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Documentary photography aims to capture the material reality of life. In Rhetorical Exposures, Christopher Carter demonstrates how the creation and display of documentary photographs- often now called " imagetexts" - both invite analysis and raise persistent questions about the political and social causes for the bleak scenes of poverty and distress captured on film. Carter' s carefully reasoned monograph examines both formal qualities of composition and the historical contexts of the production and display of documentary photographs. In Rhetorical Exposures, Carter explores Jacob Riis' s hear
Photojournalists --- Photography --- Documentary photography --- News photographers --- Newsreel photographers --- Photo-journalists --- Press photographers --- Journalists --- Photographers --- Photography, Documentary --- Social aspects --- History. --- United States --- Social conditions.
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Photojournalists --- News photographers --- Newsreel photographers --- Photo-journalists --- Press photographers --- Journalists --- Photographers --- Elisofon, Eliot --- Travel --- United States --- Africa --- Foreign relations --- Description and travel. --- Description and travel
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From 1945 to 1950, during the formative years of his career, Stanley Kubrick worked as a photojournalist for Look magazine. Offering a comprehensive examination of the work he produced during this period, Stanley Kubrick at Look Magazine sheds new light on the aesthetic and ideological factors that shaped his artistic voice. Tracing the links between his photojournalism and films, Philippe Mather shows how working at Look fostered Kubrick's emerging talent for combining images and words to tell a story. Mather then demonstrates how exploring these links enhances our understanding of Kubrick's
Photojournalists --- Motion picture producers and directors --- News photographers --- Newsreel photographers --- Photo-journalists --- Press photographers --- Journalists --- Photographers --- Kubrick, Stanley. --- Ḳubriḳ, Sṭanli --- Ḳubriḳ, Sṭenli --- קובריק , סטנלי --- Look magazine.
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"He used his camera like a doctor would use a stethoscope in order to diagnose the state of the heart. His own was vulnerable.", Cartier-Bresson wrote about David Seymour, who liked to be called Chim. Chim is best known as one of the cofounders of photojournalism’s famous cooperative Magnum Photos. Weaving Chim’s life and work, this book discovers this empathetic photographer who has been called "The First Human Rights Photographer". In 1947, Chim was one of the four cofounders of the Magnum Photos cooperative with Robert Capa, Henri Cartier-Bresson and George Rodger. He also wrote Magnum’s 1955 bylaws, which are still in effect today. But he is the only one of those famous photographers who does not have a full biography to his name. This book examines his life and work from Poland to France to the Spanish Civil War, his work for British intelligence during World War II, his reportage on Europe’s children after the war, his reportages on Italian actors, illiteracy and religious festivals in Southern Italy, his coverage of Israel’s beginnings before his 1956 death during the Suez war. His complex itinerary is emblematic of the displacements and passages of the XXth century. Die erste englischsprachige umfangreich illustrierte Biografie des gefeierten Fotojournalisten und Mitbegründers von Magnum Photos baut auf Chims Fotografien und Kontaktabzügen auf. Naggar setzt David Seymours Leben und Werk in Beziehung zum Weltgeschehen, zu den Arbeiten seiner Kollegen sowie der Medialisierung durch Redakteure, Kuratoren und humanitäre Organisationen. Als Quellen dienen diverse Fotoarchive, Interviews und Filmmaterial.
Photojournalists --- Photojournalists. --- News photographers --- Newsreel photographers --- Photo-journalists --- Press photographers --- Journalists --- Photographers --- Seymour, David, --- Chim, --- Chim, David Seymour- , --- Chim-Seymour, David, --- Seymour, Chim, --- Seymour-Chim, David, --- Szymin, David, --- Simor, Daiṿid, --- Shim, --- סימור, דייוויד, --- שים,
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Photojournalists --- War photography --- Combat photography --- Photography, Combat --- Photography, War --- Documentary photography --- Photojournalism --- News photographers --- Newsreel photographers --- Photo-journalists --- Press photographers --- Journalists --- Photographers --- History --- Chapelle, Dickey, --- Meyer, Georgette Louise, --- Meyer, G. L. --- Meyer, Dick, --- Meyer, Dickey, --- Meyer, Georgie Lou, --- Chapelle, Georgette Louise Meyer,
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351.751 <430> --- Freedom of the press --- -Journalists --- -News photographers --- -Personality (Law) --- Newsreel photographers --- Photo-journalists --- Press photographers --- Journalists --- Photographers --- Columnists --- Commentators --- Authors --- Censorship of the press --- Liberty of the press --- Press --- Press censorship --- Censorship --- Freedom of expression --- Government and the press --- Mediarecht. Vrijwaren van de vrijheid van denken, van de persvrijheid. Censuur. Filmcensuur. Reclamerecht--(Fundamentele vrijheden in de grondwet zie {342.732})--?<430> --- Legal status, laws, etc --- -Legal status, laws, etc --- -Law and legislation --- Personality (Law) --- Photojournalists --- Legal status, laws, etc. --- -Mediarecht. Vrijwaren van de vrijheid van denken, van de persvrijheid. Censuur. Filmcensuur. Reclamerecht--(Fundamentele vrijheden in de grondwet zie {342.732})--?<430> --- -351.751 <430> --- 351.751 <430> Mediarecht. Vrijwaren van de vrijheid van denken, van de persvrijheid. Censuur. Filmcensuur. Reclamerecht--(Fundamentele vrijheden in de grondwet zie {342.732})--?<430> --- News photographers
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