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Chansonvertonungen des 14. Jahrhunderts in Norditalien : Untersuchungen zum Überlieferungsbestand des Codex Reina.
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ISBN: 348711710X Year: 2002 Volume: 17 Publisher: Hildesheim Olms

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Canzoni francese libro primo : Ottaviano Scotto's 1535 Collection of Twenty-Three Chansons for Four Voices
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ISBN: 1987200187 9781987200188 Year: 2018 Volume: 170 Publisher: Middleton, Wisconsin : A-R Editions,

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French motets in the thirteenth century : music, poetry and genre
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ISBN: 0521395399 Year: 1994 Volume: *3 Publisher: Cambridge Cambridge University Press


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Un ballet démasqué : l'union de la musique au verbe dans Le Printans de Jean-Antoine de Baïf et de Claude Le Jeune
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ISBN: 2051010188 9782051010184 Year: 1988 Publisher: Paris,Genève : Champion-Slatkine,

Allegorical play in the Old French motet : the sacred and the profane in thirteenth-century polyphony
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ISBN: 0804727171 9780804727174 Year: 1997 Volume: *11 Publisher: Stanford, Calif. : Stanford University Press,

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The motet began as a form of sacred vocal music in several parts; a cantus firmus or tenor, drawn from sacred Latin chant, served as a foundation for one or more upper voices. The French motet was a well-established form by the middle of the thirteenth century, as were bilingual motets that combined at least one French and one Latin text among the upper voices. Though some attention is paid to melodic structure and the relationship between text and music, this book focuses on the literary artistry of the texts of French and bilingual motets, notably the special feature of motets that distinguished them from other medieval lyric forms: the phenomenon of polytextuality. The author analyzes both the interaction of the texts within a motet (when there is more than one texted voice) and the relationship between the texted voice(s) and the tenor. Although some French motets employ vernacular refrains as tenors, the vast majority use Latin tenors, thus maintaining an explicit tie to the liturgical origins of the genre. This presence of sacred and profane elements within a single motet presents an interpretive dilemma that the author suggests can be resolved through an allegorical or parodic reading; indeed, she argues that the tension between allegory and parody is an essential feature of the French motet. The book examines the creative juxtaposition of sacred tenors and vernacular lyric motifs, and the resulting interplay of allegorical and parodic meanings, focusing in particular on the female persona as object of desire and as desiring subject, and on the motives of the separation and reunion of lovers. The author's analysis also discusses the links between the French motet and the secular lyric, the allegorization of love poetry in sermons and mystical texts, sacred parody, and the playful use of liturgical and biblical citations in erotic poetry.

Gautier de Coinci : miracles, music, and manuscripts
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ISBN: 9782503520605 250352060X 9782503538990 Year: 2006 Volume: 13 Publisher: Turnhout Brepols

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Gautier de Coinci (c. 1177-1236) was a Benedictine prior, a poet and composer, and the author of several very popular religious works, including a large collection of Miracles of the Virgin in French, which enjoyed a wide circulation during the Middle Ages. Gautier drew on multiple Latin sources for his work, embellishing and personalizing them as he adapted them to his poetic design. Conceiving of his collection of miracles as a complete work, Gautier carefully organized the tales into two books, framing each with authorial exordia and lyrics praising the Virgin. In addition to its obvious literary interest, the subsequent manuscript tradition offers a remarkable panorama of medieval manuscript production, in particular due to the fascinating combination of text, music and illustration. Bringing together a select group of scholars from multiple disciplines (including art history, musicology, and literary studies), this collection of essays explores complementary aspects of Gautier, his works, and his manuscripts. The volume offers both breadth and depth in its examination of Gautier de Coinci and his Miracles de Nostre Dame. It promises to redefine Gautier studies through its interdisciplinary consideration of the varied facets of his work as it makes available to scholars and students the first interdisciplinary examination of this key figure in medieval vernacular religious culture.

Keywords

Music --- Gautier de Coinci --- Manuscripts, Medieval --- Manuscripts, French --- Part songs, French --- Manuscrits médiévaux --- Manuscrits français --- Polyphonies françaises --- History --- History and criticism. --- Histoire --- Histoire et critique --- Gautier, --- Mary, --- Manuscripts. --- In literature. --- Songs and music. --- History and criticism --- Manuscripts --- In literature --- 091 GAUTIER DE COINCI --- 091:78 --- Handschriftenkunde. Handschriftencatalogi--GAUTIER DE COINCI --- Handschriften i.v.m. muziek --- 091:78 Handschriften i.v.m. muziek --- 091 GAUTIER DE COINCI Handschriftenkunde. Handschriftencatalogi--GAUTIER DE COINCI --- Manuscrits médiévaux --- Manuscrits français --- Polyphonies françaises --- French part songs --- Part-songs, Old French --- French manuscripts --- ʻAdhrāʼ --- Arogyamata --- Ārōkkiyamāta --- Birhen ng mga Dukha --- Blessed Lady --- Blessed Mother --- Blessed Virgin Mary, --- Hagnē Theotokos --- Madonna, The --- Mama Mary --- Mare de Déu --- Maria, --- Mariam Astuatsatsin --- Marie, --- Marie Théotokos --- Marii︠a︡, --- Maryam, --- Maryja, --- Meryem Ana --- Miryam, --- Mother of God --- Muíre, --- Nossa Senhora --- Our Lady --- Our Lady of Good Health --- Our Lady of Sorrows --- Our Lady of the Blessed Sacrament --- Qiddīsah Maryam --- Theotokos --- Vierge Marie, --- Virgen María --- Virgin Mary, --- Virgin of the Poor --- Ynang Maria --- مريم --- مريم العذراء --- 성모마리아 --- Our Lady of Emmitsburg --- Majka Isusova --- Coinci, Gautier de, --- Coincy, Gautier de, --- Coinsi, Gautier de, --- Gauthier, --- Gautier de Coincy, --- Mary [Blessed Virgin ] --- Songs and music --- Manuscripts [Medieval ] --- France --- Manuscripts [French ] --- To 1500 --- Part songs --- 500-1400 --- Manuscripts, Medieval - France --- Manuscripts, French - History - To 1500 --- Part songs, French - 500-1400 - History and criticism --- Gautier, - de Coinci, - 1177?-1236 --- Gautier, - de Coinci, - 1177?-1236 - Manuscripts --- Gautier, - de Coinci, - 1177?-1236. - Miracles Nostre Dame --- Mary, - Blessed Virgin, Saint - In literature --- Mary, - Blessed Virgin, Saint - Songs and music --- Mariam Astuatsatsin, --- Meryem Ana, --- Virgen María, --- Ynang Maria, --- Gautier de Coincy (117.-1236) --- Musique --- Ménestrels --- Critique et interprétation --- Moyen âge --- 13e siècle --- Vie intellectuelle --- Mary, - Blessed Virgin, Saint

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