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Piano - History. --- Pianists. --- Piano music - 19th century - History and criticism.
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Piano --- Construction --- History --- Instrument manufacture --- 78.43.2 --- Piano - Construction --- Piano - History
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muziekinstrumenten --- muziekgeschiedenis --- pianobouw --- Music --- piano's --- -Concert grand (Piano) --- Fortepiano --- Grand piano --- Pianoforte --- Spinet (Piano) --- Spinnet (Piano) --- Upright piano --- Toy piano --- Piano --- History --- History. --- Piano - History
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The early piano has grown in popularity over recent years. It is now recognized as a window to the past and indispensable in revealing the sounds in the ears of eighteenth- and nineteenth-century composers. Yet rarely are two instruments more than superficially alike: the earliest instruments were constructed individually to the taste of each maker and often to that of his customer. Furthermore, pianos built in the same year by the same maker - even in a series - often have not enjoyed the same standard of conservation: one may have its original strings and hammers, while another may have suffered the improper replacement of its entire action with parts designed for the modern Steinway. Many old pianos are still well-maintained and are in playable condition, while others need extensive and careful restoration.Fulfilling a need for a comprehensive study of early pianos, Makers of the Piano 1700-1820 is the first book to present details about all known extant pianos built during the earliest years of the instrument's existence. Biographical information about each maker and such details about his instruments as the place and date of manufacture, style, compass, case description and measurements, strings, action, stops, pedals, and present and former owners are given. Bibliographical references are listed separately for the individual pianos. Builders whose pianos have been lost are identified; however, anonymous pianos have not been included unless an attribution to a known maker is likely. Principal collections with their catalogues and an exhaustive bibliography complete this valuable reference work.
pianos --- Artistic and decorative craftsmen --- anno 1700-1799 --- anno 1800-1899 --- Piano --- Piano makers --- Construction --- History --- Piano - Construction --- Piano - History --- 78.43.4 --- Instrumenten --- Instrumentenbouw --- Klavier --- 19e eeuw --- 18e eeuw
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Piano --- History --- 840 --- Concert grand (Piano) --- Fortepiano --- Grand piano --- Pianoforte --- Spinet (Piano) --- Spinnet (Piano) --- Upright piano --- Keyboard instruments --- Toy piano --- Muziekgeschiedenis: essays (histor. onderwerpen, literaire analyses) --- 78.43.2 --- 530 --- Piano - History - 18th century --- 523 --- Muziekgeschiedenis (Klassiek) --- Piano - 18th century
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Mozart, Wolfgang Amadeus --- Musique --- Muziek --- Muziekgeschiedenis (Klassiek) --- 523 --- 78 MOZART, WOLFGANG AMADEUS --- Concertos (Piano) --- -Academic collection --- 78 MOZART, WOLFGANG AMADEUS Muziek--MOZART, WOLFGANG AMADEUS --- Muziek--MOZART, WOLFGANG AMADEUS --- History and criticism --- #A9305A --- Mozart, Wolfgang Amadeus, --- Mozart, Johannes Chrysostomus Wolfgangus Theophilus --- Academic collection --- History and criticism. --- 526.30 --- Genre- en werkbesprekingen --- Concertos (Piano) - History and criticism. --- Muziekanalyses --- Muziekgeschiedenis --- Stijlstudies --- Vormen --- Klavier --- Piano --- Mozart, Wolfgang Amadeus (1756-1791) --- 18e eeuw --- Concerten --- Oostenrijk
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681.816.6 --- 786.2 --- 786.2 Pianomuziek --- Pianomuziek --- 681.816.6 Organs. Harmoniums --- Organs. Harmoniums --- Concert grand (Piano) --- Fortepiano --- Grand piano --- Piano acoustique --- Piano-forte --- Pianoforte --- Spinet (Piano) --- Spinnet (Piano) --- Upright piano --- piano's --- instrumentenleer --- Music --- muziekgeschiedenis --- Piano --- Musical instruments --- Instruments de musique --- Piano -- Geschiedenis --- Piano -- History --- Piano -- Histoire --- Pianomuziek -- Geschiedenis en kritiek --- Piano music -- History and criticism --- Piano [Musique pour] -- Histoire et critique --- 78.43.2
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methoden (muziek) --- pianomuziek --- Music --- Mozart, Wolfgang Amadeus --- anno 1800-1999 --- Musique --- Muziek --- Piano --- Piano music --- Piano, Musique de --- Instruction and study --- History. --- Methods --- History --- Interpretation (Phrasing, dynamics, etc.) --- Etude et enseignement --- Histoire --- Méthodes --- Interpretation --- -History --- -786.2 --- -653 --- Concert grand (Piano) --- Fortepiano --- Grand piano --- Pianoforte --- Spinet (Piano) --- Spinnet (Piano) --- Upright piano --- Keyboard instruments --- Toy piano --- Pianomuziek --- Pedagogie: didaktiek * didaktiek van het instrument --- 786.2 --- 786.2 Pianomuziek --- musicology --- -Piano --- Méthodes --- 653 --- Instruction and study&delete& --- 78.43.7 --- 78.43.6 --- 78.43.2 --- -78.43.7 --- Piano - - History - Instruction and study --- Muziekgeschiedenis --- Speeltechnieken --- Methodes --- Execution --- 18e-20e siecles --- Histoire et critique
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« Les pianos Pleyel sont non plus ultra. » Chopin n’a cessé de confirmer cette affirmation de 1831 par une fidélité au facteur et à sa manufacture. Celui dont l’instrument est le moyen de communiquer avec d’autres mondes, avec lui-même, avec autrui, le lieu tactile et sonore où s’incarne son improvisation, lieu de l’envol de sa création sans cesse remise sur le métier, a trouvé en Camille Pleyel le répondant nécessaire. Sa prédilection se fait jour de différentes façons : les quatre plus importants concerts parisiens de Chopin ont lieu dans les locaux de Pleyel ; aussi bien pour le concert et le salon que pour l’enseignement, il utilise exclusivement ces instruments.La personne et l’œuvre de Camille Pleyel, bien peu connues jusqu’alors, sont abordées ici dans leur relation avec Chopin, sous des angles divers et complémentaires qui constituent une étude transversale convoquant l’histoire et la sociologie musicales, la facture instrumentale, l’esthétique sonore, le style de jeu pianistique. Par l’examen de documents exhumés lors d’années de recherche, Jean-Jacques Eigeldinger met en lumière un circuit musical et social insoupçonné sous la monarchie de Juillet. Dans les livres de vente des pianos défilent les noms des élèves, des protecteurs, amis et collègues de Chopin, de maintes familles de l’aristocratie française, polonaise, européenne, des milieux diplomatiques ou de la haute finance. Cette ronde de noms est menée en filigrane par le pianiste et professeur adulé dans les salons parisiens de son choix. C’est toute une société qui se mire en lui, attendant en retour qu’il l’ennoblisse : avec le musicien poète et ses pianos d’élection se met en place un circuit d’excellence qui gravite autour de Pleyel et le consacre. Une iconographie largement inédite fait se répondre texte et images, en un contrepoint documentaire et esthétique qui suscitera chez le lecteur mainte résonance à son écoute des œuvres.
Piano --- Piano makers --- Concerts --- Facteurs de pianos --- Construction --- History --- Facture --- Histoire --- Chopin, Frédéric, --- Pleyel, Camille, --- Composers --- Pleyel (Firm) --- Musicology --- Polish Composer --- Pleyel piano --- Chopin, Frédéric, --- Pleyel, Ignaz, --- Relations with piano makers --- Relations with composers --- Chopin, Frédéric --- Friends and associates --- Piano makers - France - History - 19th century --- Composers - France --- Pleyel (Firm) - History - 19th century --- Musicology - Polish Composer - Piano - 19th Century - Biography --- Pleyel piano - History - 19th century --- Chopin, Frédéric, - 1810-1849. --- Chopin, Frédéric, - 1810-1849 - Relations with piano makers --- Pleyel, Ignaz, - 1788-1855 - Relations with composers --- Pleyel, Camille, - 1788-1855 --- Chopin, Fryderyk (1810-1849) --- Pleyel, Camille (1788-1855) --- 19e eeuw --- Musicology - Polish Composer - Piano - 19th Century - Biography. --- Chopin, Frédéric, - 1810-1849 --- Pleyel, Ignaz, - 1788-1855
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