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A Companion to Photography presents a contemporary approach to the subject, advancing the critical ideas that inform the study of photography in the 21st century. Features a collection of original, up-to-date essays relating to contemporary photography Introduces several new ideas that expand current photographic theory Combines essays by established and emerging writers, providing a dynamic and engaging discussion Essays are organized in thematic sections: photographic interpretation, markets, popular photography, documents, and fine art Seamlessly incorporates discussion of digital photography throughout. The study of photography has never been more important. A look at today's digital world reveals that a greater number of photographs are being taken each day than at any other moment in history. Countless photographs are disseminated instantly online and more and more photographic images are earning prominent positions-and garnering record prices-in the rarefied realm of top art galleries.Reflecting this dramatic increase in all things photographic, A Companion to Photography presents a comprehensive collection of original essays that explore a variety of key areas of current debate around the state of photography in the twenty-first century. Essays are grouped and organized in themed sections-including photographic interpretation, markets, popular photography, documents, and fine art-and provide comprehensive coverage of the subject. Representing a diversity of approaches, essays are written by both established and emerging photographers and scholars, as well as various experts in their respective areas.
Photographic criticism. --- Photography --- Photography, Artistic. --- PHOTOGRAPHY / Criticism. --- Philosophy. --- Photographic criticism --- Photography, Artistic --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Photography criticism --- Criticism --- Philosophy --- Aesthetics --- E-books
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As one of the earliest collegiate institutions to begin collecting photography, the University of New Mexico Art Museum holds a stunning array of images that span photography's 175-year history.
Photography --- History. --- Photographs --- Photographic criticism. --- Photos --- Snapshots --- Pictures --- Photography criticism --- Criticism
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82:77 --- Photographic criticism --- Photography --- Photography criticism --- Criticism --- 82:77 Literatuur en fotografie --- Literatuur en fotografie --- CDL --- 77.01
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Photography, Artistic --- Photography --- Photographie artistique --- Photographie --- Social aspects --- Aspect social --- --Esthétique --- --Photographic criticism --- Photographic criticism --- CDL --- 77.01 --- Photography criticism --- Criticism --- Esthétique
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#SBIB:309H520 --- #SBIB:309H122 --- Audiovisuele communicatie: algemene werken --- Fotogrammen: functies, genres, historiek --- Photographic criticism --- Photography, Artistic --- Photography --- Photography criticism --- Criticism --- Baudrillard, Jean, --- Criticism and interpretation --- Baudrillard, Jean
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Family photographs--snapshots and portraits, affixed to the refrigerator or displayed in gilded frames, crammed into shoeboxes or cataloged in albums--preserve ancestral history and perpetuate memories. Indeed, photography has become the family's primary means of self-representation. In Family Frames Marianne Hirsch uncovers both the deception and the power behind this visual record. (Harvard UP)
Families --- Photographic criticism. --- Photography of families. --- Folklore. --- Photography of families --- Photographic criticism --- Photography --- Photography criticism --- Criticism --- Family customs --- Family lore --- Folklore --- Families - Folklore
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Photographic criticism --- #VCV monografie 1999 --- 770.92 --- Photography --- Photography criticism --- Criticism --- Arts Photography Persons --- Photographie artistique --- Photographie --- Critique d'art --- Critique photographique --- France --- 1970-....
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Photography, Artistic --- Photographic criticism --- Photographie artistique --- Critique photographique --- Exhibitions. --- Expositions --- Buren, Daniel --- Graham, Dan, --- Ruscha, Edward --- Exhibitions --- Photography --- Photography criticism --- Criticism
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What is the evolving relationship between words and images in the photographic essay? Klingensmith explores this and other questions in In Appropriate Distance as she traces the development of the photographic essay from the 1890s to the 1990s and beyond Part Two Conclusion -- PART THREE: John Berger and Jean Mohr's Restored Photography -- 6: Toward a Political Photography -- 7: The Ways Photographs Are Used: Expressive, Radial, and Contextualized Images -- 8: In the Context of Writing -- Part Three Conclusion -- EPILOGUE: Giving Cameras to Kids -- Notes -- Bibliography -- Index -- Back Cover Front Cover -- Title Page -- Copyright -- Contents -- List of Illustrations -- Acknowledgments -- INTRODUCTION: Finding Appropriate Distance -- PART ONE: The Question of the Image in Jacob Riis's ""How the Other Half Lives""--1: Rethinking Riis -- 2: Reviewing the Image -- Part One Conclusion -- PART TWO: Southern Poverty in Word and Image: Three Depression-Era Photographic Essays -- 3: "Poverty Viewed at a Distance": You Have Seen Their Faces -- 4: "A Tripod of Photographs, Captions, and Text": An American Exodus -- 5: "If It Hurts You, Be Glad of It": Let Us Now Praise Famous Men
Photographic criticism. --- Photography --- Photography criticism --- Criticism --- Moral and ethical aspects. --- Social aspects. --- Moral and religious aspects --- Dokumentarfotografie. --- Fotografie. --- PHOTOGRAPHY --- Criticism. --- Umschulungswerkstätten für Siedler und Auswanderer
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