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The Kenny Werner collection
Authors: ---
ISBN: 9780634057359 Year: 2004 Publisher: Milwaukee Hal Leonard Corporation

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Abstract

Kenny Werner started out as a concert pianist, then found his true calling was jazz. He got his first big break when Charles Mingus asked him to play on a record. Over 20 years later, he's still playing with today's top jazz artists. This folio features 10 of his signature arrangements transcribed note-for-note for piano: All the Things You Are, Autumn Leaves, Blue in Green, Ivoronics, Little Appetites, My Funny Valentine, Nardis, Stella by Starlight, There Will Never Be Another You, With a Song in My Heart. Includes a biography and discography.

Stilformen des modernen Jazz : vom Swing zum Free Jazz
Authors: ---
ISBN: 3873205637 Year: 1979 Volume: 63 Publisher: Baden-Baden Koerner

Representing jazz
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ISBN: 0822315947 0822397846 0822315793 Year: 1995 Publisher: Durham : Duke University Press,

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Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings.Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo’ Better Blues, Cabin in the Sky, and Jammin’ the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn’s extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture.With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans.Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore


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Swing to bop : an oral history of the transition in jazz in the 1940s
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ISBN: 0198020708 1282384279 9786612384271 1423736206 0195364112 1601296681 9781423736202 Year: 1985 Publisher: New York : Oxford University Press,

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More than fifty major figures in jazz preserve for posterity their recollections of how jazz moved from the big band era in the late 1930's and 1940's into the modern jazz period.

The Parisian jazz chronicles
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ISBN: 1281740837 9786611740832 0300127383 9780300127386 9780300108064 0300108060 9781281740830 661174083X Year: 2005 Publisher: New Haven Yale University Press

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In his Beat-like jaunt through the Parisian and European jazz scene, Mike Zwerin is not unlike Jack Kerouac, Mezz Mezzrow, or Hunter S. Thompson-writers to whom, for different reasons, he owes some allegiance. What makes him special is his devotion to the troubled musicians he idolizes, and a passion for music that is blessedly contagious. Many jazz fans will know Mike Zwerin for his witty, irreverent, and undeniably hip music reviews and articles in the International Herald Tribune that have entertained us for decades. Based in Paris, or, rather, stuck there, as Zwerin likes to say, he has been a music critic for the Trib since 1979. Zwerin also had a distinguished career as a trombonist. When he was just eighteen years old, he was invited by Miles Davis to play alongside Gerry Mulligan, John Lewis, and Max Roach in the band that was immortalized as The Birth of the Cool.The Parisian Jazz Chronicles offers an engaging personal account of the jazz scene in Paris in the 1980's and 1990's. Zwerin writes lovingly but unsparingly about figures he knew and interviewed- such as Dexter Gordon, Freddy Heineken, Miles Davis, Bob Dylan, Chet Baker, Wayne Shorter, and Melvin Van Peebles. Against this background, Zwerin tells about his own life-split allegiances to journalism and music, and to America and France, his solitary battle for sobriety, a failing marriage, and fatherhood.


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Eurojazzland : jazz and European sources, dynamics, and contexts
Authors: --- ---
ISBN: 1280698721 9786613675682 1611682983 9781611682984 9781584658641 1584658649 9781280698729 6613675687 Year: 2012 Publisher: Boston : Northeastern University Press,


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Jazz behind the dikes
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ISBN: 1282129120 9786612129124 9048508614 9789048508617 Year: 2009 Publisher: Amsterdam Vossiuspers UvA

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Ongeveer tien jaar nadat de jazz voet aan de grond kreeg in Nederland, kreeg het schrijven over jazz zijn eigen podium in De Jazzwereld (1931- 1940). In de kolommen van dit blad, een van de oudste geheel aan de jazz gewijde periodieken ter wereld, poogden de auteurs hun geliefde muziek te duiden, alsook te verdedigen tegen de toen heersende kleinburgerlijke moraal. Immers, voor de gevestigde orde was jazz synoniem met zedenverwildering en dierlijke seksualiteit. De jazzliefhebbers pareerden al dat onbegrip met een purisme dat soms niet onderdeed voor de benepen mentaliteit waartegen zij zich v

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