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Over the last four decades, Matt Mullican has created a complex body of work concerned with systems of knowledge, meaning, language, and signification. His work takes form as drawing, collage, video, sculpture, performance, and installation, but Mullican is perhaps best known for his performances: these take place under hypnosis, allowing the artist to treat his own psyche as yet another medium. The drawings Mullican makes in this state - as an alter ego he refers to as "that person" - recall Surrealist experiments with automatic writing. In recent years, interest has surged in Mullican's work as younger artists and curators have rediscovered him.
Mullican, Matt --- Art, Modern --- 7.07 --- Mullican, Matt °1951 in Santa Monica, VS --- Schilderkunst --- Collage --- Installatie --- Performance --- The Pictures Generation --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Mullican, Matt, --- Criticism and interpretation. --- Mullican, Matt °1951 (°Santa Monica, Californië, Verenigde Staten) --- Collages --- Installaties --- Performances
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Art, American --- Indian art --- Art, Indian --- Indian art, Modern --- Indians --- Pre-Columbian art --- Precolumbian art --- Art --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists)
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Modernism (Art) --- Abstract expressionism --- Art, American --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Modernism (Art) - United States --- Abstract expressionism - United States --- Art, American - 20th century --- Modernism (Art) - Europe
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7.039 --- 7.01 --- Beeldende kunst ; 1990-2003 --- Kunsttheorie ; 21ste eeuw ; hoe kunstenaars werken --- Kunstgeschiedenis ; 2000 - 2050 --- Kunst ; theorie, filosofie, esthetica --- Art, American --- Artists --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists)
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Here is the first comprehensive survey of modern craft in the United States. Makers follows the development of studio craft--objects in fiber, clay, glass, wood, and metal--from its roots in nineteenth-century reform movements to the rich diversity of expression at the end of the twentieth century. More than four hundred illustrations complement this chronological exploration of the American craft tradition. Keeping as their main focus the objects and the makers, Janet Koplos and Bruce Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft.
Decorative arts --- Art, American --- History --- Art, Modern --- Applied arts --- Art industries and trade --- Arts, Applied --- Arts, Decorative --- Arts, Minor --- Minor arts --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Art --- Handicraft
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Art, American --- #gsdbA --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Art, American - 20th century
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Abstract expressionism --- Art, American --- Art --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Philosophy --- Analysis, interpretation, appreciation --- United States --- United States of America
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During the Cold War, culture became another weapon in America's battle against communism. Part of that effort in cultural diplomacy included a program to arrange the exhibition of hundreds of American paintings overseas. Michael L. Krenn studies the successes, failures, contradictions, and controversies that arose when the U.S. government and the American art world sought to work together to make an international art program a reality between the 1940s and the 1970s. The Department of State, then the United States Information Agency, and eventually the Smithsonian Institution directed
Art and state --- Art, American --- Cold War. --- Propaganda in art. --- World politics --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- United States --- Cultural policy.
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Thornton Dial (b. 1928), one of the most important artists in the American South, came to prominence in the late 1980's and was celebrated internationally for his large construction pieces and mixed-media paintings. It was only later, in response to a reviewer's negative comment on his artistic ability, that he began to work on paper. And it was not until recently that these drawings have received the acclaim they deserve. This volume, edited by Bernard L. Herman, offers the first sustained critical attention to Dial's works on paper. Concentrating on Dial's early drawings, the contributors
Art, American --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Dial, Thornton --- Themes, motives.
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