his journals from the time when he was writing Cane, Toomer wrote, "It is a symptom of weakness when one must bring God, equality, liberty, and justice to one's support. It follows that the working classes, particularly the dark-skinned among the working classes, are still weak. . . . If the Negro, consolidated on race rather than class interests, ever become strong enough to demand the exercise of Power, a race war will occur in America." This book examines Toomer's sense of "equality, liberty, and justice," of "nation," the South," and "America," to reveal elements in his writings that ignite them"--

The lives of Jean Toomer : a hunger for wholeness
Authors: ---
ISBN: 0807115487 9780807115480 Year: 1989 Publisher: Baton Rouge London Louisiana State University Press

Invisible darkness : Jean Toomer & Nella Larsen
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ISBN: 1587291304 9781587291302 0877454256 087745437X 9780877454250 9780877454373 Year: 1993 Publisher: Iowa City University of Iowa Press

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Invisible Darkness offers a striking interpretation of the tortured lives of the two major novelists of the Harlem Renaissance: Jean Toomer, author of Cane (1923), and Nella Larsen, author of Quicksand (1928) and Passing (1929). Charles R. Larson examines the common belief that both writers ""disappeared"" after the Harlem Renaissance and died in obscurity; he dispels the misconception that they vanished into the white world and lived unproductive and unrewarding lives.In clear, jargon-free language, Larson demonstrates the opposing views that

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