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German fiction --- First person narrative --- Persona (Literature) --- Roman allemand --- Récits à la première personne --- Persona (Littérature) --- History and criticism --- Histoire et critique --- First person narrative. --- History and criticism. --- Persona (Literature). --- Récits à la première personne --- Persona (Littérature)

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Érasme, Rabelais, Louise Labé, Montaigne et Verville nous invitent à « consentir à la prosopopée ». Le mot « prosopopée » n'a plus alors un sens strictement rhétorique : le déguisement de la fiction incite le lecteur à dépasser la persona pour que la lecture puisse se faire rencontre

French literature --- anno 1500-1599 --- Personification in literature --- Persona (Literature) --- Littérature française --- Personnification (Littérature) --- Persona (Littérature) --- History and criticism --- Histoire et critique --- Personification in literature. --- Littérature française --- Personnification (Littérature) --- Persona (Littérature) --- History and criticism. --- Figures of speech --- Littérature de la Renaissance. --- Prosopopée --- Personnification (littérature) --- Persona (littérature) --- Erasmus, Desiderius, --- Rabelais, François, --- Montaigne, Michel de, --- Labé, Louise, --- Béroalde de Verville, --- Érasme --- Montaigne, Michel de --- Rabelais, François --- Labé, Louise --- Béroalde de Verville, François --- Criticism and interpretation --- Critique et interprétation --- Criticism and interpretation. --- Critique et interprétation. --- French literature - 16th century - History and criticism --- Littérature de la Renaissance. --- Prosopopée --- Personnification (littérature) --- Persona (littérature) --- Érasme --- Rabelais, François --- Labé, Louise --- Béroalde de Verville, François --- Critique et interprétation.

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This book explores how Horace's poems construct the literary and social authority of their author. Bridging the traditional distinction between 'persona' and 'author', Ellen Oliensis considers Horace's poetry as one dimension of his 'face' - the projected self-image that is the basic currency of social interactions. She reads Horace's poems not only as works of art but also as social acts of face-saving, face-making and self-effacement. These acts are responsive, she suggests, to the pressure of several audiences: Horace shapes his poetry to promote his authority and to pay deference to his patrons while taking account of the envy of contemporaries and the judgement of posterity. Drawing on the insights of sociolinguistics, deconstruction and new historicism Dr Oliensis charts the poet's shifting strategies of authority and deference across his entire literary career.

Latin language --- Literature and society --- Authors and patrons --- Authors and readers --- Literary patrons --- Authority in literature --- Persona (Literature) --- Rhetoric, Ancient --- Social aspects --- Horace --- Technique --- Authority in literature. --- Persona (Literature). --- Rhetoric, Ancient. --- Technique. --- -Authors and readers --- -Literature and society --- -Persona (Literature) --- -Classical languages --- Greek language --- Greek rhetoric --- Latin rhetoric --- Characters and characteristics in literature --- Rhetoric --- First person narrative --- Point of view (Literature) --- Classical languages --- Italic languages and dialects --- Classical philology --- Latin philology --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Readers and authors --- Authorship --- Literary patronage --- Maecenatism --- Patronage of literature --- Sponsorship of literature --- Art patronage --- Literature and state --- -Rhetoric --- -Horace --- Orazio --- Horacij Flakk, Kvint --- Latin (Langue) --- Littérature et société --- Ecrivains et mécènes --- Ecrivains et lecteurs --- Autorité dans la littérature --- Persona (Littérature) --- Rhétorique ancienne --- Aspect social --- -Literature --- Ancient rhetoric --- -Social aspects --- Benefactors --- Horatius Flaccus, Quintus --- Horatius Flaccus, Q. --- Gorat︠s︡īĭ --- Gorat︠s︡iĭ Flakk, Kvint --- Horacij --- Horacio, --- Horacio Flaco, Q. --- Horacjusz --- Horacjusz Flakkus, Kwintus --- Horacy --- Horaṭiyos --- Horaṭiyus --- Horats --- Horaz --- Khorat︠s︡iĭ --- Khorat︠s︡iĭ Flak, Kvint --- Orazio Flacco, Quinto --- הוראציוס --- הורטיוס --- Arts and Humanities --- History --- Latin language - Social aspects - Rome --- Literature and society - Rome --- Authors and patrons - Rome --- Authors and readers - Rome --- Literary patrons - Rome --- Horace - Technique