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Painting --- Paragone (Aesthetics). --- Early works to 1800.
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Paragone (Aesthetics) --- Art and literature --- Ut pictura poesis (Aesthetics) --- Aesthetics --- Humanism in art --- Ronsard, Pierre de, --- Knowledge --- Arts.
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Art, Italian --- Art, Baroque --- Sculpture --- Painting --- Paragone (Aesthetics) --- Art, Renaissance --- Themes, motives. --- Themes, motives. --- Philosophy. --- Philosophy. --- Themes, motives.
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This book examines Ronsard's participation in the heated paragone debate between poets and painters: the Renaissance contest for superiority in the ranking of the arts that emerged in the counterpoint to the parity-centered, pseudo-Horatian principle of ut pictura poesis ("as is painting, so is poetry"). The book explores issues that, despite their importance throughout Ronsard's poetry and the writings of such leading paragone theorists as Leone Battista Alberti and Leonardo de Vinci, have remained largely unnoticed. In broadest terms, it investigates the poet's notions about the differences between poems and pictures. More precisely, it examin4es his views on two fundamental preoccupations of the theoretical and practical discussions about the arts during the Renaissance: which mode of expression, work or image, can more accurately and meaningfully represent natural realities and abstract celestial truths; and thus, whose art, the poet's or the painter's, holds the highest station in the hierarchy of human creative endeavor?
Ut pictura poesis (Aesthetics) --- Ut pictura poesis (Esthetica) --- Ut pictura poesis (Esthétique) --- Art and literature --- Ronsard, Pierre de, --- Knowledge --- Arts. --- Paragone (Aesthetics) --- Paragone (Aesthetics). --- Ut pictura poesis (Aesthetics). --- Ronsard, Pierre de --- Arts --- France --- Ronsard, Pierre de, - 1524-1585 - Knowledge - Arts. --- Art and literature - France. --- Ronsard, Pierre de, - 1524-1585
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Literary semiotics --- Psychological study of literature --- English literature --- Iconography --- Art and literature --- Imagery (Psychology) in literature --- Visual perception in literature --- Intertextuality --- Paragone (Aesthetics) --- Words in art. --- Ekphrasis. --- Visual literature --- History and criticism
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Art, Italian --- Art, Baroque --- Sculpture --- Painting --- Paragone (Aesthetics) --- Art, Renaissance --- Themes, motives. --- Philosophy. --- Peinture italienne --- Sculpture italienne --- 15e siècle-17e siècle --- Esthétique --- Italie --- paragone [concept] --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Themes, motives --- Philosophy --- Art, Renaissance - Italy - Themes, motives --- Art, Baroque - Italy - Themes, motives --- Art, Italian - Themes, motives --- Painting - Philosophy --- Sculpture - Philosophy --- Italiaanse school
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Exhibitions --- Paragone (Aesthetics) --- Aesthetics --- Leonardo, --- Da Vinci, Leonardo, --- Léonard, --- Leonardo da Vinci, --- Lieh-ao-na-to, --- Lionardo, --- Liyūnārdū Dāvīnshī, --- Vinchi, Leonardo da, --- Vinci, Leonardo da, --- Леонардо да Винчи, --- Леонардо, --- לאונרדו, --- ליאונארדו, --- ליאונרדו דא וינצ׳י --- ליאורנרדו, --- Criticism and interpretation. --- Lieaonaduo,
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Leonardo da Vinci's arguments for the supremacy of painting over the arts of poetry, music, and sculpture address issues that have been relevant to debates over the nature of representation since the time Plato discussed imitation until today, maintains Claire Farago in this wide-ranging critical analysis of the first important modern contribution to the comparison of the arts. This study systematically examines 46 passages compiled in the mid-sixteenth century from eighteen of Leonardo's notebooks and their relationship to the artist's holograph writings on painting, providing a critical transcription newly made from the Codex Vaticanus Urbinas 1270 and a new English translation with extensive notes that take into account Leonardo's scientific terminology, the highly contrived form of his rhetorical argumentation, and the role played by his original editors.
Painting --- Paragone (Aesthetics) --- Philosophy --- Leonardo, --- Aesthetics --- Codex Vaticanus Urbinas 1270 --- Ut pictura poesis (Aesthetics) --- Art and literature --- Humanism in art --- Philosophy. --- Da Vinci, Leonardo, --- Leonardo da Vinci, --- Léonard, --- Lieaonaduo, --- Lionardo, --- Liyūnārdū Dāvīnshī, --- Vinchi, Leonardo da, --- Vinci, Leonardo da, --- Леонардо да Винчи, --- Леонардо, --- לאונרדו, --- ליאונארדו, --- ליאונרדו דא וינצ׳י --- ליאורנרדו, --- Aesthetics. --- Codex Vaticanus Urbinas 1270. --- Codex Urbinas 1270 --- Codice Vaticano Urbinate latino 1270 --- Painting - Philosophy --- Leonardo, - da Vinci, - 1452-1519 - Aesthetics --- painting techniques --- paragone [concept] --- art theory --- kunstliteratuur --- Trattato della Pittura --- Leonardo da Vinci --- Leonardo, - da Vinci, - 1452-1519
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"Preimesberger's incisive and erudite analysis of social history, biography, rhetoric, art theory, wordplay, and history illuminates these works anew, thus affording a modern audience a better understanding of the subtleties of their composition and meaning."--Jacket.
History --- Sculpture --- Painting --- paragone [concept] --- Iconography --- Philosophy --- Raphael --- Caravaggio, da, Michelangelo M. --- Bernini, Giovanni Lorenzo --- Eyck, van, Jan --- Michelangelo --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Europe --- Caravaggio --- Art, Renaissance --- Art, Baroque --- Painting, European --- Sculpture, European --- Paragone (Aesthetics) --- Art de la Renaissance --- Art baroque --- Peinture --- Peinture européenne --- Themes, motives. --- Philosophy. --- Thèmes, motifs --- Philosophie --- Peinture européenne --- Thèmes, motifs --- Aesthetics --- European sculpture --- Stonework, Decorative --- Art --- Bas-relief --- Statues --- Baroque art --- Renaissance art --- Themes, motives --- barok --- beeldhouwkunst --- iconografie --- kunstfilosofie --- paragone --- renaissance --- schilderkunst --- Bernini, Gian Lorenzo --- Eyck, Jan van --- Raphaël --- 15de eeuw --- 16de eeuw --- 17de eeuw --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Sculpture, Primitive --- Buonarroti, Michelangelo --- schilderkunst. --- kunstfilosofie. --- barok. --- sculptuur. --- paragone. --- iconografie. --- van Eyck, Jan. --- Rafaël. --- Michelangelo. --- Bernini, Gian Lorenzo. --- Caravaggio. --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- sculptuur --- van Eyck, Jan --- Rafaël
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