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Passion music --- Church music --- Passion, Musique de la --- Musique d'église --- History and criticism --- Histoire et critique --- Passion-plays --- History of sacred music --- History and criticism. --- Church music. --- Musique d'église --- Jesus Christ --- Passion --- Passion music - History and criticism --- Passion-plays - History and criticism --- Passies --- Muziekgeschiedenis --- Religieuze muziek --- Passion music.
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Du XIIIe s. au milieu du XVIe, la Passion du Christ a été mise en scène dans les villes de France comme dans toute l'Europe. Aux spectacles de confréries des débuts se sont ajoutés au XVe les mystères en plusieurs journées élaborés par de grands poètes-dramaturges, Eustache Mercadé, l'inventeur de la forme, Arnoul Gréban et Jean Michel, qui l'ont reprise et renouvelée. L'examen des oeuvres conservées, au nombre d'une douzaine, jette la lumière, à travers un art dramatique profondément original, sur une religion à la fois orthodoxe et populaire et sur une pensée mythique en plein dynamisme.La mort du Christ est un geste fondateur qui institue le sens de la vie en ce monde et dans l'autre. Elle divise l'humanité en deux groupes dont la frontière ne sépare pas seulement l'Eglise de la Synagogue et des autres religions, mais, à l'intérieur du monde chrétien, les justes des pécheurs et à l'intérieur de chaque individu, les moments de grâce des moments de chute. La théologie de ces jeux n'est pas la vulgarisation d'un catéchisme sommaire, mais une construction dramatique ambitieuse.Arnoul Gréban porte sur le théâtre la synthèse thomiste, Jean Michel la pensée nominaliste. Remontant à l'origine de l'économie du salut, ces deux poètes identifient aussi l'origine du mal. Ils représentent l'histoire humaine sous la forme d'un mythe familial, d'une histoire de frères ennemis constamment répétée, dont Caïn est le paradigme et Judas l'expression artistique la plus inquiétante. La vie est un drame qui s'achèverait à coup sûr dans le désespoir et l'auto-destruction si la mort du Rédempteur n'avait enrayé le mécanisme fatal et diabolique de l'envie.
French literature --- Drama --- Biography: 1200-1499 --- anno 1500-1599 --- French drama --- Passion-plays --- Christian drama, French --- Théâtre français --- Passions (Théâtre) --- Théâtre chrétien français --- History and criticism. --- History and criticism --- Histoire et critique --- Théâtre français --- Passions (Théâtre) --- Théâtre chrétien français --- Passion-plays - History and criticism --- Christian drama, French - History and criticism --- French drama - 16th century - History and criticism --- French drama - To 1500 - History and criticism
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Drama --- anno 800-1199 --- anno 1200-1499 --- Germany --- Bible --- Bijbel --- Geschiedenis van de Middeleeuwen --- Histoire du Moyen Age --- Théâtre --- Toneel --- Mysteries and miracle-plays, German --- Passion plays --- Bible plays --- German drama --- Easter --- History and criticism --- -Easter --- -Passion plays --- -Bible plays --- -Mysteries and miracle-plays, German --- -Academic collection --- German miracle-plays --- German mysteries and miracle-plays --- Plays, Bible --- Amateur plays --- Children's plays --- Mysteries and miracle-plays --- Religious drama --- Drama, Medieval --- Theater --- Church year --- Fasts and feasts --- Holy Week --- German literature --- -History and criticism --- Academic collection --- Drama&delete& --- Criticism, interpretation, etc. --- History --- Biblia --- Mysteries and miracle-plays, German - History and criticism --- Passion plays - History and criticism --- Bible plays - History and criticism --- German drama - Middle High German, 1050-1500 - History and criticism --- Easter - Drama - History and criticism
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The book is an anthropological study of a phenomenon observed within the range of contemporary Polish Catholic religiosity. The Crucified focuses on two fundamental issues: passion plays and performance theory. It presents an analysis of material collected during five years of field research, which sheds light on the varied world of religious performances. The phenomenon of passion plays is extremely complex and to some extent heterogeneous, hence its in-depth analysis reveals much not only about its own nature, but also about the entire modern religiosity. As a result, the book is constructed in such a way as to focus on a single phenomenon, but with conclusions extending to a much wider range of contemporary religious practices. The book reveals the need for self-expression of one’s own attitudes observable in contemporary spirituality, as well as the increasing participation of believers in the development of their religious life and thus in the formation of their own religious identity. All these processes are interpreted in terms of performance theory. Applying this approach makes it possible to capture the believers’ need for activity and creativity in the field of practices alternative to the liturgy.
Passion-plays. --- Drama --- Drama, Medieval --- Religious drama --- Theater --- Catholic Church. --- Passion-plays --- Christianity --- History and criticism --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- Passion-plays - History and criticism --- Christianity - Poland --- Poland. --- 1939-1945 --- A' Phòlainn --- An Pholainn --- Borandi --- Bu̇gėdė Naĭramdakha Polʹsho Ulas --- Būland --- Būlūniy --- Bupolska --- Bupoolo --- Commonwealth of Poland --- Congress Kingdom of Poland --- Congress Poland --- Crown of the Kingdom of Poland and the Grand Duchy of Lithuania --- General Government for Occupied Polish Territories --- Gweriniaeth Gwlad Pwyl --- Gwlad Pwyl --- IPoland --- IPolandi --- Kingdom of Poland --- Kongresówka --- Królestwo Kongresowe Polskie --- Królestwo Polskie --- Kunngiitsuuffik Poleni --- Lahistān --- Lehastan --- Lehastani Hanrapetutʻyun --- Lengyel Köztársaság --- Lengyelország --- Lenkija --- Lenkijos Respublika --- Lýðveldið Pólland --- P.N.R. --- P.R.L. --- Pho-lân --- Pho-lân Kiōng-hô-kok --- Pholainn --- Pholynn --- PNR --- Pô-làn --- Poalen --- Pobblaght ny Polynn --- Poblachd na Pòlainn --- Poblacht na Polainne --- Poin --- Polaki --- Polaland --- Poland --- Polandia --- Pōlani --- Pole --- Polen --- Poleni --- Polija --- Polijas Republika --- Polin --- Polisce Cynewise --- Polish Commonwealth --- Polish-Lithuanian Commonwealth --- Polish People's Republic --- Polish Republic --- Poljska --- Pólland --- Pollando --- P'olland --- Pologne --- Polóña --- Poloni --- Polonia --- Poloniako Errepublika --- Polonie --- Polonya --- Polonyah --- Polonye --- Poloonya --- Polòy --- Polşa --- Polşa Respublikası --- Polsca --- Polʹsha --- Polʹsha Mastor --- Polʹshæ --- Polʹshæĭy Respublikæ --- Polʹshcha --- Polsh --- Polʹshin Orn --- Polʹsho --- Polska --- Polská republika --- Polska Rzeczpospolita Ludowa --- Polʹskai͡a Narodnai͡a Respublika --- Polskas --- Polsko --- Pòlskô Repùblika --- Pol'šu --- Poola --- Poola Vabariik --- Poyln --- Ppolsŭkka --- PRL --- Pulandia --- Pulógna --- Puluña --- Puoleja --- Puolejis Republika --- Repubblica di Polonia --- Republic of Poland --- República de Polonia --- Republica de Polsca --- Republiek van Pole --- Republik Pole --- Republik Polen --- Republika Poljska --- Republika Polsha --- Republiḳat Polin --- Republikken Polen --- République de Pologne --- République populaire de Pologne --- Repúbrica de Poloña --- Rėspublika Polʹshcha --- Respubliko Pollando --- Ripablik kya Bupoolo --- Ripublik Pulandia --- Ripublika Puluña --- Rzeczpospolita Polska --- Tavakuairetã Polóña --- T͡Sarstvo Polʹskoe --- Warsaw (Duchy) --- Yn Pholynn --- Europe --- Catholicism. --- Passion plays. --- performance. --- religious experience.
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