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Willi Apel, world-famous musicologist, presents with freshness and vitality a succession of landmarks in the history of keyboard music. From the vast musical literature composed for organ, clavichord, harpsichord, and pianoforte from the Middle Ages to the present day, Apel has selected for reproduction one hundred and forty compositions—all but a few of them individually complete works, or independent sections of major works—which illustrate its entire development. His text forms a continuous commentary on the significance of these musical examples for the development of key-board music as a whole. His history is addressed mainly to the musical amateur, but based as it is on extensive musicological research it includes much material of interest to the student and scholar.In his opening chapters Apel picks up the threads of the earliest forms of keyboard instruments and music before 1500. In succeeding chapters he surveys sixteenth-century organ and virginal music; the Baroque and Rococo periods; the Classical period; the Romantic school; and, finally, modern piano music.Apel tells the story of this development in a readable manner, avoiding unnecessary technicalities, but fully and clearly explaining all technical terms used in the text. The distinguishing feature of his book is the inclusion, for the first time in any comparable work, of complete compositions rather than short musical illustrations: most of this valuable materials is not readily accessible to the amateur, nor even to many music students.

Organ music --- Piano music --- Componisten. --- Organ music -- History and criticism. --- Piano music -- History and criticism. --- History and criticism.

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Zimmermann, Bernd Alois --- Piano music --- History and criticism --- Zimmermann, Bernd Alois, --- History and criticism. --- Piano music - History and criticism --- Zimmermann, Bernd Alois, - 1918-1970. - Piano music

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klaviermuziek --- muziekgeschiedenis --- pianomuziek --- Music --- Chabrier, Emmanuel --- Fauré, Gabriel --- Franck, César --- Dukas, Paul --- Debussy, Claude --- France --- Piano music --- History and criticism --- History and criticism. --- Piano music - History and criticism --- Music - France - History and criticism --- Repertoire --- Piano --- Stijlanalyses --- Frankrijk

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Panorama de la production d'oeuvres pour clavier qui ont pris pour modèle la pratique de l'improvisation au tournant des XVIIIe et XIXe siècles. Les auteurs décryptent cet esprit de fantaisie et cette écriture improvisatrice, caractéristiques de ce genre, et montrent comment ils ont pénétré les autres formes musicales et ont propagé la pensée romantique.

Fantaisies (Piano) --- Fantasias (Piano) --- Fantasieën (Piano) --- Music and romanticism --- Musique romantique --- Muziek [Romantische ] --- Romanticism in music --- Romantiek in de muziek --- Romantische muziek --- Romantisme en musique --- Keyboard instruments --- Instruments à clavier --- Romantisme dans la musique --- History --- Histoire --- Piano music --- History and criticism. --- Fantaisies (instrument à clavier) --- Romantisme (musique) --- Instruments à clavier --- Keyboard instrument music --- 18th century --- History and criticism --- 19th century --- Piano music - History and criticism.