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Avant-garde films --- Cinematografie --- Cinematography --- Cinéma expérimental --- Cinématographie --- Experimental films --- Experimentele films --- Home movies --- Personal films --- Photography--Animated pictures --- Photography--Motion pictures --- Underground films --- Gene Youngblood ; introd. by R. Buckminster Fuller --- film --- nieuwe media --- computers --- synesthetiche film --- Belson Jordan --- cybernetica --- televisie --- holografie --- 791.41
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Cinematografie --- Cinematography --- Cinématographie --- Home movies --- Photography--Animated pictures --- Photography--Motion pictures --- Motion pictures --- Motion picture authorship --- Cinéma --- Production and direction --- Handbooks, manuals, etc --- Handbooks, manuals, etc. --- Production et réalisation --- Guides, manuels, etc --- Art d'écrire --- Guides, manuels, etc. --- Cinéma --- Production et réalisation --- Art d'écrire
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Introduction aux problématiques fondamentales de l'esthétique du film : la production, les genres, les problèmes de forme et de narration, la mise en scène, la prise de vue, le montage, le son, le style, l'analyse critique, l'histoire du cinéma, etc. Le propos s'appuie sur des analyses précises de séquences et les articule avec des synthèses sur les théories existantes. ©Electre 2015 Systématique, l'ouvrage donne au lecteur les bases théoriques, techniques et historiques en suivant six grands axes. Comment crée-t-on un film ? Comment fonctionne un film et qu'est-ce que la forme filmique ? Quelles sont les possibilités offertes par la mise en scène, la prise de vue, le montage et le son et comment ces techniques contribuent- elles à la forme filmique ? Quels sont les principaux types et genres cinématographiques ? Comment faire l'analyse critique d'un film ? Quelles sont les grandes étapes de l'histoire du cinéma ? Le propos s'appuie sur des analyses précises de séquences empruntées à toute l'histoire du cinéma, illustrées par plus de 1200 photogrammes directement tirés des films. Un glossaire, un triple index (notions, noms, titres) et une vaste bibliographie complètent cet ensemble. David Bordwell et Kristin Thompson, par ailleurs auteurs - et autorités - reconnus de nombreux travaux de recherches dans le champ des études cinématographiques, signent ici la 10e édition de ce livre de référence.
Cinematografie --- Cinematography --- Cinématographie --- Filmindustrie --- Home movies --- Industrie du cinéma --- Motion picture industry --- Moving-picture industry --- Photography--Animated pictures --- Photography--Motion pictures --- Motion pictures --- Film criticism --- Cinéma --- Critique cinématographique --- Aesthetics --- Esthétique --- Analyse filmique --- Théorie du cinéma --- Cinéma --- Critique cinématographique --- Esthétique --- Technique --- Handbooks, manuals, etc. --- History --- Analyse filmique. --- Théorie du cinéma. --- Esthétique. --- Motion pictures - Aesthetics
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Cinematografie --- Cinematography --- Cinématographie --- Home movies --- Photography--Animated pictures --- Photography--Motion pictures --- Motion pictures --- Cinéma --- Philosophy --- Production and direction --- Philosophie --- Production et réalisation --- Cinéma --- Production et réalisation --- CDL --- 791.41 --- Motion Pictures --- Cinema --- Films --- Films as Topic --- Movies --- Movies as Topic --- Film --- Motion Picture --- Movie --- Cinemas --- Films as Topics --- Movies as Topics --- Picture, Motion --- Pictures, Motion --- Photography --- Chronophotography --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Animated pictures --- Direction --- Film theory and criticism --- Cinema industry
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Art photographique --- Arts --- Cinema --- Cinematografie --- Cinematography --- Cinéma --- Cinématographie --- Film --- Films --- Fotografie --- Home movies --- Kunsten --- Motion pictures --- Movies --- Moving-pictures --- Photo --- Photographie --- Photography --- Photography--Animated pictures --- Photography--Motion pictures --- Technique photographique --- Frampton, Hollis --- Arts. --- Cinematography. --- Motion pictures. --- Photography. --- 77.01 --- 778.5 --- kunst --- film --- experimentele film --- avant-garde --- Verenigde Staten --- Frampton Hollis --- fotografie --- video --- nieuwe media --- digitale kunst --- filmtheorie --- kunsttheorie --- 791.471 FRAMPTON --- Fotografie--Semiotiek van de fotografie. Theorie --- Filmfotografie. Filmkunst --- 778.5 Filmfotografie. Filmkunst --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Feature films --- Audio-visual materials --- Mass media --- Performing arts --- Chronophotography --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- History and criticism --- Animated pictures --- Arts, Primitive
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The point-of-view shot is usually perceived as a ±natural device, yet its naturalness is illusory. This book provides an answer to the question: ±Where does the point-of-view shot come from? It investigates the emergence of this filmic form as the product of a culture and its history, unravelling the difference between a point-of-view shot and a character's subjective viewpoint. In so doing, it shows that what would become the point of-view shot developed from the interposition, between the eye and the world, of a prosthesis capable of modifying the conditions needed to access the visible, and thus to expand the potential of human vision. Moreover, the book offers inspiration for further research on modern (and postmodern) vision as a mediated vision, an important topic in contemporary debates in the digital media landscape.
Subjectivity in motion pictures. --- Motion pictures --- Cinematography. --- Digital media --- Subjectivité au cinéma --- Cinéma --- Médias numériques --- Philosophy. --- Aesthetics. --- History. --- Philosophie --- Esthétique --- Histoire --- Caméra subjective --- Cinematografie --- Cinématographie --- Home movies --- Photography--Animated pictures --- Photography--Motion pictures --- Plan subjectif (Cinéma) --- Point de vue (Cinéma) --- Point de vue au cinéma --- Point of view in motion pictures --- Subjective camera --- Subjectiviteit in de film --- Subjectivité au cinéma --- Subjectivité dans les films --- Subjectivity in motion pictures --- Philosophy --- Aesthetics --- History --- Cinematography --- Silent films --- History and criticism --- Point de vue (cinéma) --- Théorie du cinéma --- Films muets --- Motion pictures - Aesthetics
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