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This study examines medieval Christian views of non-Christians and their changing political and theological significance as revealed in late-medieval and early-modern visual culture. Taking as her point of departure Hieronymus Bosch's famous Epiphany triptych housed in the Prado Museum in Madrid, the author analyzes how representations of Jews, Saracens (later Turks), Ethiopians, and Mongols for centuries shaped western Christian attitudes towards salvation history, contemporary political conflicts, and the declining status of the Roman Church. She argues that Bosch's innovative pictorial warning of the coming of Antichrist and the threat posed by non-Christians gained its power and authority through intervisual references to the medieval past. Before and after Bosch, imaginative constructions that identified Jews and Turks with Gog and Magog, or the Pope with Antichrist, drew upon a long-established range of artistic and rhetorical strategies that artists and authors reconfigured as changing political circumstances demanded. Painted at a pivotal moment on the eve of the Reformation, the Prado Epiphany is a compelling lens through which to look backwards to the Middle Ages, and forwards to Martin Luther and the ideological significance of escalating Christian/non-Christian conflicts in the formation of the new Protestant church.

Painters --- Panel painting, Renaissance --- Christian art and symbolism --- Peintres --- Peinture sur panneau de la Renaissance --- Art et symbolisme chrétiens --- Bosch, Hieronymus,

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Pieter Coecke (1502–1550), qui jouissait d’une grande célébrité dans l’Europe de la Renaissance, a travaillé pour les commanditaires les plus riches et les plus puissants de son temps, dont l’empereur Charles Quint, François Ier de France, Henri VIII d’Angleterre et Cosme de Médicis. Bien qu’il soit surtout connu pour ses superbes tapisseries, qui ont élevé cet art textile monumental et luxueux à des hauteurs jamais atteintes, il maîtrisait aussi d’autres formes d’art. La production de son atelier allait des retables aux maquettes et cartons de vitraux. Cet ouvrage richement illustré – première monographie consacrée à Pieter Coecke van Aelst – présente l’artiste au public d’aujourd’hui tout en lui rendant la place qu’il mérite parmi les grands artistes du xvie siècle. Il renferme des superbes reproductions de ses plus beaux dessins et peintures sur bois arrivés jusqu’à nous, ainsi que de vingt magnifiques tapisseries de la Renaissance réalisées d’après ses cartons. Les photographies sont complétées par des textes de trente experts de premier plan, connaisseurs du monde et de l’art de Coecke.

Painters --- Panel painting, Renaissance --- Tapestry, Renaissance --- Peintres --- Peinture sur panneau de la Renaissance --- Tapisserie de la Renaissance --- Exhibitions --- Expositions --- Coecke van Aelst, Pieter, --- Coecke van Aelst, Pieter --- Arts [Renaissance ] --- Belgium --- Tapestry [Renaissance ] --- Tapestry [Flemish ] --- Coecke van Aelst, Pieter - 1502-1550

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Frédéric de montefeltro (1422-1482) --- Urbino (italie) --- Peinture et décoration murales de la renaissance --- Peinture et décoration murales --- Peinture de portraits de la renaissance --- Peinture de portraits --- Peinture sur panneau de la renaissance --- Peinture sur panneau --- Marqueterie --- Décoration de la renaissance --- Décoration --- Architecture intérieure --- Palais --- Italie --- Palazzo ducale

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"Maerten van Heemskerck (1498-1574) was one of the most active and inventive Dutch painters of the sixteenth century. Over the course of his long career, he created lively mythological scenes, dramatic altarpieces for guilds, and smaller works for wealthy individuals. Several of his religious paintings were destroyed by Protestant iconoclasts in 1566. One of his extant masterpieces, the Ecce Homo triptych of 1544, once graced the family chapel of Jan van Drenckwaerdt, a wealthy merchant and sheriff, in Dordrecht's Augustinian church. This unusually complete triptych, with its original decorated frame, was brought from the National Museum in Warsaw, Poland, for treatment and study at the J. Paul Getty Museum as part of the Conservation Partnership program. Richly illustrated, the book documents the dramatic process of revealing the brilliance of a sixteenth-century masterpiece, and it sheds light on the artist's technique, iconography, and the role of the altarpiece in the turbulent history of the era. Drama and Devotion accompanies an exhibition at the J. Paul Getty Museum that opens June 5, 2012"--

altarpieces --- Conservation. Restoration --- painting techniques --- ecce homo --- Heemskerck, van, Maarten --- Altarpieces, Renaissance --- Panel painting, Renaissance --- Panel painting, Dutch --- Altarpieces --- Panel painting --- Painting --- Predellas --- Reredos --- Retables --- Screens (Church decoration) --- Dutch panel painting --- Renaissance panel painting --- Renaissance altarpieces --- Conservation and restoration --- Heemskerk, Martin van, --- Retables de la Renaissance -- Pays-Bas -- Dordrecht (Pays-Bas) -- Catalogues d'exposition --- Peinture sur panneau de la Renaissance -- Pays-Bas -- Dordrecht (Pays-Bas) -- Catalogues d'exposition --- Retables -- Conservation et restauration -- États-Unis -- Californie (États-Unis) --- Peinture sur panneau -- Conservation et restauration -- États-Unis -- Californie (États-Unis)

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"In a study of sixty neglected panel paintings from Roman Egypt, the authors present evidence for a lost link between the panel-painting tradition of Greek antiquity and Christian paintings of Byzantium and the Renaissance"--Provided by publisher.

Panel painting, Greco-Roman --- Panel painting, Medieval. --- Panel painting, Renaissance. --- Icon painting --- Christian art and symbolism --- Peinture sur panneau gréco-romaine --- Peinture sur panneau médiévale --- Peinture sur panneau de la Renaissance --- Peinture d'icônes --- Art et symbolisme chrétiens --- Influence --- Egypt --- Egypte --- Antiquities, Roman. --- Antiquités romaines --- panel painting [image-making] --- Christliche Kunst. --- Ikone. --- Malerei. --- Tafelbild. --- Antique, the --- Painting --- religious art --- Christian religion --- iconography --- Ancient history --- Iconography --- Frühchristentum. --- Kunst. --- Panel painting, Medieval --- Panel painting, Renaissance --- Icons --- Miniature painting --- Renaissance panel painting --- Greco-Roman panel painting --- Medieval panel painting --- Influence.