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Fotografie --- Advertising photography --- 77.048 --- affiches --- boekomslagen --- brochures --- decors --- fotografie --- kleur --- licht --- posterd --- reclame --- reclamefotografie --- reproductie --- speciale effecten --- verlichting --- William A.Reedy --- Photography, Advertising --- Commercial photography

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Advertising photography --- Advertising --- 77.071 TOSCANI --- CDL --- Ads --- Advertisements --- Advertising, Consumer --- Advertising, Retail --- Advertising, Store --- Commercial speech --- Consumer advertising --- Retail advertising --- Speech, Commercial --- Store advertising --- Business --- Communication in marketing --- Industrial publicity --- Retail trade --- Advertisers --- Branding (Marketing) --- Propaganda --- Public relations --- Publicity --- Sales promotion --- Selling --- Photography, Advertising --- Commercial photography --- Social aspects --- Psychological aspects --- Toscani, Oliviero --- Benetton (Firm) --- United Colors of Benetton --- Exhibitions --- Psychological aspects&delete& --- Social aspects&delete& --- Exhibitions. --- Benetton Group (Firm) --- Benetton --- Toscani, oliviero (1942-....)

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Photography [Artistic ] --- United States --- 20th century --- Exhibitions --- Bartholomew Jr, Ralph --- Catalogs --- Los Angeles County Museum of Art --- Advertising photography --- Commercial photography --- 659.125 --- 77 BARTHOLOMEW, RALPH, Jr --- 77 BARTHOLOMEW, RALPH, Jr. Fotografie--BARTHOLOMEW, RALPH, Jr. --- Fotografie--BARTHOLOMEW, RALPH, Jr. --- 659.125 Pictorial design (except trademarks). Use of graphic art, photography etc. --- Pictorial design (except trademarks). Use of graphic art, photography etc. --- Photography, Commercial --- Photography --- Photography, Advertising --- Fotografie--BARTHOLOMEW, RALPH, Jr --- Bartholomew, Ralph, --- Exhibitions.

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In the first study of its kind, Michele H. Bogart explores in unprecedented detail the world of commercial art, its illustrators, publishers, art directors, photographers, and painters. She maps out the border between art and commerce and expands our picture of artistic culture and practice in the twentieth century with unexpected pairings of Norman Rockwell and Andy Warhol, J.C. Leyendecker and Georgia O'Keeffe, the Metropolitan Museum of Art and Pepsi-Cola, the avant garde and the Famous Artists Schools, Inc. From the turn of the century through the 1950s, the explosive growth of popular magazines and the national advertising that supported them offered artists new sources of income and new opportunities for reaching huge audiences. Bogart shows how this change in the marketplace forced a rethinking of the purpose of artistic practice. She examines how Howard Pyle, Charles Dana Gibson, Norman Rockwell, and other illustrators understood their identities. She looks at billboard production; at the growing schism between art posters and billboard advertisements; at the new roles of the art director; at the emergence of photography as the dominant advertising medium; and at the success of painters in producing fine art for advertising during the 1930s and 1940s.

659.1 --- Commercial art --- -#SBIB:309H2821 --- #SBIB:309H241 --- #SBIB:309H505 --- Grafische vormgeving ; theorie ; kunst en reclame --- 766.01 --- Advertising, Art in --- Advertising, Pictorial --- Advertising art --- Art, Commercial --- Art in advertising --- Commercial design --- Advertising --- Art --- Art and industry --- Graphic arts --- Posters --- Visual communication --- Motion picture billboards --- Publicity. Advertising --- Reclameboodschap: functies, genres, taalgebruik historiek --- Andere media: functies, genres, historiek --- Code en boodschap: psychologische, psycho-analytische benadering --- Gebruiksgrafiek ; theorie, filosofie, esthetica --- 659.1 Publicity. Advertising --- #SBIB:309H2821 --- Illustrators --- Advertising photography --- Posters, American --- CDL --- 766.036 --- American posters --- Photography, Advertising --- Commercial photography --- Commercial artists --- art [fine art] --- advertising --- art criticism --- commercials [oral or performed works] --- reclamevormgeving --- kunst --- reclame --- kunstbeschouwing --- Artists --- 766.31.01 --- Grafische industrie en ontwerp ; beeld ; reclame ; theorie, filosofie, esthetica --- art [discipline] --- communication design

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Advertising photography --- 77.036 --- Albin-Guillot Laure --- Aron Daniel --- Bauret Jean-François --- Bourdin Guy --- Bovis Marcel --- Daniloff Dimitri --- Dewolf Jean-Claude --- Ferrand Claude --- Frankrijk --- Gillet François --- Gouby Marc --- Goude Jean-Paul --- Jahan Pierre --- Jouanneau Daniel --- Knapp Peter --- Knaup Peter --- Kollar François --- Larivière Jean --- Lindbergh Peter --- Lorelle Lucien --- Lutens Serge --- Man Ray --- Martin André --- Mocafico Guido --- Moon Sarah --- Ray Man --- Ronzel Jean-Pierre --- Sieff Jean-Loup --- Soares Aldo --- Sougez Emmanuel --- Sous la direction d'Amélie Gastaut --- Tabard Maurice --- Vigneau André --- Vives Jean-Marie --- fotografie --- modefotografie --- productfotografie --- reclame --- reclamefotografie --- stillevenfotografie --- twintigste eeuw --- 761.7 --- Albin-Guillot, Laure --- Aron, Daniel --- Bauret, Jean-François --- Bourdin, Guy --- Bovis, Marcel --- Daniloff, Dimitri --- Dewolf, Jean-Claude --- Ferrand, Claude --- Gillet, François --- Gouby, Marc --- Goude, Jean-Paul --- Jahan, Pierre --- Jouanneau, Daniel --- Knapp, Peter --- Knaup, Peter --- Kollar, François --- Lariviere, Jean --- Lindbergh, Peter --- Lorelle, Lucien --- Lutens, Serge --- Martin, André --- Mocafico, Guido --- Moon, Sarah --- Ray, Man (Man Ray) --- Ronzel, Jean-Pierre --- Sieff, Jeanloup --- Soares, Aldo --- Sougez, Emmanuel --- Tabard, Maurice --- Vigneau, André --- Vives, Jean-Marie --- geschiedenis --- fotografie, geschiedenis, reclamefotografie --- Photography, Advertising --- Commercial photography --- Advertising photography - France - Exhibitions --- Acqui 2006 --- Art publicitaire --- Photographie publicitaire --- France --- 20e siècle