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Participatory theater. --- Théâtre --- Participation du public.
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"This book is both about plays, and about writing and staging them for immersive theater, particularly in the areas of juvenile detention, wartime interventions and immigration processes. It presents scripts and strategies for practitioners who want to create theatrical environments that are pedagogical, aesthetically evocative and politically provocative--and both simple and complex"--
Participatory theater. --- Theater --- Production and direction.
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Participatory theater --- Theater --- German. --- Rimini Protokoll (Theater group)
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German drama --- Participatory theater --- Performing arts --- Politik. --- Theater --- Theater. --- History and criticism. --- History. --- Political aspects
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Theatrical science --- drama [literature] --- audiences --- drama [discipline] --- Performing arts --- Participatory theater. --- Audiences.
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"At present, we are witnessing a significant transformation of established forms of spectatorship in theatre, performance art and beyond. In particular, immersive and participatory forms of theatre allow audiences and performers to interact in a shared performance space. Staging Spectators in Immersive Performances discusses forms and concepts of contemporary spectatorship and explores various modes of audience participation in theory as well as in practice. The volume also reflects on what new terms and methods must be developed in order to address the theoretical challenges of contemporary immersive performances. Split into three parts, Staging Spectators in Immersive Performances respectively focuses on various strategies for mobilising the audience; methodological questions for research on being a spectator in immersive and participatory forms of theatre; and thematising new modes of partaking and ways of spectating in contemporary art. Poignantly capturing experiences that can be viewed as manifestations of affective relationality in the strongest possible sense, this volume will appeal to students and researchers interested in fields such as Theatre and Performance Studies, Media Studies and Philosophy"--
Theatrical science --- performance art --- spectators [event observers] --- Participatory theater. --- Performance art. --- Spectators.
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Film is often conceived as a medium that is watched rather than experienced. Existing studies of film audiences, and of media reception more broadly, have revealed the complexity of viewing practices and cultures surrounding cinema-going and its exhibition spaces. Experiencing Cinema offers the first in-depth study of participant engagement with a range of experiential media forms derived from cinema culture. From sing-a-long screenings to theatrical extravaganzas, a broad spectrum of alternative film-going practices and immersive spaces are explored and analysed in this original audience study.Moving from intimate community gatherings to blockbuster urban venues, from isolated farmhouses to Olympic stadia, Experiencing Cinema considers the lure and value of these popular events. Often attracting a diverse, intergenerational range of participants, from early-adopter urban hipsters to DIY rural communities, the growing demand for participatory cinema within the contemporary marketplace is analysed alongside broader debates circulating around the move away from traditional tiered seating and increased audience mobility and the de-centring of the film text.
Motion picture audiences. --- Motion pictures --- Motion picture theaters. --- Motion picture theaters --- Participatory theater. --- Social aspects.
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This book is the first full-length monograph to focus on Punchdrunk, the internationally-renowned theatre company known for its pioneering approach to immersive theatre. With its promises of empowerment, freedom and experiential joy, immersive theatre continues to gain popularity - this study brings necessary critical analysis to this rapidly developing field. What exactly do we mean by audience “immersion”? How might immersion in a Punchdrunk production be described, theorised, situated or politicised? What is valued in immersive experience - and are these values explicit or implied? Immersive Theatre and Audience Experience draws on rehearsals, performances and archival access to Punchdrunk, providing new critical perspectives from cognitive studies, philosophical aesthetics, narrative theory and computer games. Its discussion of immersion is structured around three themes: interactivity and game; story and narrative; environment and space. Providing a rigorous theoretical toolkit to think further about the form’s capabilities, and offering a unique set of approaches, this book will be of significance to scholars, students, artists and spectators.
Performing arts --- Participatory theater. --- Audiences. --- Audience participatory theater --- Immersive theater --- Participation theater --- Theater --- Audiences, Performing arts --- Performing arts audiences --- Arts audiences --- Theater. --- Theatre and Performance Studies. --- Cultural Studies. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Acting --- Actors --- Cultural studies.
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