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A concise and accessible guide to techniques for detecting doctored and fake images in photographs and digital media.
Image authentication --- Trick photography --- Authentication --- Photographic amusements --- Photography, Trick --- Photography --- Contracts --- Non-contentious jurisdiction --- Legal documents --- Legalization --- Special effects --- Law and legislation --- Authentication, Image --- Authentication, Photograph --- Photograph authentication --- Image analysis
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"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website
photography [process] --- Photography --- Photographie --- Trick photography --- Photography, Handworked --- Effets spéciaux --- Special effects --- fotografie --- twintigste eeuw --- speciale effecten --- fotografische techniek --- beeldmanipulatie --- vervalsingen --- collages --- fotomontage --- 77.05 --- 778 --- 001.95 --- Fotografie--Bijzondere toepassingen --- Wetenschappelijk bedrog en mystificatie --- Exhibitions --- 001.95 Wetenschappelijk bedrog en mystificatie --- 778 Fotografie--Bijzondere toepassingen --- Photographic amusements --- Photography, Trick --- Handworked photography --- Altered prints --- Art and photography --- Drawing --- Effets spéciaux. --- Effets spéciaux.
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From as early as 1839, artists began exploring photography's enormous potential for storytelling and often went to great lengths to create pictures for the camera. Here, a short introductory essay summarizes the history of staged photography, highlighting key debates on the medium's blunt factuality and its capacity for deception.
Staged photography --- Trick photography --- Photography, Artistic --- History --- 77.041 --- eenentwintigste eeuw --- enscenering --- fotografie --- fotografie en schilderkunst --- negentiende eeuw --- tableaux vivants --- twintigste eeuw --- Photographic amusements --- Photography, Trick --- Photography --- Directorial photography --- Fabricated photography --- Special effects --- Staged photography - History --- Trick photography - History --- Photography, Artistic - History
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