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77 <45> --- 77 <45> Fotografie--Italië --- Fotografie--Italië --- Photography --- Historiography and photography --- History --- Social aspects --- Political aspects --- Photography - Italy - History --- Historiography and photography - Italy --- Photography - Social aspects - Italy - History --- Photography - Political aspects - Italy - History

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World politics --- Photography --- Press and politics --- Political aspects --- Photographie --- Albums de photographies --- Aspect politique --- Photographie et politique --- Press and politics. --- Politique mondiale --- Presse et politique --- Pictorial works. --- Political aspects. --- Ouvrages illustrés --- Photographie et politique. --- Albums de photographies. --- World politics - 20th century - Pictorial works --- Photography - Political aspects

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Tina M. Campt explores a way of listening closely to photography, engaging with lost archives of historically dismissed photographs of black subjects taken throughout the black diaspora. Engaging with photographs through sound, Campt looks beyond what one usually sees and attunes her senses to the other affective frequencies through which these photographs register. She hears in these photos-which range from late nineteenth-century ethnographic photographs of rural African women and photographs taken in an early twentieth-century Cape Town prison to postwar passport photographs in Birmingham, England and 1960s mug shots of the Freedom Riders - a quiet intensity and quotidian practices of refusal. Originally intended to dehumanize, police, and restrict their subjects, these photographs convey the softly buzzing tension of colonialism, the low hum of resistance and subversion, and the anticipation and performance of a future that has yet to happen. Engaging with discourses of fugitivity, black futurity, and black feminist theory, Campt takes these tools of colonialism and repurposes them, hearing and sharing their moments of refusal, rupture, and imagination.

Identification photographs. --- Portrait photography --- Blacks --- Africans --- African diaspora. --- Social aspects --- Political aspects --- Portraits. --- Identification photographs --- African diaspora --- Ethnology --- Negroes --- Black diaspora --- Diaspora, African --- Human geography --- Photography --- Portraiture --- Mug shots --- Mugshots --- Photographs --- Migrations --- Portraits --- fotografie --- fotografietheorie --- portretfotografie --- archieven --- archivering --- negentiende eeuw --- twintigste eeuw --- kolonialisme --- postkolonialisme --- racisme --- 77.01 --- Black persons --- Transatlantic slave trade --- Black people --- Portrait photography - Social aspects - United States --- Portrait photography - Political aspects - United States --- Blacks - Portraits --- Africans - Portraits

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Imagine a world in which each individual has a fundamental right to be reborn. This idle dream haunts Hilde Van Gelder's associative travelogue that takes Allan Sekula's sequence Deep Six / Passer au bleu (1996/1998) as a touchstone for a dialogue with more recent artworks zooming in on the borderscape near the Channel Tunnel, such as those by Sylvain George and Bruno Serralongue. Combining ethnography, visual materials, political philosophy, cultural geography, and critical analysis, Ground Sea proceeds through an innovative methodological approach. Inspired by the meandering writings of W.G. Sebald, Javier Marías, and Roland Barthes, Van Gelder develops a style both interdisciplinary and personal. Resolutely opting for an aquatic perspective, Ground Sea offers a powerful meditation on the indifference of an increasingly divided European Union with regard to considerable numbers of persons on the move, who find themselves stranded close to Calais. The contested Strait of Dover becomes a microcosm where our present global challenges of migration, climate change, human rights, and neoliberal surveillance technology converge.

77 --- 77 Fotografie --- Fotografie --- fotografie --- neoliberalisme --- 77.071 VAN GELDER --- fotografie en ecologie --- fotografie en politiek --- ecologie --- Sekula Allan --- Noordzee --- Europa --- cultuurfilosofie --- postkolonialisme --- migratie --- documentaire fotografie --- 77.044 --- fotografietheorie --- 77.01 --- Human rights --- Photography --- Political aspects --- Social aspects --- Europe --- Dover, Strait of --- Calais, Strait of --- Dover Strait --- Fretum Gallicum --- Pas de Calais --- Strait of Calais --- Strait of Dover --- Straits of Dover --- Emigration and immigration --- Academic collection --- Migration. Refugees --- documentary photography --- The Channel --- Mensenrechten --- Politieke aspecten --- Sociale aspecten --- Sekula, Allan --- Government policy --- Human rights - Europe --- Photography - Political aspects --- Photography - Social aspects --- Europe - Emigration and immigration --- Dover, Strait of - Pictorial works