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77 --- Photography --- -#SBIB:309H122 --- Fotografie --- Social aspects --- Fotogrammen: functies, genres, historiek --- Social aspects. --- 77 Fotografie --- #SBIB:309H122 --- Photography - Social aspects.
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Photography, Artistic --- Photography --- Photographic interpetation --- Philosophy --- Social aspects --- History --- Photography, Artistic - Philosophy --- Photography - Social aspects --- Photography - History
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Self-portraits --- Portrait photography --- Autoportraits --- Portraits (Photographie) --- Online social networks --- Cell phones --- Social aspects --- Portrait photography - Social aspects --- Self-portraits - Social aspects --- Cell phones - Social aspects
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Photography --- Photographie --- History --- Histoire --- Philosophy --- Social aspects --- Photo - Philosophy - Aesthetics --- CDL --- 77.01 --- Photo - Philosophy - Aesthetics. --- Photography - Philosophy --- Photography - Social aspects --- Photography - History
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Photography --- Popular culture. --- Social aspects. --- Digital techniques. --- Popular culture --- Social aspects --- Digital techniques --- Sociology of culture --- Photography - Social aspects --- Photography - Digital techniques
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En revenant sur les promesses originelles de l'objet photographie de presse, Maxime Fabre examine à nouveaux frais l'ensemble des croyances qui se portent sur la photographie. Des croyances façonnées par la technique, consolidées au cours du temps par les discours théoriques et professionnels, dont le numérique – ou les réseaux sociaux – n'a pas remis en question l'origine mais s'est réapproprié les codes tout en les adaptant à sa propre culture médiatique.
Photojournalism --- Photography --- Social aspects --- Photographie de presse --- Illustrations, images, etc. -- Interprétation --- Perception des images --- Interprétation --- photographie --- analyse de contenu --- presse --- Picture perception --- Picture interpretation --- Photography - Social aspects
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Photography --- Blacks --- Photographie --- Noirs --- Social aspects --- History --- Social conditions --- Aspect social --- Histoire --- Conditions sociales --- 77.01 --- Fotografie--Semiotiek van de fotografie. Theorie --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Negroes --- Ethnology --- Black persons --- Black people --- Photography - Social aspects - Germany - History - 20th century --- Photography - Social aspects - Great Britain - History - 20th century --- Blacks - Germany - Social conditions - 20th century --- Blacks - Great Britain - Social conditions - 20th century
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Après un rappel des usages de la photographie dans les enquêtes en sciences sociales, les sociologues proposent des conseils pratiques et des exercices pour pratiquer la photographie sur le terrain mais aussi restituer et diffuser ces images.
Photography in the social sciences --- Social surveys --- Photographie en sciences sociales --- Enquêtes sociales --- Photography --- Visual communication --- Methodology --- Social aspects --- Enquêtes sociales --- Social surveys - Methodology --- Photography - Social aspects --- Visual communication - Social aspects
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Photographic criticism --- Photography --- Social aspects. --- fotografie --- fotografietheorie --- twintigste eeuw --- seriële fotografie --- fotografie en maatschappij --- Steichen Edward --- Frank Robert --- Becher Bernd --- Becher Hilla --- Becher Bernd & Hilla --- 77.036 --- Photography criticism --- Criticism --- Social aspects --- Photography - Social aspects.
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The book focuses on the changes digital technologies have made to the production, circulation and consumption of photography. It considers a range of digital cameras and their contexts, from 'prosumer' SLRs to cameras embedded in mobiles.The rise of digital photography and imaging has transformed the landscape of visual communication and culture. Events, activities, moments, objects, and people are captured' and distributed as images on an unprecedented scale. Many of these are shared publicly; some remain private, others become intellectual property, and some have the potential to shape global events. In this timely introduction, the ubiquity of photography is explored in relation to interdisciplinary debates about changes in the production, distribution, and consumption of images in digital culture. Ubiquitous Photography provides a critical examination of the technologies, practices, and cultural significance of digital photography, placing the phenomenon in historical, social, and political-economic context. It examines shifts in image-making, storage, commodification, and interpretation as highly significant processes of digitally mediated communication in an increasingly image-rich culture. It covers debates in social and cultural theory, the history and politics of image-making and manipulation, the current explosion in amateur photography, tagging and sharing via social networking, and citizen journalism. The book engages with key contemporary theoretical issues about memory and mobility, authorship and authenticity, immediacy and preservation, and the increased visibility of ordinary social life. Drawing upon a range of sources and original empirical research, Ubiquitous Photography provides a comprehensive introduction to critical academic debate and concrete developments in the field of digital photography. It is essential reading for students and scholars interested in media and society, visual culture, and digital technology
Photographie --- --Photography --- Digital techniques --- Social aspects. --- Photography --- Digital media --- Social aspects --- Sociologie van de cultuur --- Fotografie --- Sociology of culture --- Photography - Digital techniques --- Photography - Social aspects --- Digital media - Social aspects --- Photographie numérique --- Aspect social --- Innovations
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