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The Lost Girls analyses a number of British writers between 1850 and 1930 for whom the myth of Demeter’s loss and eventual recovery of her cherished daughter Kore-Persephone, swept off in violent and catastrophic captivity by Dis, God of the Dead, had both huge personal and aesthetic significance. This book, in addition to scrutinising canonical and less well-known texts by male authors such as Thomas Hardy, E. M. Forster, and D. H. Lawrence, also focuses on unjustly neglected women writers – Mary Webb and Mary Butts – who utilised occult tropes to relocate themselves culturally, and especially in Butts’s case to recover and restore a forgotten legacy, the myth of matriarchal origins. These novelists are placed in relation not only to one another but also to Victorian archaeologists and especially to Jane Ellen Harrison (1850-1928), one of the first women to distinguish herself in the history of British Classical scholarship and whose anthropological approach to the study of early Greek art and religion both influenced – and became transformed by – the literature. Rather than offering a teleological argument that moves lock-step through the decades, The Lost Girls proposes chapters that detail specific engagements with Demeter-Persephone through which to register distinct literary-cultural shifts in uses of the myth and new insights into the work of particular writers.
Literature. --- Persephone (Greek deity) in literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Persephone --- Demeter --- Kore --- Parsefuna --- Persefona --- Persefone --- Persefono --- Pertsefone --- Persefoneh --- Perusepone --- Perszephoné --- Perzefona --- Poersaifunie --- ペルセポネー --- פרספונה --- 페르세포네 --- Персефона --- پرسفونه --- برسفون --- Περσεφόνη --- Κόρη --- Proserpina --- Demetra --- 得墨忒耳 --- デーメーテール --- דמטר --- 데메테르 --- Деметра --- Дэмэтра --- Дэметра --- دمتر --- ديميتر --- Δαμάτηρ --- Δημήτηρ --- Δήμητρα --- In literature. --- Demeter (Greek deity) in literature.
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Demeter (Greek deity) --- Persephone (Greek deity) --- Déméter (Divinité grecque) --- Perséphone (Divinité grecque) --- Cult --- Culte --- Turkey --- Turquie --- Shrines --- Demeter --- Persephone --- İzmir (Turkey) --- Religion --- Antiquities --- Déméter (Divinité grecque) --- Perséphone (Divinité grecque) --- Demeter, --- Perséphone --- Sacred space --- Pilgrims and pilgrimages --- Kore --- Parsefuna --- Persefona --- Persefone --- Persefono --- Pertsefone --- Persefoneh --- Perusepone --- Perszephoné --- Perzefona --- Poersaifunie --- ペルセポネー --- פרספונה --- 페르세포네 --- Персефона --- پرسفونه --- برسفون --- Περσεφόνη --- Κόρη --- Proserpina --- Demetra --- 得墨忒耳 --- デーメーテール --- דמטר --- 데메테르 --- Деметра --- Дэмэтра --- Дэметра --- دمتر --- ديميتر --- Δαμάτηρ --- Δημήτηρ --- Δήμητρα --- Ionia (Turkey and Greece) --- Religion. --- Antiquities. --- Ceres --- Turkey.
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Korè-Perséphone est une déesse marquée par la dualité, aussi bien dans son nom que dans son existence mythique. C'est une divinité en perpétuel mouvement entre deux mondes, le monde souterrain et celui des vivants, et entre deux statuts, celui de la jeune fille et celui de la femme mariée. La présente étude porte sur les aspects que le mythe de Korè-Perséphone a revêtus en Attique, sur son culte et sur sa présence en dehors de la religion civique. Y sont examinés le mythe de Korè et les étymologies du nom proposées par les Anciens, les fêtes et les cultes d'Attique où la double déesse apparaît, seule ou aux côtés de Déméter, ainsi que sa place dans la magie, dans les associations religieuses, dionysiaques ou orphiques, et dans l'"onirocritique" d'Artémidore. Duality of her nature is a salient trait of Greek goddess Kore-Persephone. It is reflected not only in her name but also in her fate. She moves perpetually between the Underworld and that of the Living, and between maidenhood and womanhood. This research focuses on the Kore-Persephone myth in Attica, how she was worshipped and how she was present even outside the civic religion. This work explores the myth of Kore, the etymology of her name according to ancient Greeks, how she was worshipped or celebrated in festivals in Attica, either alone or along with Demeter. Finally the author attempts to identify her role in magic, in the Dionysian or Orphic religious societies, and in Artemidorus' oneirocritical treatise.
Persephone (Greek deity) in literature --- Persephone --- Attica --- Philologie classique --- Kult --- Perséphone --- Kore --- Parsefuna --- Persefona --- Persefone --- Persefono --- Pertsefone --- Persefoneh --- Perusepone --- Perszephoné --- Perzefona --- Poersaifunie --- ペルセポネー --- פרספונה --- 페르세포네 --- Персефона --- پرسفونه --- برسفون --- Περσεφόνη --- Κόρη --- Yaṿan --- Vasileion tēs Hellados --- Hellēnikē Dēmokratia --- République hellénique --- Royaume de Grèce --- Kingdom of Greece --- Hellenic Republic --- Ancient Greece --- Ελλάδα --- Ellada --- Ελλάς --- Ellas --- Ελληνική Δημοκρατία --- Ellēnikē Dēmokratia --- Elliniki Dimokratia --- Grecia --- Grčija --- Hellada --- Culte --- Grèce --- Religion --- Proserpina --- Greece --- Griechenland --- Grèce --- Hellas --- اليونان --- يونان --- al-Yūnān --- Yūnān --- 希腊 --- Xila --- Греция --- Gret︠s︡ii︠a︡ --- History. --- Comparative religion --- Antiquity --- Histoire --- Philologie classique. --- Persephone [Mythological character] --- Thesmophories
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This is the climactic volume on the archaeological and architectural history from ca. 31 B.C. to A.D. 365 of the extramural sanctuary of Demeter and Persephone at Cyrene, Libya. It traces the characteristics of major Demeter sanctuaries elsewhere and places the Cyrene sanctuary within the context of this development.
Demeter (Greek deity) --- Persephone (Greek deity) --- Excavations (Archaeology) --- Déméter (Divinité grecque) --- Perséphone (Divinité grecque) --- Fouilles (Archéologie) --- Cult. --- Culte --- Sanctuary of Demeter and Persephone (Cyrene) --- Cyrene (Extinct city) --- Libya --- Cyrène (Ville ancienne) --- Libye --- Antiquities. --- Antiquités --- -Excavations (Archaeology) --- -Persephone (Greek deity) --- -Demeter (Greek deity) --- Cult --- Cirene (Extinct city) --- Cyrene (Ancient city) --- Kyrene (Extinct city) --- Shīrīnī (Extinct city) --- Déméter (Divinité grecque) --- Perséphone (Divinité grecque) --- Fouilles (Archéologie) --- Cyrène (Ville ancienne) --- Antiquités --- Antiquities --- Demeter (Greek deity) - Cult. --- Persephone (Greek deity) - Cult. --- Excavations (Archaeology) - Libya. --- Libya - Antiquities. --- Persephone --- Pottery, Ancient --- Céramique antique --- Kore --- Parsefuna --- Persefona --- Persefone --- Persefono --- Pertsefone --- Persefoneh --- Perusepone --- Perszephoné --- Perzefona --- Poersaifunie --- ペルセポネー --- פרספונה --- 페르세포네 --- Персефона --- پرسفونه --- برسفون --- Περσεφόνη --- Κόρη --- Proserpina --- Demeter
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"Early-20th-century explorations of the Roman Forum at Ancient Corinth revealed a massive early imperial building now known as the Julian Basilica. The structure stood on a podium over four meters high, and it dominated the east end of the forum in size, aspect, and function until its destruction in the 4th century A.D. Within it was one of the largest known shrines to the imperial cult and the likely site of the imperial court of law for the Roman province of Achaia. The basilica housed 11 or more large-scale statues most likely to members of the Julio-Claudian family (including Augustus, Augustus's heirs Gaius and Lucius, and arguably Divus Iulius, Germanicus, Nero Caesar, and Claudius), as well as an altar to Divus Augustus and dedications to the numen and genius of Augustus, the Gens Augusta, and other family members. This richly illustrated volume provides a thorough, contextual study of this important building, the remains of which were first published by Saul Weinberg in 1960 (Corinth I.5). Scotton treats the architectural remains, Vanderpool the sculptural remains, and Roncaglia the epigraphical material, each providing extensive catalogues with new photos, in addition to color reconstructions of the basilica and its grand interior"--
Excavations (Archaeology) --- Pottery, Hellenistic --- Corinth (Greece) --- Antiquities. --- Pottery, Greek --- Fouilles (Archéologie) --- Céramique grecque --- Corinthe (Grèce) --- Antiquités --- Terra-cotta --- Material culture --- Culture --- Folklore --- Technology --- Terracotta --- Building materials --- Decoration and ornament --- Pottery --- Archaeological digs --- Archaeological excavations --- Digs (Archaeology) --- Excavation sites (Archaeology) --- Ruins --- Sites, Excavation (Archaeology) --- Archaeology --- Demeter --- Persephone --- Kore --- Parsefuna --- Persefona --- Persefone --- Persefono --- Pertsefone --- Persefoneh --- Perusepone --- Perszephoné --- Perzefona --- Poersaifunie --- ペルセポネー --- פרספונה --- 페르세포네 --- Персефона --- پرسفونه --- برسفون --- Περσεφόνη --- Κόρη --- Proserpina --- Demetra --- 得墨忒耳 --- デーメーテール --- דמטר --- 데메테르 --- Деметра --- Дэмэтра --- Дэметра --- دمتر --- ديميتر --- Δαμάτηρ --- Δημήτηρ --- Δήμητρα --- Ceres --- Cult. --- Sanctuary of Demeter and Persephone (Corinth, Greece) --- Corinth, Greece --- Kórinthos (Greece) --- Corinto (Greece) --- Corinthe (Greece) --- Sculpture, Roman --- Inscriptions, Latin --- Latin inscriptions --- Latin language --- Latin philology --- Roman sculpture --- Julian Basilica (Corinth, Greece) --- Basilica Giulia (Corinth, Greece) --- Antiquities, Roman.
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A continuation of Josephine Donovan's exploration of American women's literary traditions, begun with New England Local Color Literature: A Women's Tradition, which treats the nineteenth-century realists, this work analyzes the writing of major women writers of the early twentieth century—Edith Wharton, Willa Cather, and Ellen Glasgow.The author sees the Demeter-Persephone myth as central to these writers' thematics, but interprets the myth in terms of the historical transitions taking place in turn-of-the-century America. Donovan focuses on the changing relationship between mothers and daughters—in particular upon the ";new women's"; rebellion against the traditional women's culture of their nineteenth-century mothers (both literary and literal). An introductory chapter traces the male-supremacist ideologies that formed the intellectual climate in which these women wrote.Reorienting Wharton, Cather, and Glasgow within women's literary traditions produces major reinterpretations of their works, including such masterpieces as Ethan Frome, Summer, My Antonia, Barren Ground, and others.
American fiction --- Mothers and daughters in literature. --- Myth in literature. --- Women in literature. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- History and criticism. --- Demeter --- Persephone --- Wharton, Edith, --- Cather, Willa, --- Glasgow, Ellen, --- Glasgow, Ellen Anderson Gholson, --- Glazgou, Ėllen, --- Glāzgova, E. --- Glāzgova, Elena, --- Katėr, Villa, --- Cather, Willa Sibert, --- Cather, Wilella, --- Catherová, Willa, --- קאתר, וילה, --- Kāz̲ar, Vīlā, --- Kāz̲ir, Vīlā, --- کاذر، ويلا --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Kore --- Parsefuna --- Persefona --- Persefone --- Persefono --- Pertsefone --- Persefoneh --- Perusepone --- Perszephoné --- Perzefona --- Poersaifunie --- ペルセポネー --- פרספונה --- 페르세포네 --- Персефона --- پرسفونه --- برسفون --- Περσεφόνη --- Κόρη --- Proserpina --- Demetra --- 得墨忒耳 --- デーメーテール --- דמטר --- 데메테르 --- Деметра --- Дэмэтра --- Дэметра --- دمتر --- ديميتر --- Δαμάτηρ --- Δημήτηρ --- Δήμητρα --- In literature. --- Characters. --- Ceres
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