Narrow your search
Listing 1 - 9 of 9
Sort by

Book
Wie sah Goethe aus?
Author:
ISBN: 3111480917 3111114066 Year: 1904 Publisher: De Gruyter

Loading...
Export citation

Choose an application

Bookmark

Abstract

To celebrate the 270th anniversary of the De Gruyter publishing house, the company is providing permanent open access to 270 selected treasures from the De Gruyter Book Archive. Titles will be made available to anyone, anywhere at any time that might be interested. The DGBA project seeks to digitize the entire backlist of titles published since 1749 to ensure that future generations have digital access to the high-quality primary sources that De Gruyter has published over the centuries.


Book
Kriegsgefangene : ein Beitrag zur Völkerkunde im Weltkriege ; Einführung in die Grundzüge der Anthropologie
Authors: ---
Year: 1917 Publisher: Berlin : Reimer,

Loading...
Export citation

Choose an application

Bookmark

Abstract


Book
Je suis physionomiste!
Author:
Year: 1970 Publisher: Verviers Editions Gérard & Co

Loading...
Export citation

Choose an application

Bookmark

Abstract


Book
Histoire du visage : exprimer et taire ses émotions (du XVIe siècle au début du XIXe siècle)
Authors: ---
ISBN: 2228888036 9782228888035 Year: 1994 Volume: 185 Publisher: Paris : Payot,

Loading...
Export citation

Choose an application

Bookmark

Abstract


Book
Face value : the irresistible influence of first impressions
Author:
ISBN: 9780691167497 0691167494 Year: 2017 Publisher: Princeton (N.J.) : Princeton University Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

"We make up our minds about others after seeing their faces for a fraction of a second--and these snap judgments predict all kinds of important decisions. For example, politicians who simply look more competent are more likely to win elections. Yet the character judgments we make from faces are as inaccurate as they are irresistible; in most situations, we would guess more accurately if we ignored faces. So why do we put so much stock in these widely shared impressions? What is their purpose if they are completely unreliable? In this book, Alexander Todorov, one of the world's leading researchers on the subject, answers these questions as he tells the story of the modern science of first impressions. Drawing on psychology, cognitive science, neuroscience, computer science, and other fields, this accessible and richly illustrated book describes cutting-edge research and puts it in the context of the history of efforts to read personality from faces. Todorov describes how we have evolved the ability to read basic social signals and momentary emotional states from faces, using a network of brain regions dedicated to the processing of faces. Yet contrary to the nineteenth-century pseudoscience of physiognomy and even some of today's psychologists, faces don't provide us a map to the personalities of others. Rather, the impressions we draw from faces reveal a map of our own biases and stereotypes. A fascinating scientific account of first impressions, Face Value explains why we pay so much attention to faces, why they lead us astray, and what our judgments actually tell us."--


Book
Heurs et Malheurs du Portrait Dans la France du XVIIe Siècle.
Authors: ---
ISBN: 2889280934 2735128784 2735128695 Year: 2022 Publisher: Paris Éditions de la Maison des sciences de l’homme

Loading...
Export citation

Choose an application

Bookmark

Abstract

Le portrait est sans conteste le genre artistique le plus fécond du début des Temps modernes. Dans la France du XVIIe siècle, qui se distingue par une mobilité sociale inconnue jusqu’alors, le portrait permet précisément d’appuyer la revendication d’un nouveau statut social ou d’assurer un rang acquis, mais désormais remis en question. Le portrait se fait également l’écho de la discussion capitale concernant le rapport entre le corps et l’âme. Pourtant, les sources écrites parvenues jusqu’à nous, qui s’intéressent au portrait, sont étonnamment parcimonieuses. L’Académie royale de peinture et de sculpture fondée en 1648, en particulier, est presque totalement muette à ce sujet. Et ce, bien que nombre de ses membres gagnent leur vie comme portraitistes et que le genre voie son importance s’accroître au cours du Grand Siècle : les portraits se multiplient, tandis que leur prix augmente constamment. Il semble que l’Académie ait sciemment passé sous silence le portrait et les débats afférents, afin de mieux célébrer comme sa véritable mission la peinture d’histoire, sur laquelle l’institution nous a laissé d’innombrables témoignages. La présente étude reconstitue les discours autour du portrait dans la France du XVIIe siècle et dévoile une discussion d’une vivacité surprenante, où d’aucuns se sont même demandé si le portrait ne méritait pas – plutôt que la peinture d’histoire – d’occuper la première place dans la hiérarchie des genres. Das Porträt ist sicherlich die fruchtbarste künstlerische Gattung der frühen Neuzeit. Gerade im Frankreich des 17. Jahrhunderts, das sich durch eine bis dahin unbekannte soziale Mobilität auszeichnete, erlaubte es das Porträt, den Anspruch auf eine neue gesellschaftliche Position zu unterstreichen bzw. auf einer überkommenen, nun aber in Frage gestellten Position zu beharren. Auch fand die zentrale Diskussion um das Verhältnis von Leib und Seele ihren Niederschlag im Porträt. Hiermit in Kontrast steht der Mangel an schriftlichen Quellen…


Book
Reading bodies : physiognomy as a strategy of persuasion in early Christian discourse
Author:
ISBN: 9780567695499 0567695492 Year: 2020 Publisher: London : T & T Clark,

Loading...
Export citation

Choose an application

Bookmark

Abstract

Callie Callon investigates how some early Christian authors utilized physiognomic thought as rhetorical strategy, particularly with respect to persuasion. Callon shows how this encompassed denigrating theological opponents and forging group boundardies (invective against heretics or defence of Christians), self-representation to demonstrate the moral superiority of early Christians to Greco-Roman outsiders, and the cultivation of collective self-identity. The work begins with an overview of how physiognomy was used in broader antiquity as a component of persuasion. Callon then examins how physiognomic thought was employed by early Christians and how physiognomic tropes were employed to "prove" their orthodoxy and moral superiority. Building on the conclusions of the earlier chapters, Callon then focuses on the representation of the physiognomies of early Christian martyrs, before addressing the problem of the acceptance or even promotion of the idea of a physically lacklustre Jesus by the same authors who otherwise utilize traditional physiognomic thought.

Histoire du visage : exprimer et taire ses émotions XVIe-début XIXe siècle
Authors: ---
ISBN: 2869301502 9782869301504 Year: 1988 Volume: vol *5 Publisher: Paris ; Marseille : Rivages,

The artist as anthropologist : the representation of type and character in Victorian art
Author:
ISBN: 0521354900 Year: 1989 Publisher: Cambridge New York Sydney Cambridge University Press

Listing 1 - 9 of 9
Sort by