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In the nineteenth century, richly-drawn social fiction became one of England’s major cultural exports. At the same time, a surprising companion came to stand alongside the novel as a key embodiment of British identity: the domesticated pet. In works by authors from the Brontës to Eliot, from Dickens to Hardy, animals appeared as markers of domestic coziness and familial kindness. Yet for all their supposed significance, the animals in nineteenth-century fiction were never granted the same fullness of character or consciousness as their human masters: they remain secondary figures. Minor Creatures re-examines a slew of literary classics to show how Victorian notions of domesticity, sympathy, and individuality were shaped in response to the burgeoning pet class. The presence of beloved animals in the home led to a number of welfare-minded political movements, inspired in part by the Darwinian thought that began to sprout at the time. Nineteenth-century animals may not have been the heroes of their own lives but, as Kreilkamp shows, the history of domestic pets deeply influenced the history of the English novel
Animals in literature --- English fiction --- Pets in literature --- Human-animal relationships in literature
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In eighteenth-century England, the encounter between humans and other animals took a singular turn with the discovery of the great apes and the rise of bourgeois pet keeping. These historical changes created a new cultural and intellectual context for the understanding and representation of animal-kind, and the nonhuman animal has thus played a significant role in imaginative literature from that period to the present day.In Homeless Dogs and Melancholy Apes, Laura Brown shows how the literary works of the eighteenth century use animal-kind to bring abstract philosophical, ontological, and metaphysical questions into the realm of everyday experience, affording a uniquely flexible perspective on difference, hierarchy, intimacy, diversity, and transcendence. Writers of this first age of the rise of the animal in the modern literary imagination used their nonhuman characters-from the lapdogs of Alexander Pope and his contemporaries to the ill-mannered monkey of Frances Burney's Evelina or the ape-like Yahoos of Jonathan Swift-to explore questions of human identity and self-definition, human love and the experience of intimacy, and human diversity and the boundaries of convention. Later literary works continued to use imaginary animals to question human conventions of form and thought.Brown pursues this engagement with animal-kind into the nineteenth century-through works by Mary Shelley, Charles Dickens, and Elizabeth Barrett Browning-and into the twentieth, with a concluding account of Paul Auster's dog-novel, Timbuktu. Auster's work suggests that-today as in the eighteenth century-imagining other animals opens up a potential for dissonance that creates distinctive opportunities for human creativity.
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Animals in literature. --- Children in literature. --- Haustiere. --- Human-animal relationships in literature. --- Kind --- Kultur. --- Literatur. --- Pets in literature. --- Tiere
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Polymorphous Domesticities maps out the play of gender, sexuality, and alternative forms of domesticity in the works of four modern European and American writers-Edith Wharton, Djuna Barnes, Colette, and J. R. Ackerley. What these four writers have in common is a defiance of patriarchal paradigms in their lives as well as in their works. Not only did they live outside the norms of the heterosexual family unit, they also pursued and wrote about alternative lifestyles that prominently involved animals. Through close readings from a feminist perspective, Juliana Schiesari reconfigures the ways in which interspecies relationships inflect domestic spheres, reading the "Other" through the lens of gender, home, and family. As she explores how domestic life is refigured by the presence of animals, Schiesari challenges anthropocentric frames of reference and brings the very definition of "human" into question.
Social values in literature. --- Social structure in literature. --- Sex (Psychology) in literature. --- Human-animal relationships in literature. --- Pets in literature. --- Animals in literature. --- Ackerley, J. R. --- Colette, --- Barnes, Djuna --- Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Colette --- Colette, Sidonie Gabrielle --- Willy, Colette --- Jouvenel, Gabrielle Claudine Colette de --- Gauthier-Villars, Henry --- Goudeket, Maurice --- Koleta --- Colettová --- Jouvenel, Henri de --- קולט, --- コレット, --- Willy, --- Lady of fashion, --- Steptoe, Lydia --- בארנס, דז׳ונה --- Ackerley, Joe Randolph, --- Ackerley, Joe, --- Criticism and interpretation. --- Willy --- american and european culture. --- american literature criticism. --- book club books. --- books about home life. --- books about human behavior. --- discussion books. --- easy to read. --- engaging. --- feminist perspective. --- forms of domesticity. --- gender home and family. --- gender roles in american history. --- gifts for friends. --- gifts for moms. --- great for reluctant readers. --- human interaction. --- intense emotion. --- leisure reads. --- page turner. --- realistic. --- social stereotypes. --- vacation reads. --- what is human behavior.
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