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Public economics --- Performing arts --- Performing arts sponsorship --- Arts du spectacle --- Parrainage culturel --- Finance. --- Economic aspects --- Finances --- Aspect économique --- Finance --- 330.1 --- 7.078 --- -Performing arts --- -Performing arts sponsorship --- AA / International- internationaal --- 338.78 --- 339.44 --- 332.26 --- 338.042 --- Sponsorship of performing arts --- Art patronage --- Show business --- Arts --- Performance art --- Economische grondbegrippen. Algemene begrippen in de economie --- Kunstbescherming. Kunstbevordering --- Diensten. Non-profitsector. --- Kunstmarkt. --- Loonevolutie. --- Productieprijs. --- Sponsorship --- Performing arts sponsorship. --- Economic aspects. --- 7.078 Kunstbescherming. Kunstbevordering --- 330.1 Economische grondbegrippen. Algemene begrippen in de economie --- Aspect économique --- Loonevolutie --- Productieprijs --- Diensten. Non-profitsector --- Kunstmarkt --- Performing arts - Finance --- Performing arts - Economic aspects

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In The Comedians of the King, Julia Doe traces the impact of Bourbon patronage on the development of French lyric comedy. The book presents the history of an understudied genre and the institutional structures that supported it, determining how changes in royal sponsorship, especially under Marie Antoinette, contributed to the genre's rapid evolution. The stylistic shift, coming at a time of tremendous cultural change, had sizeable political implications. Drawing on both musical and archival evidence, Doe demonstrates how comic theater was exploited in (and worked against) the construction of the monarchy's carefully cultivated public image. In essence, this book examines the aesthetic, institutional, and political tensions that arose when a genre with popular roots was folded into the Bourbon propaganda machine-and when actors trained at the Paris fairs became official representatives of the sovereign, or comédiens ordinaires du roi.

Opéra comique --- Music patronage --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- Performing arts sponsorship --- Opéra comique français --- Opera --- History --- Bourbon, House of --- Music --- Theatrical science --- comic operas --- anno 1700-1799 --- France

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Music patronage --- Madrigals, Italian --- History and criticism --- History and criticism. --- 78 <45> "15" --- 78.078 --- Muziek--Italië--16e eeuw. Periode 1500-1599 --- Muziekbescherming. Muziekpolitiek. Muziekbeleid --- 78.078 Muziekbescherming. Muziekpolitiek. Muziekbeleid --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- Performing arts sponsorship --- Italian madrigals --- Madrigals (Music), Italian --- Music patronage - Italy - Florence --- Madrigals, Italian - Italy - 16th century - History and criticism

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Titre néerlandais : N17108 : De Prinsen van Chimay en de muziek

Music --- Musique --- History --- Histoire --- Chimay family --- Chimay, House of --- Music patronage --- Art patronage --- Château --- Chimay --- Chimay (Principauté) --- Histoire de la musique --- Théâtre, histoire --- 78.07 <493 CHIMAY> --- Muziekbedrijvigheid. Muziekactiviteiten--België--CHIMAY --- 78.07 <493 CHIMAY> Muziekbedrijvigheid. Muziekactiviteiten--België--CHIMAY --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- Performing arts sponsorship --- Art patronage. --- Belgium --- History and criticism --- 78.21.2 Chimay --- Chimay, House of - Art patronage --- Music patronage - Belgium - Chimay

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Drawing upon hundreds of newly uncovered archival records, Gretchen Peters reconstructs the music of everyday life in over twenty cities in late medieval France. Through the comparative study of these cities' political and musical histories, the book establishes that the degree to which a city achieved civic authority and independence determined the nature and use of music within the urban setting. The world of urban minstrels beyond civic patronage is explored through the use of diverse records; their livelihood depended upon seeking out and securing a variety of engagements from confraternities to bathhouses. Minstrels engaged in complex professional relationships on a broad level, as with guilds and minstrel schools, and on an individual level, as with partnerships and apprenticeships. The study investigates how minstrels fared economically and socially, recognizing the diversity within this body of musicians in the Middle Ages from itinerant outcasts to wealthy and respected town musicians.

Music --- anno 1400-1499 --- France --- Musique --- Muziek --- Music patronage --- Social aspects --- History --- History and criticism. --- Aspect social --- Histoire --- Mécénat --- Histoire et critique --- History and criticism --- Mécénat --- 15th century --- 78.23 --- Histoire et critique. --- Music patronage. --- Music. --- Social aspects. --- 1400-1499. --- France. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- Performing arts sponsorship --- Music - Social aspects - France - History - 15th century --- Music patronage - France - History - 15th century --- Music - France - 15th century - History and criticism