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Il y a cinq siècles, Bruges était le berceau des primitifs flamands. A l'époque une des plus grandes villes d'Europe et plaque tournante du commerce international, elle était le lieu de rencontre de nombreux négociants étrangers. C'est à une visite guidée de cette Bruges médiévale que Till-Holger Borchert, directeur des musées de Bruges, invite le lecteur. La richesse de la ville et les goûts raffinés des Brugeois attiraient des artistes par dizaines. Les chefs de file des "primitifs flamands", Jan van Eyck, Hans Memling, Dieric Bouts, Hugo van der Goes et Gerard David, donnèrent naissance au XVe siècle à un nouveau style pictural dont l'influence rayonnera jusque dans le sud de l'Europe. Nombre de leurs tableaux comptent aujourd'hui armistice les pièces maîtresses des plus illustres musées du monde, mais Bruges est parvenue à garder un remarquable échantillon de cet héritage qui est le sien. Cet ouvrage, qui met ce patrimoine à la portée du lecteur, est l'introduction idéale à la Bruges artistique du XVe siècle et, pour ceux qui auront déjà pu admirer les oeuvres des primitifs flamands conservées à Bruges, un beau souvenir de leur visite.
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Painting, Anonymous --- Panel painting, Flemish --- Exhibitions.
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Painting, Anonymous --- Panel painting, Flemish --- Exhibitions.
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The Jordaens Van Dyck Panel Paintings Project (JVDPPP) is an innovative multidisciplinary art historical initiative co-founded by Dr. Joost Vander Auwera and Drs. Justin Davies. JVDPPP is systematically studying the oil paintings on oak panels by Jacques Jordaens (1593-1678) and Anthony Van Dyck (1599-1641). A comprehensive dendrochronological survey and the recording and collating of the Antwerp panel makers’ and Guild brand marks on the reverse of the panels, combined with new archival research and traditional art historical scholarship, will throw new light on these artists, their oeuvres and painting on wood panels in the 17th century.
Panel painting, Flemish --- Panel painting, Flemish. --- Jordaens, Jacob, --- Van Dyck, Anthony, --- Jordaens, Jacob, --- Van Dyck, Anthony,
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"Any contemporary understanding of early Netherlandish paintings must take into account not only that historical data about them is fragmentary but also that art historians have used a variety of premises from which to study the works. This book, therefore, explores how the paintings of the period and the factual knowledge surrounding them have been assembled, analyzed, and interpreted from their rediscovery in the early nineteenth century to the present day." "Assembling these multiple perspectives in one volume, the editors underscore the common ground shared by their colleagues and intend thereby to advance the scholarly dialogue among them."--Jacket.
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