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Landscape painting, European --- Plein air painting --- Peinture de paysages européenne --- Peinture de plein air --- landschappen --- stadsgezichten --- School van Barbizon --- romantiek --- orientalisme --- impressionisme --- 19de eeuw --- Peinture de paysages européenne --- Painting --- seascapes --- landscapists --- landschapsschilderkunst --- anno 1800-1899 --- 19de eeuw. --- tekeningen --- aquarellen
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History of civilization --- Iconography --- Landscapes in art. --- Landscape painting, European. --- Nature (Aesthetics) --- Landscapes --- Nature and civilization. --- Paysages dans l'art --- Peinture de paysages européenne --- Nature (Esthétique) --- Paysages --- Nature et civilisation --- Psychological aspects. --- Aspect psychologique --- Peinture de paysages européenne --- Nature (Esthétique)
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Landscape painting, European --- Plein air painting --- Peinture de paysages européenne --- Peinture de plein air --- Exhibitions. --- Expositions --- Italy --- Italie dans l'art --- In art --- landschappen --- pleinairisme --- 1780 - 1830 --- 18de eeuw --- 19de eeuw --- Italië --- Tentoonstellingscatalogi ; Parijs ; Grand Palais --- Landschapsschilderkunst ; 1780-1830 ; plein air --- Thema's in de schilderkunst ; Italiaanse landschappen --- 75.047 --- (069) --- Schilderkunst ; landschappen, zeegezichten, panorama's --- (Musea. Collecties) --- Peinture de paysages européenne --- On location painting --- Open air painting --- Outdoor painting --- Painting --- European landscape painting --- landschappen. --- pleinairisme. --- 1780 - 1830. --- 18de eeuw. --- 19de eeuw. --- Italië.
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Regarder un tableau, ce n'est pas seulement produire des jugements exclamatifs, accumuler du savoir à son sujet ou constater des effets : c'est se soumettre à lui et tenter de situer les raisons de nos troubles et de nos émerveillements. Exercice qui suppose une véritable ascèse et, en tout cas, le refus des projections individuellement subjectives. Il n'est pas difficile de se répandre en paroles : chose autrement délicate est de trouver le point exact qui nous rend, à l'instant de la découverte, proprement muets. Le sublime réside au premier chef dans cette exigence d'inventivité qui s'imprime brusquement au spectateur et, sur fond d'éblouissement et de stupeur, met sa pensée en mouvement.
Painting --- Aesthetics of art --- Landscape painting, European --- Sublime, The, in art --- Art museums --- Peinture de paysages européenne --- Sublime dans l'art --- Art --- Exhibitions --- Expositions --- Musées --- Paysage (thème) --- Histoire de la peinture --- Paysage-histoire --- Peinture de paysages européenne --- Musées --- CDL --- 75.047 --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- European landscape painting --- Galleries and museums --- Painting. --- Landscape painting, European - Exhibitions --- Sublime, The, in art - Exhibitions --- Painting - France - Rhone-Alpes - Exhibitions --- Art museums - France - Rhone-Alpes - Exhibitions
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The present volume brings together European and American scholars from a range of complementary disciplines (cartographers, economic and social historians, historians of social and political institutions, economic geographers, historians of art and textual analysts), all of whom are interested in exploring potential interconnections between their respective approaches to the study of regions and landscapes, 'real' or imagined, in the early modern and medieval periods. Focusing on the Rhineland and Low Countries, the essays offer a collective, interdisciplinary approach which aims to shed light on at least some of the complexities underlying any attempt to analyse what we might understand by landscape or region in a particular historical context.
History as a science --- Geodesy. Cartography --- anno 500-1499 --- Civilization, Medieval. --- Cities and towns, Medieval --- Landscape painting, European --- Civilisation médiévale --- Villes médiévales --- Peinture de paysages européenne --- Europe --- Economic conditions --- Social conditions --- Conditions économiques --- Conditions sociales --- 930.85.42 --- 091 <063> --- 091:912 --- 091.31:7.04 --- Cultuurgeschiedenis: Middeleeuwen --- Handschriftenkunde. Handschriftencatalogi--Congressen --- Handschriftenkunde. Handschriftencatalogi-:-Cartografie. Kaarten. Plattegronden. Atlassen --- Verluchte handschriften: iconografie --- Cities and towns, Medieval. --- Landscape painting, Medieval. --- Rural conditions. --- 091.31:7.04 Verluchte handschriften: iconografie --- 091:912 Handschriftenkunde. Handschriftencatalogi-:-Cartografie. Kaarten. Plattegronden. Atlassen --- 091 <063> Handschriftenkunde. Handschriftencatalogi--Congressen --- 930.85.42 Cultuurgeschiedenis: Middeleeuwen --- Civilisation médiévale --- Villes médiévales --- Peinture de paysages européenne --- Conditions économiques --- Civilization, Medieval --- Landscape painting, Medieval --- Medieval cities and towns --- Medieval landscape painting --- Medieval civilization --- Middle Ages --- Civilization --- Chivalry --- Renaissance --- History --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Cartes --- Peinture de paysages --- Economie régionale --- Moyen âge
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