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Josef Albers is widely recognized as a crucial figure in 20th-century art, both as an independent practitioner and as a teacher at the Bauhaus, Black Mountain College and Yale University. Albers made paintings, drawings and prints and designed furniture and typography. Arguably the least familiar aspect of his extraordinary career was his inventive engagement with photography, only widely known after his death, including his production of approximately 70 photocollages that feature photographs he made at the Bauhaus between 1928 and 1932. These works anticipate concerns that he would pursue throughout his career--the effects of adjacency, the exploration of color through white, black and gray, and the delicate balance between handcraft and industrial and mechanical form. Albers's photographs were first shown at MoMA in a modest exhibition in 1987, when the Museum acquired two photocollages. In 2015 the Museum acquired ten additional photocollages, making its collection the most substantial anywhere outside the Albers Foundation. This publication reproduces each of the photocollages Albers made at the Bauhaus, presenting the scope of this achievement for the first time. An introductory essay by Sarah Hermanson Meister situates them within the contexts of modernist photography, the Bauhaus ethos and of Albers's own practice--David Zwirner Books (viewed on November 11, 2016)

Photocollage --- Photography, Artistic --- kunst --- fotografie --- twintigste eeuw --- collages --- Albers Josef --- Bauhaus --- 77.071 ALBERS --- Photo collage --- Collage --- Albers, Josef --- Staatliches Bauhaus --- Baohaosi --- Bauhaus Dessau --- Exhibitions --- Photographie artistique --- ART --- PHOTOGRAPHY --- Photocollage. --- Photography, Artistic. --- Fotografie --- European. --- History --- Modern (late 19th Century to 1945) --- Individual Artists --- Monographs. --- Individual Photographers --- Albers, Josef, --- Albers, Josef. --- Bauhaus. --- Fotografie. --- Portrait photography --- Portraits (Photographie)

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Film --- Art styles --- Photography --- anno 1900-1999 --- Photography, Artistic --- Photocollage --- Surrealism --- Surrealism in motion pictures --- kunst --- twintigste eeuw --- Frankrijk --- surrealisme --- fotografie --- film --- 77.037 --- 7.037.5 --- 77 <064> --- 77 "19" --- 77.01 --- Kunststijlen: surrealisme --- Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- Fotografie--20e eeuw. Periode 1900-1999 --- Fotografie--Semiotiek van de fotografie. Theorie --- Exhibitions --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- 77 "19" Fotografie--20e eeuw. Periode 1900-1999 --- 77 <064> Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- 7.037.5 Kunststijlen: surrealisme --- Superrealism --- Surrealism in art --- Arts, Modern --- Motion pictures --- Photo collage --- Collage --- Surréalisme (art) --- Surréalisme --- Surréalisme (cinéma) --- Surréalistes --- Photographies

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The work of Martha Rosler is perennially incisive, provocative, political, and timely, exploring a range of issues from everyday life and the media to architecture and the built environment, especially as they affect women. Over her prolific career, Rosler has returned to themes of social justice, popular culture, food, gardens and the natural world, and the intersection of aesthetics and ethics. Martha Rosler: Irrespective is the only survey of the artist's vital and enduring work, examining it across media including photocollage, video and film, installation, actions, and books. In addition to a rich array of artworks, this book presents texts by distinguished critics and art historians, and a candid and insightful conversation with the artist. Through her interrogations of the Vietnam War, the War on Terror, feminism, gentrification, and other timely issues, Rosler has persistently bridged art and activism. This important catalogue comes at a moment when work like Rosler's has the power to inspire change.

Feminism in art --- Art --- Performance art --- Photocollage --- Jewish women artists --- 7.07 --- Rosler, Martha °1943 (°Brooklyn, Verenigde Staten) --- Vrouwelijke kunstenaars --- Kunst en feminisme --- Kunst en politiek --- Collages ; fotocollages --- Performances --- Photo collage --- Collage --- Jewish artists --- Women artists --- Arts, Modern --- Happenings (Art) --- Performing arts --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Political aspects --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Rosler, Martha --- Criticism and interpretation. --- Themes, motives. --- Exhibitions --- sculpture [visual works] --- installations [visual works] --- art [fine art] --- photography [process] --- sex role --- social issues --- social conflict --- wars --- gentrification --- feminism --- popular culture --- social ethics --- video art --- performance art --- photomontages --- gender issues --- gardens [open spaces] --- food --- political art --- labor --- texts [documents] --- installation artists --- media [information storage] --- mixed media works --- sculptors --- multimediakunst --- sociale ongelijkheid --- Jewish Museum [New York, N.Y.] --- Art, Primitive --- art [discipline] --- photomontages [visual works]