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"The first monograph on New York-based contemporary artist Richard Phillips, best known for his large-scale paintings that are ultracool in execution and very hot in effect. Richard Phillips's hyperrealistic oil paintings embody themes as broad as power, politics, celebrity, fashion, ideology, beauty, and sex, and pose questions about the status of painting today: Does the medium remain valid, or has it become a historical pastime? Pornography, propaganda, advertising, entertainment, fashion - Phillips incorporates material from a range of sources to confront what is at the core of contemporary image making, from the power of celebrity branding to complicity between viewer and viewed. The book's exploitative design strategy celebrates the commercial and fashion alliances of the artist's practice, while revealing the complex politics behind the imagery the artist chooses to paint."
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Huyghe, Pierre --- Lockhart, Sharon --- Morris, Sarah --- Pernice, Manfred --- Phillips, Richard
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Table of Content Kiki Smith’s Logophilia by Vincent Katz 20 Years of Parkett Essay by Nicolas Bourriaud, Interview with Pipilotti Rist Closed Circuit by Anne Söll Olaf Breuning See? It is always the same story by Marc-Olivier Wahler Technician oft the Sacred by Carissa Rodriguez In Search of Lost Purpose by Gianni Jetzer Richard Phillips Out of Time and Place – A Conversation with Diedrich Diederichsen & Richard Phillips Face All Wrath! by Jutta Koether Contemporary American Sublime by Christian Rattemeyer Keith Tyson Primordial Soups by Michael Archer It`s like an organic system – A Conversation with Ethan Wagner & Keith Tyson Fabulous Art by Hans Rudolf Reust Dan Perjovschi, Insert Walterday – Walter Pfeiffer by Michelle Nicol Beyond Words – Fionna Banner by Francis McKee In Praise of Dialogue, Cumulus from Europe by Paolo Bianchi John Körmeling : The Freedom in Free Space, Cumulus from America by Wayne Baerwaldt Sexualized Torture and Breakfast Rolls by Klaus Theweleit
Breuning, Olaf --- Tyson, Keith --- Rist, Pipilotti --- Phillips, Richard
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Philippe, Jean-Paul --- Pharis, Mark --- Pheil, Gordon --- Phillipe, Marcel --- Philips, Tejo --- Phillips, Liz --- Phillips, Richard --- Philipsz, Susan
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Iconography --- Art --- History --- art history --- philosophy --- psychology --- suffering --- pornography --- religions [belief systems, cultures] --- Christianity --- eroticism --- lichaam (van de mens) --- kunst en godsdienst --- kunstpsychologie --- Wallinger, Mark --- Immendorff, Jörg --- Warhol, Andy --- Bonvicini, Monica --- Meese, Jonathan --- Muniz, Vik --- Pierre et Gilles --- Galindo, Regina José --- Godbold, David --- Greenfield-Sanders, Timothy --- Hopkins, James --- Joo, Michael --- Garouste, Gérard --- Abramovic, Marina --- Mocellin, Ottonella --- Noble, Tim --- Pellegrini, Nicola --- Phillips, Richard --- Riello, Antonio --- Roig, Bernardí --- Sachs, Tom --- Starn, Douglas --- Webster, Sue --- Sherman, Cindy --- Hatoum, Mona --- McCarthy, Paul --- Beecroft, Vanessa --- Kelley, Mike --- Mapplethorpe, Robert --- Cattelan, Maurizio --- Barney, Matthew --- Chapman, Jake --- Close, Chuck --- Currin, John --- Emin, Tracey --- Gursky, Andreas --- Hirschhorn, Thomas --- Hirst, Damien --- Sugimoto, Hiroshi --- Taylor-Wood, Sam --- Araki, Nobuyoshi --- Gober, Robert --- Bock, John --- Neshat, Shirin --- Mueck, Ron --- Oursler, Tony --- Quinn, Marc --- Ruff, Thomas --- Salle, David --- Serrano, Andres --- Struth, Thomas --- Saville, Jenny --- Witkin, Joel-Peter --- Atelier Van Lieshout [Rotterdam]
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